Slow Burn

Ray Liotta as a DA running for Mayor who has trouble when one of his best and brightest assistants turns herself in for shooting someone in self defense. Complicating matters is a drug lord who shows up to tell Liotta things are not as they seem.

Bad make up job on our leading actress aside this is a good but not great little thriller that would have fared better as "made for cable original" where the expectations wouldn't be that high. Give it points for twisting and turning, take one or so back for being only a step or two above most direct to video releases.

Worth a look but late on a Saturday night where this would be perfect fare before bed time.

Wayne Beach's storytelling tactics are very particular but eventually effective. Characters are chameleon-like and plot is transparent and convoluted at the same time, reminding a bit John Grisham's novels adaptations. The twists capsizing everything over the last twenty minutes turn the conclusion into a big mess but heat is not lacking at all. Plot reversals and action flashes look like a fusion of "The Usual Suspects" and Hollywoood legal thrillers, besides this political/Court story also handles themes of racial confusion and conflicts. Not a stellar cast, but the movie is overall well acted (Ray Liotta has a pulse as usual).

This wore out its welcome about 40 minutes into the movie and after the halfway point, about 10 minutes later, I totally didn't care if our girl here was innocent or guilty. The story just became plodding.

I am so glad it wasn't just me, that the first review I see here - Mermaidbronze - felt the same way I did. I'll put it in simple terms: this film was not as "smart" and "clever" as it thought it was. In fact, it was stupid because it committed the ultimate sin for making a movie - it bored the hell out of its audience, and an audience that includes some "smart people" who can figure things out. A convoluted movie is just that, and not fun to watch no matter what any viewer's IQ might be.

Movies that revolve around the big question "Did he/she kill the person or not" are either extremely interesting and involving or the opposite. I found it un-involving, and when you don't care about the characters, then you don't care who's innocent or guilty and the film loses all effectiveness.

This movie was filmed in 2003 but not released until this year - four years later! Maybe they knew it was a turkey.

I rented this movie because of the actors involved - Ray Liotta, LL Cool J, Taye Diggs, Mekhi Phifer and the great Bruce McGill. However, the movie basically bored and confused me simultaneously. To put it simply, it's just too messy. The movie touches on some interesting subjects and has some potential - but the end result is, well, quite a mess.

Slow Burn seems to be quite inspired by "The Usual Suspects" - which is by no means a bad thing. But it all just gets too convoluted. I lost track of the tricks the movie tried to pull to surprise the audience toward the end. It seemed pretty forced as did all the flashbacks throughout the film. I will, however, give the movie credit for "hiding" the bad guy really well - I didn't guess who it was, despite being a big movie buff. The actors all do their jobs just fine, though I think LL Cool J was somewhat miscast.

All in all I would not recommend this movie. I guess there is a reason it was held back for 2 years ;-)

I remember growing up on films such as The Firm, The Pelican Brief, The Client, The Fugitive, films with enough plot twists and turns to keep things fresh and interesting. I was more than pleasantly surprised to see excellent performances from an otherwise pieced-together cast of Ray Liotta, Taye Diggs, LL Cool J, Mekhi Phifer, Chiwetel Ejiofor, and of course Jolene Blalock. I enjoyed every minute of this film whose score and choice of background, and especially credit, music made it all that much more memorable.

Personally, I love films in, around, or about the city. Without giving anything away, Slow Burn deals with corruption and a little gang-related mystery; all the while providing that sense of empathy for Liotta's character that seems all too absent in modern films today.

No, this film is not for everyone, but if you can remember what it was like to be genuinely stringed along and interested in what happens at every twist and turn of those 90's film plots, then you should find yourself feeling that you got you're 9.50's worth on a Friday night.