Layer Cake

I went into Layer Cake with no expectations. Being honest, I found the trailer tedious the second time I saw it. I didn't like the whole cake idea, it was okay to a certain extent I guess. I did however enjoy Lock Stock and Snatch. Layer Cake is a different kind of animal.

Whilst Lock Stock and Snatch were more comedy based, Layer Cake has this more serious approach, no names flashing on the screen, identifying any of the characters, so you have to pay extra special attention!

There are several flashback/sub plots which don't particularly help as they can confuse you if you're not paying attention. There were many characters introduced to you in a short space of time and then suddenly going off at a tangent involving some of the 'slightly minor lead' characters.

You can see the influences of other directors in Matthew Vaughn's end product. The direction style is good and the montage is solid.

Daniel Craig gives a good solid performance. His narrative does help place him well in the movie. His narrative in the beginning is definitely something that draws you in. The rest of the performances are pretty good. Tamer Hassan has a minor role. After seeing the major role he had in The Football Factory, he can act, he should have possibly had a larger character. His character does not shine across as that 'demented' as that in The Football Factory. Sienna Miller was underused also, which was a shame.

Although there are some problems with the story, Matthew Vaughn has made a respectable movie. This being his debut, he has nothing to be ashamed of. As long as he works on the clarity of the plot more, he will have no problems securing full audiences. Layer Cake gives a good reputation to British films instead of the some rubbish released over the last few years.

I enjoyed the ending, it was good, I'm not going to say anything about it!

My rating 7/10

For people who think convoluted is clever. For people who think ensembling an assortment of gangster stereotypes is expansive.

Still, it mostly works. The acting is fine. Everything to do with "The Serbs" is ridiculous. One minute "The Serbs" are blood-thirsty, omniscient masters of crime. The next minute they are shoulder-shruggers who can't find anyone in London and fall for the oldest trick in the book.

But, given that the acting & style are the two best attributes of the film, can you imagine how bad the book must be?

"Layer Cake" the stylish neo noir film by Matthew Vaughn, making his directorial debut, shows a man with enormous potential to do much better in future projects. The film, based on J.J. Connelly's novel, is a study about the drug business by some ruthless people that are making a lot of money with their illegal commerce.

Point in case, the nameless hero of the story who figures he has played the game right and now is about to make an exit from the business. Little does he know that his friend Jimmy Price has other ideas for him to execute, no doubt driven by a desire to get him in trouble, as proves to be the case.

"Layer Cake" screams for a second viewing. In fact, it is probably a requirement because it will make things clearer to the viewer who might get lost in this story with so many twists and turns.

Daniel Craig is the best thing going in the movie. In fact, he kept reminding us of a young Steve McQueen because of his cool demeanor and how he seems to move effortlessly throughout the film. Kenneth Cranham, as Jimmy Price, is also another actor whose contribution is an asset in the film. Michael Gambon, leaner and tanner, is a cool drug lord who rules a vast empire. Colm Meaney also is excellent, as well as the extensive cast.

Look for the next film by Matthew Vaughn!

After being cast as Bond, Daniel Craig's back catalogue is now much sought after. Although Craig came to most of the UK's attention with a stand out performance in Our Friends in the North, it's Layer Cake that showcases why he got the Bond audition. Perhaps now, this strong contender for the best thriller of the year may find the audience it deserves. Mis-sold as a more art house friendly addition to the Guy Ritchie school of crime films, Layer Cake is a unique and remarkable experience.

The plot is deceivingly simple and would wrongly be placed in the gangster-wanting-to-retire-peacefully cinema staple seen frequently in Al Pacino movies. It is a much greater accomplishment that the audacious visual style, superb script and excellent performances make easy comparisons to this film pretty difficult. If anything it is closer to Schrader's 'American Gigalo' where the morally questionable hero is engulfed in a situation going on around him. The predominantly male cast is faultless with everyone from Dexter Fletcher to Michael Gambon putting in superb turns to give the characters justice. Far more human than the cartoon stereotypes we've come to expect after so very many Brit gangster flicks. Craig has never looked in better shape for taking on Hollywood.

Hats off then to Matthew Vaugn for filming Britain as it can look. Grimy in places but every bit astonishing in locations as our Stateside cousins. We've grown too used to seeing rain pouring and hackneyed clichés that have represented this country on celluloid. It's not foppish. It's not Bend It Like Beckham. So there really is no excuse left not to see it (aside from the awful trailer). Layer Cake deserves a wide audience and there's more than enough of everything for everyone to enjoy. At times hilarious, astonishingly frank and incredibly concise the whole film is a pure joy and clearly made for people that love film. Makes you wonder why they can't all be as classy as this.

I was expecting good things and wasn't disappointed. It's been a while since I saw a good British gangster film. Layer Cake filled the void nicely. The acting was good, script was tight and the film was well cast. People I had not seen before were well used in their characters. The film starts out nice and simple but as it progreses it gets quite deep and twisted.

I was most surprised by Colm Meaney, I've ever only known him in Startrek.

But was superbly cast and had a quite menacing air about him.

LC has a few laughs for those with a more twisted sense of humour, it's not obvious comedy either and the film never plays for laughs. Very different to Lock Stock and Snatch. The director did well to move out from Guy Ritchie and make a serious film.