Layer Cake

I was expecting good things and wasn't disappointed. It's been a while since I saw a good British gangster film. Layer Cake filled the void nicely. The acting was good, script was tight and the film was well cast. People I had not seen before were well used in their characters. The film starts out nice and simple but as it progreses it gets quite deep and twisted.

I was most surprised by Colm Meaney, I've ever only known him in Startrek.

But was superbly cast and had a quite menacing air about him.

LC has a few laughs for those with a more twisted sense of humour, it's not obvious comedy either and the film never plays for laughs. Very different to Lock Stock and Snatch. The director did well to move out from Guy Ritchie and make a serious film.

After being cast as Bond, Daniel Craig's back catalogue is now much sought after. Although Craig came to most of the UK's attention with a stand out performance in Our Friends in the North, it's Layer Cake that showcases why he got the Bond audition. Perhaps now, this strong contender for the best thriller of the year may find the audience it deserves. Mis-sold as a more art house friendly addition to the Guy Ritchie school of crime films, Layer Cake is a unique and remarkable experience.

The plot is deceivingly simple and would wrongly be placed in the gangster-wanting-to-retire-peacefully cinema staple seen frequently in Al Pacino movies. It is a much greater accomplishment that the audacious visual style, superb script and excellent performances make easy comparisons to this film pretty difficult. If anything it is closer to Schrader's 'American Gigalo' where the morally questionable hero is engulfed in a situation going on around him. The predominantly male cast is faultless with everyone from Dexter Fletcher to Michael Gambon putting in superb turns to give the characters justice. Far more human than the cartoon stereotypes we've come to expect after so very many Brit gangster flicks. Craig has never looked in better shape for taking on Hollywood.

Hats off then to Matthew Vaugn for filming Britain as it can look. Grimy in places but every bit astonishing in locations as our Stateside cousins. We've grown too used to seeing rain pouring and hackneyed clichés that have represented this country on celluloid. It's not foppish. It's not Bend It Like Beckham. So there really is no excuse left not to see it (aside from the awful trailer). Layer Cake deserves a wide audience and there's more than enough of everything for everyone to enjoy. At times hilarious, astonishingly frank and incredibly concise the whole film is a pure joy and clearly made for people that love film. Makes you wonder why they can't all be as classy as this.

"Layer Cake" the stylish neo noir film by Matthew Vaughn, making his directorial debut, shows a man with enormous potential to do much better in future projects. The film, based on J.J. Connelly's novel, is a study about the drug business by some ruthless people that are making a lot of money with their illegal commerce.

Point in case, the nameless hero of the story who figures he has played the game right and now is about to make an exit from the business. Little does he know that his friend Jimmy Price has other ideas for him to execute, no doubt driven by a desire to get him in trouble, as proves to be the case.

"Layer Cake" screams for a second viewing. In fact, it is probably a requirement because it will make things clearer to the viewer who might get lost in this story with so many twists and turns.

Daniel Craig is the best thing going in the movie. In fact, he kept reminding us of a young Steve McQueen because of his cool demeanor and how he seems to move effortlessly throughout the film. Kenneth Cranham, as Jimmy Price, is also another actor whose contribution is an asset in the film. Michael Gambon, leaner and tanner, is a cool drug lord who rules a vast empire. Colm Meaney also is excellent, as well as the extensive cast.

Look for the next film by Matthew Vaughn!

The trailers to Layer Cake left me with mixed feelings. Usually when a trailer needs to draw reference to 'one's we made earlier' (in this case Lock, Stock, and Snatch) when the writer or director of said films has nothing to do with the project, the end result is a poor copycat. After watching the film, I am more than impressed!

Layer Cake introduces us (once more) to the world of the cockney gangsters, and the dealing of drugs. The medication of choice this time is Ecstacy, and the set up involves an up-and-coming name in the dealing trade being thrown a job by one of the big names. Sent to find a missing girl, and also buy and sell on a large shipment, it all seems like easy work. However, as he soon finds, things are not always as they seem, and before long his life is at risk when the deal begins to go sour.

For the first 20 minutes of the film I couldn't decide whether it was going to be a Lock, Stock, or Honest (the dreadful All Saints film). The film uses the obligatory 'catchy' tunes from the past 2 decades, and uses the same type of framing of scenes as the genre. For the first 20 minutes, whilst we were introduced rapidly to the characters in the tale, it was hard to discern where the plot was going, and even harder to care much about the players. By the half way point I was engrossed! The plot twists and turns at various points throughout, and you do begin to care about the lead character and the associates around him.

The film oozes cockney cool, and although not quite on par with the best of the genre, it is still a worthy, and very engrossing, offering from director Matthew Vaughn. Stylishly shot, with a great soundtrack, this is one of those films that blokes will walk out of very pleased, but their partners may not feel the same way. Whilst not really violent or sexist in nature, this is a lads film through and through, and it is one cake that I want another slice of.

For people who think convoluted is clever. For people who think ensembling an assortment of gangster stereotypes is expansive.

Still, it mostly works. The acting is fine. Everything to do with "The Serbs" is ridiculous. One minute "The Serbs" are blood-thirsty, omniscient masters of crime. The next minute they are shoulder-shruggers who can't find anyone in London and fall for the oldest trick in the book.

But, given that the acting & style are the two best attributes of the film, can you imagine how bad the book must be?