Four old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers... Read allFour old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers their friendships.Four old college friends in their forties come together in a time of trouble and despair. Old joy relives, but the harsh reality of their problems can't satisfy them and eventually endangers their friendships.
- Awards
- 8 wins & 1 nomination total
Featured reviews
It's been a while since I saw this film, but the one thing I remember best is the fact I was so unimpressed by the acting. While I was still living in Holland, a friend of the family said: 'if you want to see the creme de la creme of Dutch acting, rent this film!' So I did and I wasn't impressed in the least by the unconvincing Dutch actors. Seeing British and (fair enough) a few American actors on screen, you believe they are the people they're portraying. But in this film, I'm sad to say, I had the feeling that the four main actors were very uncomfortable, undoubtedly did their best, but the outcome is nothing much... If you like arty films and are a fan of any of the actors, go and rent it... But if you really want to see a good Dutch film, rent 'Van God Los'. That was far better than this, (this was, to sum up: a rather weak effort to make it feel like a good film). and based on real events.
The story about four men in their mid-life crisis is well written and does not loose focus at any moment. Convincing actors. I did not like the scene with the prostitute. All scenes are realistic and seem to come out of really every-day life. The psychology of the friends is well described by strong dialogue.
2003 was a good year for Dutch Cinema. Not only did we see the success release of 'Van God Los' and 'Phileine zegt sorry', 2003 also saw the release of Cloaca. This movie will appeal to a smaller audience than the other two i just mentioned, but if you read this, go see it. The movie is about four former student buddyies who meet each other in their mid-40ties. One just left his wife, another was a top lawyer but had a nervous breakdown. The 3th guy has a legal battle with his boss, and the last is a director of a stage play, and he is screwing his main actress, the 18 year old daughter of his best friend. The 4 meet and see that their dreams in college have not exactly come true. The question is, is there still a way out for any of them. This may sound like the beginning of a feel good movie, but it isn't. cloaca is funny, dark, depressing and ultimately without mercy. A must see.
Any man should recognize himself in one of the four male characters in this picture. The way these men try (!) to open up to each other demonstrates the difficulties men always had and will have to deal with emotions, friendship, loyalty and relationships. With some (hilarious) subtle jokes, intertwined in strong dialogs and acting, these topics are clearly not men's favorite. Yet, this picture demonstrates that men are eager to to be sensing creatures, even if nature did not make them that way. Women should see this movie instead of any Oprah-like show about understanding the opposite sex. At least one woman has these insights and she wrote this wonderful story!
This is a wonderful drama, originally a play but successfully transformed to cinema. By that I mean that the superb writing is supplemented by images which carry the load.
It is the story of four men who in college had a band called Cloaca. We encounter them 20 years later, each with problems we identify. This all rings true, so true and so closely written that I would probably like it even it were a filmed play.
That's because of the way it is constructed. Each of the men and all of the possible pairings by turns take the role of being outside the play, on the side of the viewer, commenting on the others. This fold is made explicit by two devices. One involves paintings from an artist whose passion is remarked upon and who clearly reflects on the pictures we see. This is one case where the structure is more apt for film than stage.
The other device is more visual (as we never see the paintings). One of the men is a playwright/director who is putting on a play that manipulates this notion of the chorus in the action. He is having sex with a girl in the play who has a central role in that play, and who also happens to be the daughter of one of the other men. Her role in the play is one of the most striking scenes in film: she is covered in some sort of mud and is hosed down to become nude. Its really quite beautiful, interspersed with shots of her disapproving father in the audience being struck by that beauty. Now this fold would have worked better in the stage production I suppose.
There's no question but that this is a guy movie, and proudly not silly. There is no compromise in the dramatic arc to land you in a happy ending. It seems true, and real, and a genuine voyage into what men actually deal with.
A subtle point: all of these men have noble moments but are all damaged in ways that allow them to damage. This is common. But this business about weaving the drama by having subgroups of two among the four take control, well I find that fascinating. Women simply do not do this in my experience, and never in film. Its a turbulent, shifting set of alliances based on direct relaxing of dominance to form partnerships, which then jointly dominate. The result is an essay on the nature of dominant control of the situation, heightened by the fact that we are there only to experience what they control.
A "cloaca" is a single orifice that serves sexual and all elimination needs.
Ted's Evaluation -- 3 of 3: Worth watching.
It is the story of four men who in college had a band called Cloaca. We encounter them 20 years later, each with problems we identify. This all rings true, so true and so closely written that I would probably like it even it were a filmed play.
That's because of the way it is constructed. Each of the men and all of the possible pairings by turns take the role of being outside the play, on the side of the viewer, commenting on the others. This fold is made explicit by two devices. One involves paintings from an artist whose passion is remarked upon and who clearly reflects on the pictures we see. This is one case where the structure is more apt for film than stage.
The other device is more visual (as we never see the paintings). One of the men is a playwright/director who is putting on a play that manipulates this notion of the chorus in the action. He is having sex with a girl in the play who has a central role in that play, and who also happens to be the daughter of one of the other men. Her role in the play is one of the most striking scenes in film: she is covered in some sort of mud and is hosed down to become nude. Its really quite beautiful, interspersed with shots of her disapproving father in the audience being struck by that beauty. Now this fold would have worked better in the stage production I suppose.
There's no question but that this is a guy movie, and proudly not silly. There is no compromise in the dramatic arc to land you in a happy ending. It seems true, and real, and a genuine voyage into what men actually deal with.
A subtle point: all of these men have noble moments but are all damaged in ways that allow them to damage. This is common. But this business about weaving the drama by having subgroups of two among the four take control, well I find that fascinating. Women simply do not do this in my experience, and never in film. Its a turbulent, shifting set of alliances based on direct relaxing of dominance to form partnerships, which then jointly dominate. The result is an essay on the nature of dominant control of the situation, heightened by the fact that we are there only to experience what they control.
A "cloaca" is a single orifice that serves sexual and all elimination needs.
Ted's Evaluation -- 3 of 3: Worth watching.
Did you know
- TriviaThe movie is based on the successful stage play with the same name, also written by Maria Goos. The four main actors are the same as in the theatre version.
- ConnectionsFeatured in De wereld draait door: Episode #10.11 (2014)
Details
Box office
- Gross worldwide
- $1,021,317
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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