A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.A man and a woman awaken to find themselves trapped in a cellar. As their kidnapper drives them mad, the truth about their horrific abduction is revealed.
- Awards
- 1 win & 4 nominations total
Anelia Dyoulgerova
- Waitress
- (uncredited)
Olivia Negron
- Spanish Woman
- (uncredited)
Elijah Runcorn
- Young Ben
- (uncredited)
Rebekah Ryan
- Young Ben & Gary's Mom
- (uncredited)
Remy Thorne
- Young Gary
- (uncredited)
Featured reviews
I have to admit that I probably wouldn't have gone to cinema to see this film if it wasn't for all the unneeded controversy surrounding it's marketing campaign in the USA, but I guess that's a good thing as it shows that the people who initiate that sort of thing usually just end up helping the film in question to reach a wider audience. I have to say that whoever it was that made such a fuss about the posters did me a favour, as while Captivity isn't exactly a modern masterpiece; it's certainly a decent little horror thriller, and I'm glad I went to see it. The film focuses solely around Jennifer Tree, an actress who is abducted and thrown into a basement dungeon from which there is no escape and she is continually watched over by the psychopath who abducted her; a man who also enjoys putting her through all manner of sadistic and brutal torturing. Hope arises when she finds a man in the cell next to her, and together they attempt to escape from the dungeon. But as they face more sadism and torture, it turns out that the situation isn't all it seems.
This film is obviously catching on to the 'torture porn' film type that seems to be dominating the horror genre recently (films such as Hostel and Saw being at the forefront), but while this doesn't add anything new; it is entertaining to watch, and that is really all that is important from this sort of film. The film is, surprisingly, directed by experienced director Roland Joffé, whose only other film I've seen is the Oscar nominated "The Killing Fields" - and this is nothing like it! (Though I'd say that's a good thing...). The screenplay was written by the great Larry Cohen, who you can always count on for an entertaining thrill ride, and while this isn't one of his best attempts; I'd pretty much say he delivered (it's better than Cellular, too). The twist in the middle can be seen coming a mile off, but that's not important either as the handling after the twist is good and with this, Cohen succeed in racketing the film up a notch. Captivity is very short at just 85 minutes, but I'd rather it be on the short side than feature a bucket load of filler like many films these days do. Overall, I won't say this is brilliant or a classic; but it's a more than decent horror thriller and I definitely recommend seeing it.
This film is obviously catching on to the 'torture porn' film type that seems to be dominating the horror genre recently (films such as Hostel and Saw being at the forefront), but while this doesn't add anything new; it is entertaining to watch, and that is really all that is important from this sort of film. The film is, surprisingly, directed by experienced director Roland Joffé, whose only other film I've seen is the Oscar nominated "The Killing Fields" - and this is nothing like it! (Though I'd say that's a good thing...). The screenplay was written by the great Larry Cohen, who you can always count on for an entertaining thrill ride, and while this isn't one of his best attempts; I'd pretty much say he delivered (it's better than Cellular, too). The twist in the middle can be seen coming a mile off, but that's not important either as the handling after the twist is good and with this, Cohen succeed in racketing the film up a notch. Captivity is very short at just 85 minutes, but I'd rather it be on the short side than feature a bucket load of filler like many films these days do. Overall, I won't say this is brilliant or a classic; but it's a more than decent horror thriller and I definitely recommend seeing it.
I'm a fan of the Saw series, and Hostel (not of Hostel 2). I enjoy these types of movies and I'm only a tad ashamed. Call me a dumb, violence seeking goon but these movies are entertaining.
What's this got to do with Captivity? Well, nothing really. I was drawn to this movie because I thought it was going to be another retelling of this sick sub-genre of horror that I do so love. I was sadly disappointed because this absolutely is not a "torture porn" movie. It would have been much more honest of the production company, After Dark Films, to say it was a thriller with slight torture porn inklings (very slight).
Maybe, the folks at After Dark didn't actually see the movie. What I saw was psychological in nature and dealt much more with assaults on the mind of those captive than it did with actual assaults on the bodies of those captive. Yes, there is some blood and some nasty gore but nothing like Saw or Hostel or even Touristas.
Understand that if you don't like Saw, Hostel etc., then this is a good choice for a horror/thriller to go see this weekend.
Now that that's out of the way I'll just say: It's not a great movie but adequate. A solid B-movie endeavor. Fun, kind of stupid at times, pretty good acting by the luscious Elisha Cuthbert (for the guys-your girlfriends might get jealous) and the director, Roland Joffe (best known for The Mission, The Killing Fields), imbued the entire film with a look that worked very well to be creepy and ominous. It moves fairly quickly, lags a bit in the middle and ends with a slightly predictable twist but really you don't care at that point because, surprise, you've been entertained. Well, at least I was even though my hunger for gore was only slightly abated.
B-
What's this got to do with Captivity? Well, nothing really. I was drawn to this movie because I thought it was going to be another retelling of this sick sub-genre of horror that I do so love. I was sadly disappointed because this absolutely is not a "torture porn" movie. It would have been much more honest of the production company, After Dark Films, to say it was a thriller with slight torture porn inklings (very slight).
Maybe, the folks at After Dark didn't actually see the movie. What I saw was psychological in nature and dealt much more with assaults on the mind of those captive than it did with actual assaults on the bodies of those captive. Yes, there is some blood and some nasty gore but nothing like Saw or Hostel or even Touristas.
Understand that if you don't like Saw, Hostel etc., then this is a good choice for a horror/thriller to go see this weekend.
Now that that's out of the way I'll just say: It's not a great movie but adequate. A solid B-movie endeavor. Fun, kind of stupid at times, pretty good acting by the luscious Elisha Cuthbert (for the guys-your girlfriends might get jealous) and the director, Roland Joffe (best known for The Mission, The Killing Fields), imbued the entire film with a look that worked very well to be creepy and ominous. It moves fairly quickly, lags a bit in the middle and ends with a slightly predictable twist but really you don't care at that point because, surprise, you've been entertained. Well, at least I was even though my hunger for gore was only slightly abated.
B-
Keywords of movie: Horror/Torture; Facing of ones own fears and strengths.
Story Genre: a Torture Horror; a Suspense Thriller; a Psychological Thriller
The Story centers around two young people as they Endure endless tests of their inner strength, It is disclosed that the tests hold a much deeper meaning, as fears must be faced, those unthinkable situations are presented.
The movie held my interest, as I learned more about their backgrounds, and the very small hints only to the identity of the bad guy(s) The characters were nicely portrayed and the plot was smoothly played out. Elisha Cuthbert;The main female character was beautiful, she had a helpless kitten way about her, yet knew underneath she had a tiger that could emerge and attack. Daniel Gillies;The lead male, wow now this guy is going to go far, he can surly act with the best of them. He is built he has a confidant take charge manner, with a gentle touch. He has an air about him, almost aloof.
I only felt a mild sense of boredom towards the middle, it seemed more focused on trying to get a sex scene in the movie than the actual story line. And I found the many actual torture scenes to be enough to keep me squirming in my seat.
The ending blew my mind, I thought I had it figured out middle way through, but was totally wrong, Lol, very well done.
Even though the actual plot is not totally unique, I felt this time the character was much better able to keep the facade going longer thus keeping the audience in suspense longer.
I felt very entertained after viewing the movie, the rest of the night was spent in discussion of the movie pointing out each characters strong points and how each scene played out. I know I will be telling all my friends about the movie, and seeing if they won't watch the movie and join the discussion and appreciation of the work of art.
Story Genre: a Torture Horror; a Suspense Thriller; a Psychological Thriller
The Story centers around two young people as they Endure endless tests of their inner strength, It is disclosed that the tests hold a much deeper meaning, as fears must be faced, those unthinkable situations are presented.
The movie held my interest, as I learned more about their backgrounds, and the very small hints only to the identity of the bad guy(s) The characters were nicely portrayed and the plot was smoothly played out. Elisha Cuthbert;The main female character was beautiful, she had a helpless kitten way about her, yet knew underneath she had a tiger that could emerge and attack. Daniel Gillies;The lead male, wow now this guy is going to go far, he can surly act with the best of them. He is built he has a confidant take charge manner, with a gentle touch. He has an air about him, almost aloof.
I only felt a mild sense of boredom towards the middle, it seemed more focused on trying to get a sex scene in the movie than the actual story line. And I found the many actual torture scenes to be enough to keep me squirming in my seat.
The ending blew my mind, I thought I had it figured out middle way through, but was totally wrong, Lol, very well done.
Even though the actual plot is not totally unique, I felt this time the character was much better able to keep the facade going longer thus keeping the audience in suspense longer.
I felt very entertained after viewing the movie, the rest of the night was spent in discussion of the movie pointing out each characters strong points and how each scene played out. I know I will be telling all my friends about the movie, and seeing if they won't watch the movie and join the discussion and appreciation of the work of art.
'Torture porn' is one of the most tedious trends to happen in horror for years, but I do love me a bit of Elisha Cuthbert, so into the player went Captivity, another supposedly 'brutal' and 'gruelling' entry in this redundant sub-genre distributed by the usual culprits, Lionsgate Films.
The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.
Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.
Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).
As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!
The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.
Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.
Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).
As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!
Captivity is a movie that had me waiting in suspense. This movie had a good fright around every corner and was nothing that I saw before. I really enjoyed the way the film was made and thought that the attention to the billboards and everything really distracts from the gore of the movie. The Mpaa was right in asking them to bring down the billboards, but still this movie has it all. I heard they are doing reshoots but I think this movie is fine without them. I think that the actors in this one did excellent and I can't believe that they are saying that the movie is going through rating trouble. For true horror fans and movie fans alike , it will be wrong to not give it a rating cause then less people will watch it.
Did you know
- TriviaA large part of the film was filmed in Russia, where nearly the whole crew spoke only Russian. Elisha Cuthbert said that only a handful of the cast were from the US and formed a tight-knit group since they spoke no Russian.
- GoofsRight after the car goes forward and rams the garage door, the view from inside the car when it starts to back up shows an undamaged door.
- Alternate versionsMuch of the gore has been edited out to get an R-rating in the United States and also for the UK release. The Spanish release is uncut.
- ConnectionsFeatures World Poker Tour (2003)
- SoundtracksMarch of the Priests
from "The Magic Flute"
Written by Wolfgang Amadeus Mozart
Performed by Failoni Kamerazenekar (as The Failoni Orchestra, Budapest)
Conducted by Michael Halász (as Michael Halász)
Courtesy of Naxos
By Arrangement with Source/Q
Details
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $2,626,800
- Opening weekend US & Canada
- $1,550,000
- Jul 15, 2007
- Gross worldwide
- $10,921,200
- Runtime1 hour 25 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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