Captivity

You see I saw another movie yesterday (9 July 07) about being trapped in a room which may have been to the detriment of Captivity. While in general the idea was good there was something not quite thrilling enough. Captivity borrowed from a smattering of other movies without really living up to any of them.

It was nice to see Elisha doing something different, and as always pleasant enough to see her in a film.. but I felt little empathy for her character or indeed, that of her companion.

Not psychological enough to be another Silence of the Lambs or 1408, and not horror / gore enough to be another Saw, Cube or Hostel.

Captivity is a movie that had me waiting in suspense. This movie had a good fright around every corner and was nothing that I saw before. I really enjoyed the way the film was made and thought that the attention to the billboards and everything really distracts from the gore of the movie. The Mpaa was right in asking them to bring down the billboards, but still this movie has it all. I heard they are doing reshoots but I think this movie is fine without them. I think that the actors in this one did excellent and I can't believe that they are saying that the movie is going through rating trouble. For true horror fans and movie fans alike , it will be wrong to not give it a rating cause then less people will watch it.

I had pretty low expectations for this, so when it turned out to be not that bad (almost, dare i say, pretty... good?) I left the theater extremely enthusiastic. It delivers, believe it or not, a complete, if not well-rounded story. Here it is, in a sentence: Jennifer Tree is a beautiful young fashion model getting things she doesn't deserve and deciding she needs to get the hell out. Elisha Cuthbert plays the lead, and she looks phenomenal. Even while she is being held captive, her "damsel in distress" act makes great cinema. Always nice to see a girl that's been passed off as a dumb blond get up and kick some ass. I know there are people that feel otherwise about this movie but hey- I liked it! So there!

I didn't really want to see this movie. I'm not much into the genre and frankly I was kind of angered by the billboards that got taken down. But there was not much else to go see if you're not a Harry Potter fan. I was pleasantly, rather, unpleasantly surprised.

This is good thriller. I loved Elisha Cuthbert. I thought she did a great job. I was plenty scared and truly worried for her. There is some pretty hot stuff between her and Daniel Gilles. Gilles has a chance to be another Hollywood heartthrob. I believed in her character and cared about what happened to her.

It's not at all what I expected from this movie. Though there are pretty gratuitous torture scenes most of the movie was internal and really tackled fear unlike I've seen in a movie before. It not anything like Hostel or Saw both of which I didn't care for.

I'd recommend this for anyone who wants a good thrill and doesn't mind blood and gore.

'Torture porn' is one of the most tedious trends to happen in horror for years, but I do love me a bit of Elisha Cuthbert, so into the player went Captivity, another supposedly 'brutal' and 'gruelling' entry in this redundant sub-genre distributed by the usual culprits, Lionsgate Films.

The beautiful, pillow-chested star of TV's 24 plays Jennifer Tree, a successful young model who winds up imprisoned in a grimy, booby-trapped dungeon after her drink is spiked at a nightclub. There she is put through a series of terrifying and disgusting ordeals, before meeting and falling for fellow prisoner Gary, whose suffering helps her find the strength to fight back against their tormentor.

Captivity, from once respected director Roland Joffé, is clearly intended to outdo the Hostels and Saws in terms of shock horror and depravity, and to its credit, it is extremely revolting at times, even managing to make me gag during one scene involving body parts and a food blender; however, once the film leaves familiar torture territory and attempts to introduce a few plot twists, it completely falls apart due to its sheer predictability.

Most viewers should be able to guess what is coming way before it happens, and the film's major revelation is so bloody obvious its hard to believe that even a vacuous, image-obsessed model like Jennifer would be surprised by it (and it's even harder to believe that such a hackneyed script came from seasoned horror veteran Larry Cohen).

As the end credits rolled, I noticed that this film was produced with the help of director Courtney Solomon, the 'genius' responsible for such garbage as Dungeons and Dragons and An American Haunting; seems like he's no longer content to just direct crap films—now he assists others with the making of them too!