Le fil de la vie

The king commits suicide, but his evil brother covers it up to make the death look like murder from a rival faction. The prince disguises himself as a slave to go out and avenge his father's death, but after infiltrating the "enemy" camp, begins to learn an alternate history of his people -- sometimes the good guys have a dark past.

This film was incredible. You very rarely see a film with puppets in it these days (or ever, really). Sure, there was "Team America", but I really found the puppeteering on that to be average and the overall film to be a waste of time. This one had a rich back story, characters with epic lives and a whole realm of fantasy that could have been real life.

I think of the movie like "The Dark Crystal". I don't know why, but I get a similar vibe from them. With one key difference: I don't like "The Dark Crystal". Other films could be compared to this, I suppose: "Lord of the Rings" to some extent, maybe "Willow", probably a hundred more. It had all the classic fantasy elements: a hero, a kingdom, love, betrayal, evil, an oracle, battles. Everything you'd want.

There was an underlying political message here, too, which I enjoyed although I don't know if I really got the exact parallel they were shooting for. But the idea that "we" are always the goo guys and "they" are always the bad guys when not viewed as people was very nice, and could be used to talk about America and the Middle East (or the Native Americans), it could be used to talk about Israel and Palestine, or just about any other rival groups.

The love aspects were a bit much at times. I liked the idea that our strings are all attached and that love really makes that stronger. I tend to agree with the sentiment. At times I think it bordered on hippie or New Age levels (my ability to digest peace and love only goes so far). But, it was never so much I became uninterested in the film.

If you want something different than your usual action or romance, give this one a chance. You might have to open your mind a little bit because it's fantasy and puppets and voice-overs (not just because they're puppets, they're also Scandinavian). I think you'll find a special treat in here. Really glad I had the opportunity to catch it at a friend's house, as I probably never would have found it on my own.

For all those who say "I'm too old for puppet theater" I can only say "Think again".

The story might not be the most original (though it is leaps and bounds more complex and consistent than most of the actual blockbuster) but the directing and effects are simply beautiful.

The original part in the film is indeed that the puppets know of their strings and live and play with them. As another commenter says, the film does not try to hide the strings, but it does hide the puppeteers. Part of the mystery of the film is where the strings come from (and here you have several great shots and effects).

I can only recommend the film, but I doubt it will run in too many big cinemas (I saw it in the Edinburgh Filmhouse)...

The whole concept of strings interested me from the start, I'll admit i have a strange fascination with puppets anyway from somewhere unknown, i think probably Fraggle rock and that sort of thing which was re-established when i saw 'being john Malkovich' with the beautifully worked string puppets.

but anyway the whole concept of the strings being part of the puppet i found really enthralling, like they weren't quite in control of their own movements as we feel we aren't. the mystical scenes of the sky with strings in looked awesome.

the opening scene really captures your attention and you feel so much empathy towards the king that you forget he is a piece of wood and treat him as human from the start.

i was really intrigued with the explanations of birth and death and think they really added to make the universe seem believable.

on the whole the story was kind of predictable but in a classical fantasy way really worked in the new context. the design of all the surroundings was breathtaking, i think this would be great for kids also, despite the lack of happiness within the story

I watched this movie at the Norwegian International Film Festival, and I was totally blown away. The atmosphere, world and characters this movie introduces you to feels so incredibly unique and extraordinary.

The most brilliant thing, however, is the fact that instead of editing out the strings, or pretending that they're not there, they use the strings as a sort of...lifeforce.. If somebody looses their head-string, they're dead. This simple fact made the world seem even more real, and suddenly made the puppets into something living.

If I had to say anything negative about this movie at all, it's the fact that since the mouths of the puppets aren't moving when they're talking it's a bit difficult to get into at first. I found myself confused in the beginning as to whom it was that was talking, but I guess this is just the nature of movies that use puppets like these.

I couldn't recommend this movie any stronger than I do. Pray that this gets a US distributor, because as of now it's not picked up.

I happened upon this film the other night, fresh (!) back in Phuket from Burma. Tired though I was, and the film was perhaps a quarter of the way through, I was absolutely mesmerised by it.

First, I was trying to guess the actors' voices. Second, I was captivated by the – don't laugh – "acting" skills of the marionettes.

Granted, there were no facial expressions, no morphing/animatronics/etc but still there was a warmth to these carved blocks of wood. BTW I was brought up watching Gerry Anderson (Thunderbirds, et al) and now realise that I have retained a soft spot for filmic puppetry.

Perhaps that is part of the attraction of the film for me, the fact that it is reminiscent of half a dozen long-forgotten puppet programmes – generally from Eastern Europe, as I recall – shown during the school holidays when it was probably raining.

Gentle – despite the violence in the story – moving and entrancing.

Watch it if you can – through child's eyes.