IMDb RATING
5.8/10
4.1K
YOUR RATING
A historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.A historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.A historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.
- Directors
- Writer
- Stars
- Awards
- 2 nominations total
Ayanat Ksenbai
- Gaukhar
- (as Ayana Yesmagambetova)
Yerik Zholzhaksynov
- Barak
- (as Erik Zholzhaksynov)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Other reviewers before me saw this in Kazak language with English subtitles. My review is for the English version which was released in 40 US theaters this weekend. Only the greetings were in the Kazak language. Being a fan of Hong Kong flicks, I've seen my fair share of bad dubbing, and I could not tell that this was dubbed, period! Maybe it wasn't as most of the main actors are American. It was a wonderfully filmed historical epic that contains some minor ripoffs from Return to Snowy River, Gladiator and Musa(2001), but those scenes worked very well. If you're a fan of warriors on horseback this is definitely a must see for you. To be honest I wasn't expecting it to be so good, and the only reason I drove out of my way to see it was because Mark Dacascos was in it. He plays a menacing warrior and was definitely cast well as his character! Way to go Mark! The girls in this flick are pretty and their acting is well done! This film is definitely soft on the eyes and full of epic eye candy. They spent the 40 million production dollars well. The actors' performances were believable even the unknowns. My only complaint with this film is the 2 main heroes. You could tell they'd been trained well with sword fighting as I'm sure Jason Scott Lee and Mark helped out with that. But I really didn't think the two main heroes were cast well as Kazaks seeing how most everyone else in the film at least looked half Oriental including the Kazaks. Aside from that, I have no complaints and only praise for this foul-language-free and nudity-free sweeping historical epic shot on location which is a definite plus in my book!
Each ingredient and spice of great impact film is used. Impressive fight scenes, decent acting, nice story, a fresco and a manifesto , mythical motives and self definition, friendship, love and duty. Impressive and well crafted, not always convincing but example of rich beauty and fair use of very famiiar themes in proper way.
If you've seen all the Hollywood blockbuster war films and are looking for more, this is an interesting period film with loving care put into costumes and sets. True, it didn't have a huge budget, but they clearly put a lot of time into it. If you only want blockbusters, you can skip this film. But if you want to see some history (and learn a little, too, if you're not Khazakh), then it's worth watching. It might be noted that Mansur appears to be an important historical figure for Khazakh - and a lot of their national agencies are listed in the credits. This makes it historical in more than one way - such a film probably wouldn't have been possible during the days of the USSR.
Overall, the movie is not bad, but, in my opinion, it could have been better.
I don't think that this movie truly exposes the theme of Kazak nomads and their 300-year struggle against Jongar (Oirat) aggressors. I'm quite disappointed here.
But for non-Kazaks, the movie can make a whole different impression. They may like it a lot, because of the 'freshness' of Central-Asian nomadic theme in the international cinema.
Let's wait for the American (international) version of the movie. I believe it will be in some ways different from the Kazak version.
P.S. For those in Kazakstan, I recommend to watch old Kazak-Soviet movies like "Batyr Bayan", "Jawshy" (Gonets), and "Qyz Jibek". These are one of the few movies that truly show the essence of Kazak nomadism and Kazak-Jongar wars.
I don't think that this movie truly exposes the theme of Kazak nomads and their 300-year struggle against Jongar (Oirat) aggressors. I'm quite disappointed here.
But for non-Kazaks, the movie can make a whole different impression. They may like it a lot, because of the 'freshness' of Central-Asian nomadic theme in the international cinema.
Let's wait for the American (international) version of the movie. I believe it will be in some ways different from the Kazak version.
P.S. For those in Kazakstan, I recommend to watch old Kazak-Soviet movies like "Batyr Bayan", "Jawshy" (Gonets), and "Qyz Jibek". These are one of the few movies that truly show the essence of Kazak nomadism and Kazak-Jongar wars.
I would argue that there weren't many genuinely original concepts, other than simply shedding some light on Kazakh history. Basically a live action, feel-good version of the Prince of Egypt cartoon, trading Egyptians and Hebrews for nomadic Muslims. But that being said, it was decent and crisp.
Filming locations seemed really great, like LOTR - The Two Towers without any need for CGI! As for rating/violence, it could have almost been PG13 in the US, but I liked this fact. It was a clean-ish film that likens back to the spaghetti western. No over-the-top violence, sex, swearing, or embellishing for the sake of a Hollywood audience. While this generally comes off slightly cartoonish, it was refreshing.
As for the language, I would swear that it seemed to be filmed in English and dubbed in Kazakh. In fact, I don't usually mind a dubbed movie (especially Spanish or Japanese for some reason), but half-way through this film, I realized there was an English audio track and switched it over, and I was more engaged.
The horse work was pretty amazing, I thought.
Again, overall, this film seemed to have all the filming quality of an expensive Hollywood movie, but brought a niceness that's less common in contemporary film (Note: guaranteed NOT to hold the attention of most American youth).
Filming locations seemed really great, like LOTR - The Two Towers without any need for CGI! As for rating/violence, it could have almost been PG13 in the US, but I liked this fact. It was a clean-ish film that likens back to the spaghetti western. No over-the-top violence, sex, swearing, or embellishing for the sake of a Hollywood audience. While this generally comes off slightly cartoonish, it was refreshing.
As for the language, I would swear that it seemed to be filmed in English and dubbed in Kazakh. In fact, I don't usually mind a dubbed movie (especially Spanish or Japanese for some reason), but half-way through this film, I realized there was an English audio track and switched it over, and I was more engaged.
The horse work was pretty amazing, I thought.
Again, overall, this film seemed to have all the filming quality of an expensive Hollywood movie, but brought a niceness that's less common in contemporary film (Note: guaranteed NOT to hold the attention of most American youth).
Did you know
- TriviaDue to financial and weather problems, the film shut down halfway through. It was bought by brothers Bob Weinstein and Harvey Weinstein and completed in early 2005, but director Ivan Passer and cinematographer Ueli Steiger were replaced by Sergei Bodrov and Dan Laustsen, respectively.
- GoofsAs Mansur is riding the horse through the gauntlet, arrows are fired at him from both sides, but none of the arrows that miss him, hit anyone else on either side.
- ConnectionsFeatured in The 64th Annual Golden Globe Awards (2007)
- How long is Nomad: The Warrior?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Nomad: The Warrior
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $79,123
- Opening weekend US & Canada
- $14,250
- Mar 18, 2007
- Gross worldwide
- $3,088,685
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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