IMDb RATING
5.8/10
4.1K
YOUR RATING
A historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.A historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.A historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.
- Directors
- Writer
- Stars
- Awards
- 2 nominations total
Ayanat Ksenbai
- Gaukhar
- (as Ayana Yesmagambetova)
Yerik Zholzhaksynov
- Barak
- (as Erik Zholzhaksynov)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Overall, the movie is not bad, but, in my opinion, it could have been better.
I don't think that this movie truly exposes the theme of Kazak nomads and their 300-year struggle against Jongar (Oirat) aggressors. I'm quite disappointed here.
But for non-Kazaks, the movie can make a whole different impression. They may like it a lot, because of the 'freshness' of Central-Asian nomadic theme in the international cinema.
Let's wait for the American (international) version of the movie. I believe it will be in some ways different from the Kazak version.
P.S. For those in Kazakstan, I recommend to watch old Kazak-Soviet movies like "Batyr Bayan", "Jawshy" (Gonets), and "Qyz Jibek". These are one of the few movies that truly show the essence of Kazak nomadism and Kazak-Jongar wars.
I don't think that this movie truly exposes the theme of Kazak nomads and their 300-year struggle against Jongar (Oirat) aggressors. I'm quite disappointed here.
But for non-Kazaks, the movie can make a whole different impression. They may like it a lot, because of the 'freshness' of Central-Asian nomadic theme in the international cinema.
Let's wait for the American (international) version of the movie. I believe it will be in some ways different from the Kazak version.
P.S. For those in Kazakstan, I recommend to watch old Kazak-Soviet movies like "Batyr Bayan", "Jawshy" (Gonets), and "Qyz Jibek". These are one of the few movies that truly show the essence of Kazak nomadism and Kazak-Jongar wars.
The reason I decided to rent this movie was because Mark Dacascos was in this feature. It was not his worse role by any means but he was only a Minor character, a slight disappointment for me on a personal level but really it only added to the movie as he was key in character development for the main cast.
So on to the movie.
The action was hit and miss. Some was absolutely wonderful, hold your breath type stuff,that generally was the one on one battles, some looked a bit weak. That said, this movie is no 300, relying strictly on action sequences to carry it. It had a great story to carry it along, some fantastic acting and beautiful sets. All in all a very watchable movie if you put aside the fact most of the characters where not of the ethnic background they represented. I had no problem putting that aside and just enjoying a great action/history flick for what it is: entertainment.
So on to the movie.
The action was hit and miss. Some was absolutely wonderful, hold your breath type stuff,that generally was the one on one battles, some looked a bit weak. That said, this movie is no 300, relying strictly on action sequences to carry it. It had a great story to carry it along, some fantastic acting and beautiful sets. All in all a very watchable movie if you put aside the fact most of the characters where not of the ethnic background they represented. I had no problem putting that aside and just enjoying a great action/history flick for what it is: entertainment.
I visited Kazakhstan briefly in September 2003. On a Sunday afternoon I was taken up to a reservoir high, high above the city of Almaty which is about the only place available for local residents to go for relaxation. It was an unbelievably beautiful location, even though it was an artificial lake. I was shocked to meet another American at the end of this rocky bumpy road in the middle of nowhere; he turned out to be one of the top guys on the production staff and they were filming "Nomad". He told me about the movie and I then realized that the Japanese wrestlers that were on the plane on the way over were brought in to be extras! I was expecting some huge blockbuster production and kept looking for it in local movie guides. I was looking up Jason Scott Lee and coincidentally found this page and realized the movie was long out and apparently a vanity project for the Kazakhstani president... it probably never made the screens here in Japan. Too bad as I am a great JSL fan. I cannot comment on the film, but I do know from what I saw in KZ that the backdrop must be spectacular.
I would argue that there weren't many genuinely original concepts, other than simply shedding some light on Kazakh history. Basically a live action, feel-good version of the Prince of Egypt cartoon, trading Egyptians and Hebrews for nomadic Muslims. But that being said, it was decent and crisp.
Filming locations seemed really great, like LOTR - The Two Towers without any need for CGI! As for rating/violence, it could have almost been PG13 in the US, but I liked this fact. It was a clean-ish film that likens back to the spaghetti western. No over-the-top violence, sex, swearing, or embellishing for the sake of a Hollywood audience. While this generally comes off slightly cartoonish, it was refreshing.
As for the language, I would swear that it seemed to be filmed in English and dubbed in Kazakh. In fact, I don't usually mind a dubbed movie (especially Spanish or Japanese for some reason), but half-way through this film, I realized there was an English audio track and switched it over, and I was more engaged.
The horse work was pretty amazing, I thought.
Again, overall, this film seemed to have all the filming quality of an expensive Hollywood movie, but brought a niceness that's less common in contemporary film (Note: guaranteed NOT to hold the attention of most American youth).
Filming locations seemed really great, like LOTR - The Two Towers without any need for CGI! As for rating/violence, it could have almost been PG13 in the US, but I liked this fact. It was a clean-ish film that likens back to the spaghetti western. No over-the-top violence, sex, swearing, or embellishing for the sake of a Hollywood audience. While this generally comes off slightly cartoonish, it was refreshing.
As for the language, I would swear that it seemed to be filmed in English and dubbed in Kazakh. In fact, I don't usually mind a dubbed movie (especially Spanish or Japanese for some reason), but half-way through this film, I realized there was an English audio track and switched it over, and I was more engaged.
The horse work was pretty amazing, I thought.
Again, overall, this film seemed to have all the filming quality of an expensive Hollywood movie, but brought a niceness that's less common in contemporary film (Note: guaranteed NOT to hold the attention of most American youth).
Certainly NOMAD has some of the best horse riding scenes, swordplay, and scrumptious landscape cinematography you'll likely see, but this isn't what makes a film good. It helps but the story has to shine through on top of these things. And that's where Nomad wanders.
The story is stilted, giving it a sense that it was thrown together simply to make a "cool" movie that "looks" great. Not to mention that many of the main characters are not from the region in which this story takes place (and it's blatantly obvious with names like Lee and Hernandez). If movie makers want to engross us in a culture like the Jugars and the Kazaks, they damn well better use actors/actresses that look the part.
Warring tribes, a prophecy, brotherly love and respect, a love interest that separates our "heroes", are all touched on but with so little impact and screen time that most viewers will brush them aside in favor of the next battle sequence, the next action horse scene, or the breathtaking beauty of the landscape.
It is worth mentioning that there were some significant changes made to Nomad during its filming, specifically the director and cinematographer. Ivan Passer (director) was replaced by Sergei Bodrov, and Ueli Steiger (cinematographer) was replaced by Dan Laustsen. In one respect, Laustsen seems to have the better eye since his visions of the lands made the final cut that we see here. Definitely a good thing. However, the changing over to Bodrov as director may not have been the wisest choice. From what I'm seeing here, the focus is on the battles and not the people, which I sense comes from Bodrov's eyes and not Passer's. A true travesty.
The most shameful aspect is that this could've been a really fantastic film, with both character and action focuses. Unfortunately, the higher-ups apparently decided that action was what was needed and took the cheap (intellectually speaking) way out.
Even though I can't give this film a positive rating, it is worth watching simply for the amazing cinematography work. But that's all.
The story is stilted, giving it a sense that it was thrown together simply to make a "cool" movie that "looks" great. Not to mention that many of the main characters are not from the region in which this story takes place (and it's blatantly obvious with names like Lee and Hernandez). If movie makers want to engross us in a culture like the Jugars and the Kazaks, they damn well better use actors/actresses that look the part.
Warring tribes, a prophecy, brotherly love and respect, a love interest that separates our "heroes", are all touched on but with so little impact and screen time that most viewers will brush them aside in favor of the next battle sequence, the next action horse scene, or the breathtaking beauty of the landscape.
It is worth mentioning that there were some significant changes made to Nomad during its filming, specifically the director and cinematographer. Ivan Passer (director) was replaced by Sergei Bodrov, and Ueli Steiger (cinematographer) was replaced by Dan Laustsen. In one respect, Laustsen seems to have the better eye since his visions of the lands made the final cut that we see here. Definitely a good thing. However, the changing over to Bodrov as director may not have been the wisest choice. From what I'm seeing here, the focus is on the battles and not the people, which I sense comes from Bodrov's eyes and not Passer's. A true travesty.
The most shameful aspect is that this could've been a really fantastic film, with both character and action focuses. Unfortunately, the higher-ups apparently decided that action was what was needed and took the cheap (intellectually speaking) way out.
Even though I can't give this film a positive rating, it is worth watching simply for the amazing cinematography work. But that's all.
Did you know
- TriviaDue to financial and weather problems, the film shut down halfway through. It was bought by brothers Bob Weinstein and Harvey Weinstein and completed in early 2005, but director Ivan Passer and cinematographer Ueli Steiger were replaced by Sergei Bodrov and Dan Laustsen, respectively.
- GoofsAs Mansur is riding the horse through the gauntlet, arrows are fired at him from both sides, but none of the arrows that miss him, hit anyone else on either side.
- ConnectionsFeatured in The 64th Annual Golden Globe Awards (2007)
- How long is Nomad: The Warrior?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Nomad: The Warrior
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $79,123
- Opening weekend US & Canada
- $14,250
- Mar 18, 2007
- Gross worldwide
- $3,088,685
- Runtime
- 1h 52m(112 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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