King of the Corner

First-time feature director Peter Riegert gathered a great ensemble cast for this combination of two short stories from Gerald Shapiros's wonderful book "Bad Jews" (recently featured in NPR interviews) about a middle-aged salesman and his family coping with aging parents, rebellious teens and former high school crushes from years past. Some of the products Leo (Riegert) does focus groups for are outrageous (a voice changer for phones that makes you sound like Gregory Peck, an alarm that scares off burglars with a pre-recorded family quarrel). His protege, Ed (Dustin Hoffman's son, Jake, described in the original screenplay as "looks like a young Dustin Hoffman" - what were the chances?) starts pushing for Leo's job while Leo's dad (Eli Wallach) steals scenes as a querulous curmudgeonly senior. Eric Bogosian is a welcome addition as a free-lance rabbi who makes Leo confront his father's legacy (best clerical scene-stealer since Rowan Atkinson in Four Weddings and a Funeral), and Mamma Mia! Rita Moreno, Isabella Rossellini and Beverly D'Angelo competing as "mature" sex symbols of the year! At today's Mill Valley Film Fest screening Peter said he'll open in NY & LA at least (March 2005)and build from there. A charming low-budget labor of love that may have to earn a reputation by word of mouth (unless someone from Miramax is paying attention- are you there, Harv?)...

I had the privilege of attending the screening for this small yet universally meaningful film.

I hope it gets as much distribution as possible, because the actors' remarkable performances bring life to "normal everyday" characters that really remind us of human qualities we can all relate to in our own way.

Humorous bits and pieces keep the film light and tasteful, making it an easily enjoyable hour and twenty minutes.

I recommend this to those looking for an entertaining, worthwhile film.

Keep an eye out especially for the character of Betsy--a notable performance.

I saw "King of the Corner" at a pre-release screening at Bridgewater College in Virginia two days ago. I really thought it was wonderful. The story line both moving and extremely funny. There are several scenes from the film that I keep replaying in my mind and have talked to others about since viewing the film. (A sign of a great film.)

I thought the cast, writing and direction were excellent. While most of the audience where I saw the film was composed of college aged students, I am quite a bit older (in my early 40's). The film had wonderful cross-generational humor that suggested to me that viewers of all ages (18+) would find it enjoyable. It also was quite moving at times, especially for anyone who has had to deal with issues of ill family members.

I give the film my highest rating!!!

Don't miss it!

Peter Riegert's feature directorial (and screenplay writing) debut and I'd say it was auspicious. He's assembled a great cast: Isabella Rossellini, a wonderfully curmudgeonly Eli Wallach, Eric Bogosian, with the usual quality work from Riegert himself, and a nice comic performance from Dustin Hoffman's son Jake. It has the feel of a European film: humor, pathos, manic comedy, more than one touch of wisdom and insight. This is a little fable that never loses its touch with reality, though in the way of many comedies it goes off the rails once or twice. Great ensemble work from Riegert and the entire cast--the film has a philosophical viewpoint, and yet is not afraid of showing real emotion. Highly recommended.

Peter Reigert has been a treasure to film buffs as far back as Animal House,Crossing Delaney and wonderful other character parts that have made his presence on screen feel like an old friend. Like many others, I had the privilege of seeing a preview of this movie followed by a short interview with the man himself. He minimized his involvement in the film, as being little more than someone who 'knew people in the industry, and 'they needed me to make a couple of phone calls'- But Reigert earned his presence in this film and was dead on as the man in the middle of a mid life crisis, walking through his life much like his dad. Self examination doesn't come easy for his character, but when it does, Reigert unleashes a poignant and emotional performance. Kudos to Eli Wallach. Listen carefully, there is dialogue here that sets this movie apart and gets all of us thinking.