Edge of America

A nice feel-good film. Quite why the real and successful opposition is renamed in this film from Kirtland Central High to Zion State is bewildering. A completely unnecessary and frankly antagonistic change that seems to be from the films writers/ producers/ directors intentionally sticking up two fingers to virtually everyone except that miniscule but over-represented and powerful lobby.

It's a shame to see such overt propaganda which takes a certain shine off this otherwise lovely film.

The acting is great, especially the lead role and the location choices showcase a side to reservation life that many outside of these states will neither have seen nor be aware of, so this film is very interesting just for that.

The premise is reasonable. Basketball is big on many reservations, and there are black basketball players (e.g., Kareem Abdul-Jabaar) who have volunteer on reservations. Sure, there are a lot of clichés from other Indian movies. But overall, the acting is good (especially Wes Studi), though the black coach's performance is a bit stiff at times. The most surprisingly thing about the film to me is that it never got any kind of commercial release. But then again, it is about Indians. And who is the Uwhited States of America cares about Indians? Not many people. Fortunately in my town there are several outlets to see non-commercial movies ("Christmas in the Clouds" is another good, Native-American-theme movie that you probably won't see unless you live in a similar town). Anyway, thanks, Mr. Eyre, for a good show. Maybe not your best pic, but still a good one.

Chris Eyre's Edge of America is a wonderful contribution to storytelling. It's evident that this young director is a visionary with potential for Hugh success. The story possesses a warm personal human touch, which makes it totally relateable. I could see it over and over again. His fine technique with actors allows for a smooth transition into the character they are portraying. He sets no boundaries or limitations, which gives the actor endless possibilities. His choices are clever, thought provoking, humorous and quite believable. He's the kind of director actors dream of working with. His film Smoke Signals was a true testament of what's to come with Chris' brilliant sense of storytelling and once again he's met the mark. It's time for this director to apply his creative genius to the silver screen once again. I can hardly wait.

I saw this movie at Sundance. I am not a basketball fan, nor am I particularly interested in Native American affairs. But I LOVED this movie, and it seemed as if everyone else in the theater did too. It was by far the best film I saw at the festival this year. There are a few flaws you have to overlook - James McDaniels' character is remarkably insensitive to Indian culture, and says some things that no kind intelligent person would, though the character is supposed to be both kind and intelligent. But forget that - McDaniel still makes you believe he's real, and the girls who play the losers-turned-winners on his team are marvelous. For whatever issues of believability you may have, how can you knock a movie that makes people stand up and cheer? And gives us a conclusion that may not be the easy predictable one? The world needs more movies like this. Go see it. You won't be sorry!

Chris Eyre has done a wonderful job of presenting Indian life in America today. The reality of the reservation was presented in a wonderful way - not as victims or heros but as real people just trying to live their lives.

I especially liked the fact that this movie avoided typical Pan Indian Images that plague so much of what is presented in the media about Native Americans and their culture.

Bravo!