Edge of America

This story is too negative. It starts nice but later on the coach yells too much. My guess is that the real-life coach did not yell as much.

I especially doubt that the real-life coach got so upset about words.

The movie leads people to believe that yelling is a good way to get people to succeed.

Many people won't understand that there are better ways to get success, but I am sure that the real coach understands.

I hope that someone some day makes a better version of the story that shows more of the caring that created the successful team.

I am now curious about the documentaries to see their version of the story.

Chris Eyre's Edge of America is a wonderful contribution to storytelling. It's evident that this young director is a visionary with potential for Hugh success. The story possesses a warm personal human touch, which makes it totally relateable. I could see it over and over again. His fine technique with actors allows for a smooth transition into the character they are portraying. He sets no boundaries or limitations, which gives the actor endless possibilities. His choices are clever, thought provoking, humorous and quite believable. He's the kind of director actors dream of working with. His film Smoke Signals was a true testament of what's to come with Chris' brilliant sense of storytelling and once again he's met the mark. It's time for this director to apply his creative genius to the silver screen once again. I can hardly wait.

The premise is reasonable. Basketball is big on many reservations, and there are black basketball players (e.g., Kareem Abdul-Jabaar) who have volunteer on reservations. Sure, there are a lot of clichés from other Indian movies. But overall, the acting is good (especially Wes Studi), though the black coach's performance is a bit stiff at times. The most surprisingly thing about the film to me is that it never got any kind of commercial release. But then again, it is about Indians. And who is the Uwhited States of America cares about Indians? Not many people. Fortunately in my town there are several outlets to see non-commercial movies ("Christmas in the Clouds" is another good, Native-American-theme movie that you probably won't see unless you live in a similar town). Anyway, thanks, Mr. Eyre, for a good show. Maybe not your best pic, but still a good one.

An above-average TV movie that avoids the pitfalls of cliche.

This movie began airing as "On The Edge" on the Dutch Hallmark Channel in December 2003. It's a solid piece of work on all levels, well above average for family-oriented TV movies. James McDaniel performs with typical power as Kenny Williams, a racially aggrieved black schoolteacher and basketball coach who has relocated from his home in Texas to the Three Nations Reservation in Utah. There the coach takes over the hapless girls' basketball team. Predictable culture clashes, high-school social conflicts, family tensions, and athletic drama unfold from there. But the story remains relatively spare, relying on believable characterization rather than its timeworn plot elements to carry the film. Williams' struggle to adapt to, and find acceptance in, his new community dominates the story. At one point, not long after a parent from a nearby white high school has all but called Williams a "nigger," the mother of a girl on the team dismisses him as a "white man."

It's surprisingly compelling material, but it means that the Native American community drops into the background despite the able performances of a large cast. This is a movie about a black coach in a Native American community, not a movie about a Native American community with a black coach. The latter would have been a more compelling story. The very similar "Stand And Deliver" devotes more attention to the students in the story and is a better movie for it.

The movie is beautifully shot. Interior scenes convey a feeling of authenticity with their lived-in-ness, and the exterior shots do justice to the majestic landscapes of the American West. Also, the soundtrack features several new recordings by singer/ songwriter Annie Humphrey. "Edge of America" and "Good Medicine" might be her best work to date.

Thankfully, the new coach is not able to turn his team into state champions overnight with a motivational speech at the end of the first act. Instead, we see Williams repeatedly making mistakes and struggling to learn from them for the sake of his own pride and the team's progress. His relationship with the girls on the team is complicated by their appreciation of his efforts and their frustration at his shortcomings. The story concludes with a satisfyingly low-key scene of homecoming for the team and their coach that steers clear of either the triumphalism or mawkish melodrama that mar most sports dramas.

I saw this movie at Sundance. I am not a basketball fan, nor am I particularly interested in Native American affairs. But I LOVED this movie, and it seemed as if everyone else in the theater did too. It was by far the best film I saw at the festival this year. There are a few flaws you have to overlook - James McDaniels' character is remarkably insensitive to Indian culture, and says some things that no kind intelligent person would, though the character is supposed to be both kind and intelligent. But forget that - McDaniel still makes you believe he's real, and the girls who play the losers-turned-winners on his team are marvelous. For whatever issues of believability you may have, how can you knock a movie that makes people stand up and cheer? And gives us a conclusion that may not be the easy predictable one? The world needs more movies like this. Go see it. You won't be sorry!