À cinq heures de l'après-midi

Was not the sanction against Taliban led by the US to bring dawn into Afghanistan? Noqreh goes back and forth between her father, who believes neither education nor jobs are necessary for women, and the school, where teachers encourage female students to have any job, even the president.

Her family generously offers the place they live to the refugees coming back from Pakistan. Soon they have to go out from there, and without food, the dream of becoming the president fades out. Her white shoes become useless.

It seems the whole of the movie is a poem. That a high school girl dreams to become the president is a poem too. Maybe it is the best way to describe the world Noqreh lives in, which is at five in the afternoon, not in the morning.

How can the country, where just seeing the face of woman is sin, be open to the world? The country which was destroyed and lagged a long way behind the world by men, who are taught as superior creatures than women. Only the belief that God never dies supports them. Tough I have my belief as a Christian, I never want to shut myself away into the world of illusion.

The movie title, and one of its main axis, comes after a fragment of a poem written by Spanish poet Federico Garcia Lorca, called 'Llanto por la muerte de Ignacio Sánchez Mejías', dedicated to the death in 1934 of a Spanish Torero.

This poem is often seen as a premonition of Garcia Lorca's own dead, near Fuente Grande, and of the Civil War that was soon to desolate Spain.

Samira Makhmalbaf comes again with an anguishing tale of a woman that wants to believe in the role of women in a modern society while her own family is disintegrating around her.

Nogreh (Agheleh Rezaie) is a young woman living in a post-Taliban Afghanistan. She ultimately seeks to be educated, and finds solace in a girl school promoting new ideals and attitudes to women. Even though the Taliban have been defeated in the country, old ways are still present and burqa's are still preferred. She lives with her Conservative father and her sister-in-law Leylomah, who is searching for her missing husband who has not returned from war. Also, Leylomah has a baby who she is struggling to feed after her milk dries up. Amongst these struggles, Nogreh is running for class president and uses a Pakistani refugee to help with her ultimate goal which is to become President of Afghanistan.

The title comes from Federico Garcia Lorca's poem Lament for Ignacio Sanchez Mejias, which tells the story of a famous bullfighter tragically coming to an end in the ring. It is repeated several times by the Pakistani character named 'Poet' (Razi Mohebi). Mejias was a real and popular figure in Spain, who returned to bullfighting after a long spell out only to be killed. The character of Nogreh has high hopes after Afghanistan is rejuvinated only to be disappointed by a country set in its ways. Although it is clearly an improvement, attitudes to women are still the same and are seen as the inferior sex. This is most evident in the scene where she poses for photographs which she plans to use in her class president campaign, only to have the photographer laugh in her face upon discovering she wants to eventually run for President of the country. While Lorca's poem is tragic and romantic, At Five in the Afternoon is observant and naturalistic.

It would be easy, given the recent history of Afghanistan, to weave a tale of despair and woe, but director Samira Makhmalbaf tells a story that is full of hope. This hope comes from the character of Nogreh, who is brilliantly portrayed by Rezaie. Although she is ultimately looked down upon, and is scared of her father finding out about her radical attitudes, she is determined, and represents Makhmalbaf's hope of a new generation of women that will rise up and compete against the men who have dominated the country for years, and have ultimately led to the deaths of thousands of its inhabitants and many wars. The underlying messages aren't rubbed in your face; they are instead laid out in real situations. The film won Jury Prize at Cannes, and is a shining light in what will hopefully become a New Wave in Middle Eastern film-making - God knows they have stories to tell.

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This movie tugged at my heartstrings delivering an unforgettable portrayal of Afghan life. It's a 10 out of 10, poetically revealing modern life in a city relegated to Neanderthal living conditions after the Taliban was sent packing.

The Film's title is the title of an extraordinarily relevant poem, recited twice during the film.

Though a tough way to learn Farsi (it's subtitled - phew!) "At Five in the Afternoon" awakened me to the plight of the poor souls coping with the rubble and 19th century technology.

The film describes (teenaged) Noqreh's life as she attends school and struggles to discover her role in society now that "any" job is within her reach. She decides to become the country's President.

The zesalots may be gone ... but there's plenty of cranky, old, conservative men (her father among them) who long for the "good ole'days". The country's problems (among them: live buried mines, religious extremism, the absence of basic social commodities - water / education - after several wars) serve as the antagonist as Noqreh's father carts her and her extended family across the Afghan dustbowl in search of her brother, The film moves slowly and deliberately, but I guarantee you'll be paid for your time investment with a once in a lifetime education about Afghanistan.

I hope you find a copy or a showing, and allocate the 2 hours to let it wash over you and take hold.

Having loved 'The Apple' I was very much looking forward to seeing this, and though it has some very sad and beautiful moments as a whole I thought it lacked a sense of purpose. Having just seen the marvellous 'Osama', although perhaps a little unfair to compare it, that was more straight forward and had a far more emotional pull. The director does get amazing performances from the non-acting cast but occasionally the lack of experience does tell and you sense their just repeating what they've been told to say without really knowing why. It also felt a bit too long and would have been better without some scenes which were too similar to others. Not as good a film as 'The Apple' but worth seeing as there are some nice moments and it still manages to have a sense of humour despite the obvious terrible hardship these people have endured. (6/10)