La Chute

"Der Untergang" is certainly the most impressive, depressive and realistic dramatic movie about the World War II ever made. I have never seen a film picturing the insanity of Hitler in his very last days in a bunker in Berlin with his high command, and how the German people were hypnotized by him like in this film. Last year, I saw the deceptive, boring, pretentious and overrated "Molokh", showing a caricature of Hitler and Eva Braun in Bavaria. But "Der Untergang" is awesome and comparable to "Apocalypse Now!", my favorite movie of war.

Two years ago, I saw the powerful "Das Experiment" and I was impressed with the work of Oliver Hirschbiegel. With "Der Untergang", this director is certainly included in my list of favorite directors. It is difficult to highlight one actor or actress in this constellation of stars, but I was impressed with the performance of Bruno Ganz and his "human" Hitler, totally different from the stereotypes usual in other movies. The cinematography and the battles are stunning, and the scenario of Berlin completely destroyed recalled the neo-realistic movie of Roberto Rossellini "Germania Anno Zero".

For those who know Germany and German people, it is amazing to see how this wonderful country survived to the chaos, destruction and lack of command, arrived from the ashes like Phoenix and sixty years later is again one of the greatest nations. For those who might have believed in Hitler and his Nazi Party, it is impressive to see how people is forgotten and treated without compassion by their leader in his last hours. And for those who love war, I really recommend to watch this magnificent anti-war movie, and see the behavior of the leaders and population when a war is lost. My vote is ten.

Title (Brazil): "A Queda! As Últimas Horas de Hitler" ("The Fall! The Last Hours of Hitler")

The first internationally released German production to feature Hitler as a central figure, "Downfall" (2004) takes place in the dismal gloomy Berlin during April - May 1945 in anticipation of the inevitable German defeat. The film shows the last days of Hitler and those close to him through the eyes of his young secretary, Traudl Junge.

Oliver Hirschbiegel's film has been criticized by some circles as presenting a "too sympathetic" portrait of the Fuhrer. I don't believe anything in the film suggests that its creators sympathize with the Nazi regime and those who had orchestrated it.

Showing Hitler as a human being (amazing performance by Bruno Ganz), a man who loved his dog, was a vegetarian and could display some moments of tenderness did not undermine the overall image of a lonely, domineering, conscienceless, and hateful man who believed that his people, his compatriots, women and children deserve to die because they are no longer deserve to live and because "in a war as such there are no civilians".

Did those who think that that the film "humanized" Hitler forget the most chilling scene in the movie, the one that shows Frau Goebbels crush the ampoules with cyanide between her children's teeth, after they had been dosed with a sleeping draught? She did it not because she was scared of what would happen to them after the war, no, her reason was, "The country without National Socialism and its party is not worth living in". How dangerous Hitler was if he could induce such a blind devotion that could convince a mother of six to murder her children in cold blood.

Bernd Eichinger, the producer and scriptwriter of "Downfall" emphasized, the greatest danger he saw in making a film about Hitler was the temptation to show him as a psychopath or madman: "Hitler possessed an enormous criminal and destructive energy, and he was a barbarian in the most fundamental sense of the term... But I am convinced that he was totally of sound mind until the very end, which is why leadership never slipped from his hands."

The film's director Oliver Hirschbiege says that, in the same way it was evil of Hitler to see Jews as less than human beings - i.e. as "insects" - it would be equally wrong to portray Hitler as a madman, because that would excuse him of culpability: "I think the biggest mistake is to have an image of Hitler as insane - that he was not a human being but a monster. The most important point to realize is that Hitler was not a madman, not a psychopath or someone on drugs, which implies that he wasn't responsible for what he was doing. Of course he was responsible! "For me, (this film is) paying homage to and truly honoring the victims, because we fall short if we explain the Holocaust by stating that they were all out of their minds. They knew what they were doing!"

I believe that the result of their work, the film I saw last night is absolutely unforgettable - honest, powerful and devastating. It is a masterwork of film-making and a very important in its objectivity historical document.

9.5/10

Not since perhaps Rod Steiger's portrayal of Benito Mussolini in Moustapha Akkad's LION OF THE DESERT (1980) have I seen a notorious dictator more realistically acted than Bruno Ganz's stunning display as "Der Fuerer" in The Downfall (2004).

Sitting amongst a full-house of patrons here at the Toronto Int'l Film Festival's 2004 edition, Ganz captivated the local audience with the scariest Hitler I've ever seen up on the silver screen -- better than Noah Taylor's English Hitler in MAX just a couple of years back.

Audience members get a glimpse into the final days of Hitler's rule from the bunker deep beneath the Reich Chancellery in Nazi Berlin's dying days. The defeated spirit of the Nazis -- covered extensively in the history books -- has seldomly been more penetratingly shown on the Big Screen. Bravo to director Oliver Hirschbiegel for doing this the right (German) way -- for intrepidly tackling a period piece few German producers might.

I'd had a chance to chat with the actors post-screening, with lead actress Alexandra Maria Lara (playing Traudl Junge) candidly admitting the sheer amount of work she'd diligently invested in bringing her character to life -- doubtless complicated by the death of Frau Junge in 2002. Her research, however, was clearly impeccable and left no stone unturned. Corinna Harfouch wasn't on hand -- as Magda Goebbels. Pity because in many respects, she convincingly stole the show.

So rarely do we see Hitler on screen in modern days to allow us a glimpse into the horrifying nature of a madman bent on global domination. We all know the end of this story, but seldom does a film so masterfully suspend your disbelief than does The Downfall in making you wonder just how the Third Reich might end. Historical fiction might never be the same.

The film deals with the history of Hitler's last days in underground bunker , it's the true story of the historic downfall and death (at age 55 in 1945) of the infamous Nazi dictator's culprit of death of 50 million people during second war world and killing of 6 million Jewish in concentration camps . The Fuhrer's last few tortured days in his underground bunker against a Berlin background . Hitler had height five feet , seven inches , eyes black , hair black , shaggy locks hung over forehead , complexion sallow , wide mustache , various hairs on each side ; besides he had marked devotion to brown shirts and old trench-coat and always surrounded by armed thugs and expert gunmen . He had demented gaze with tendency to become hysterical on slight provocation with delusions , particularly upon his place in history and his powers over vast numbers of people and addicted to public hysteria on race purity , and known to throw himself on the floor and gnaw rugs, guttural voice apt to rise to shrill tones when excited or thwarted . He was a congenital liar suffering from dreams of persecution . Almost all these physical descriptions and particulars of Hitler are perfectly incarnated by Bruno Ganz who even studied Parkinson's disease patients in a Swiss hospital to prepare for his role . Thus , he magnificently plays him as a sadistic , malicious , dangerous , vengeful, mystical and maniacal man .

Bruno Ganz's portrayal is the perfection in the Hitler role one would expect at least on the surface , he gives insight to his madness and with persuasive qualities of his interpretation . A flawless casting with excellent German actors such as Alexandra Maria Lara (personal secretary Traudl Junge and the picture is based on his book) as co-protagonist , Juliane Kohler (Eva Braun) and distinguished players as Ulrich Matthes (Joseph Goebbles) , Corinna Harfouch (Magda Goebbles) and Thomas Kretschman . Besides , a nice support cast who play to famous characters as Martin Borman , Alber Speer , General Keitel , General Jodl and Hermann Goering and specially Heimrich Himmler who will betray to Hitler deciding along with the count Bernardotte to agree peace with the Allies , originating his hysteria splendidly reflected in the movie . In spite of Berlin is surrounded and meanwhile the bloody war with enormous bombing fall about the survivors and last defending , Hitler prepares the sad farewell very well narrated by the director Oliver Hirschbiegel and superbly captured the atmosphere by the cameras . The motion picture is one of the best war movies ever made , on pair with ¨Das Boot (also German movie and directed by Wolfgang Petersen) and ¨Saving private Ryan¨ (Steven Spielberg) . The flick will appeal to historical cinema enthusiasts and warlike genre fans. Rating : Above average and astounding , being interesting and thoughtful .

Der Untergang makes you live the horrors and craziness of war. Bruno Ganz's interpretation of Adolf Hitler is worthy of an Oscar. He is completely believable. Also the rest of the cast performs admirably. You feel transported to Berlin as it was bombarded by the Russians. You get a very clear insight (or an impression?) in how the military decisions were taken during those final days of the war. The movie balances well between large-scale effects of bombs exploding in ruined streets and depictions of different persons going though the experience – from Hitler and his staff in the well-protected bunkers to the principal military commanders torn between reason and loyalty and German civilians trapped in an inferno. The movie is neither pro-Nazi nor does it depict all Nazis as mindless monsters. It gives an impression of utter realism. Go see it in a good cinema – your seat will tremble as the bombs explode. A nine out of ten.