Criminal

My vote for 9 Queens, 3 or 4 years ago: 10/10.

This one: 3/10. :-(

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Bad remake, nothing attractive in this movie. Stupid ending (different from the original), a little boring, we don't always understand what happens...

During the whole movie, we don't feel the stress of the characters. Not because they are bad actors but the movie is not enough realistic, it's difficult to imagine their thoughts.

I totally agree those who say to watch 9 Queens instead.

Why remake it? There is nothing to change to 9 Queens, the actors are perfect and the story is great. More credible than Criminal.

Before giving any kind of review, it might help to point out a few things about the film:

1) This is the only lead role i've ever seen John C. Reilly in

2) It was produced by Steven Soderbergh and George Clooney - the 'Oceans Eleven' comparisons are endless

3) This is a directorial debut by Gregory Jacobs, who's previously worked with the above and others such as the Coen Brothers

4) The film is a remake of a 2000 Argentinian film called 'Nueve Reinas' (Nine Queens)

There are some things about this film that were guaranteed before hand; a razor-sharp script, cool soundtrack and stylish look. However, before attending an advanced showing of the film last night, i checked out the IMDb comments and was not expecting too much. I was, however, pleasantly surprised.

The thing to remember is that the film is not only a remake, but YET ANOTHER addition to an already exhausted Hollywood genre ('The Sting', 'Oceans Eleven' and recently 'Matchstick Men'), and so any originality was going to be hard-earned. But the script is excellent. In the early stages of the film, you feel like Reilly is being a bit heavy-handed with the mannerisms of his intentionally caricatured conman (especially for those familiar with his awesome and similarly heavy-handed and clumsy cop in 'Magnolia', it takes a bit of time to adjust!), but the character definitely grows on him. It is, if nothing else, refreshing to see an actor of his ability given the chance to dominate every scene, and on the whole he takes his chance well.

The real star though, as mentioned elsewhere, is Diego Luna. He plays a fresh-faced and naive rookie-crook who's taken on by Reilly, and throughout the film the interplay between them is a highlight. No questions asked, he steals the show. This was a surprise to me, as i haven't seen him on screen before, but a bit of research shows he was in 'Dirty Dancing: Havana Nights', so this could be some breakthrough! Maggie Gylenhaal was slightly disappointing, as she's been particularly memorable in everything else i've seen from her, but in general the supporting cast is solid.

Where the film really succeeds though, is how it knows and appreciates its audience. From the outset, 'Criminal' appears as a clichéd gag-fest revolving around the two con-men, and you are continually guessing who's going to be screwing who, and the characters often refer to just this. But the plot is complicated (or maybe uncomplicated) enough to maintain the audiences attention, and you'd be kidding yourself if you said you saw the final twist coming.

Very watchable, very cool, very funny, but perhaps in the end a little unsatisfying. Well worth checking out though.

Con-man Richard (John C. Reilly) enlists Mexican petty thief Rodrigo (Diego Luna) as his new temporary partner, and soon they are engaged in a huge scam involving counterfeit money, being helped along by Richard's skeptical sister Valerie (Maggie Gyllenhaal).

In 'Criminal' you soon learn not to believe ANYTHING you see! It is an object lesson in distrust, but an engaging and wonderfully entertaining one. Who is going to f... whom over, that's what it is all about. Richard conned his two younger siblings out of their share of the inheritance after their mother, but he whines and bitches at every turn, and he proves himself to be both antisemitic and anti-black. When once again he has tried to cheat his new partner out of his cut, he exclaims, "What's with the raped-virgin look?". Richard is a terrible, terrible person, a thoroughly rotten apple who believes that "F...ing, that's when you're handcuffed on the pavement". Anything short of that he can deal with, squirming like a worm. Of his victims he says, "I don't feel anything for them. They're marks. Some of them are dumber than f ... pets!". John C. Reilly is very good in the part, although I found myself longing for just one other color on the palette, just some surprise, something not too predictable.

He says to Rodrigo, "You got something that money and practice can't buy, you look like a nice guy", and Diego Luna (the 'other' guy from 'And You Mother Too', alongside Gabriel García Bernal) has a puppy-dog appeal that works like a charm. He has genuine, unforced charm and is cuddly at all times.

Obviously, if you have watched 'The Sting' or films like the great French caper 'Les ripoux' ('My New Partner', 1984), 'Criminal' will offer you nothing new or sensational. It does have a really nice feel to it, though, taking its leisurely time to get rolling, enabling us to get to know these people. Or so we think ...

7/10

American remake of the 2000 Argentinian film "Nine Queens" features John C. Reilly in a superlative performance as a sometimes-successful Los Angeles con-man who partners with a Spanish grifter he meets one morning trying to swindle waitresses in a casino; they become involved in a scheme to dupe an Irish billionaire out of 750 Gs with a rare (and counterfeit) bill of foreign currency. Director Gregory Jacobs, who also co-wrote the script with Sam Lowry (the pen name of Steven Soderbergh), wisely allows Reilly lots of room to go into his maniacal arias, which is a good thing since little else in "Criminal" quite measures up to him (certainly not that generic title!). Although the colorful supporting cast is excellent, Reilly is the spark plug to the entire picture--a fact which makes the final curtain something of a let-down. Since this house-of-cards scenario is filled with cross and double-cross, it's difficult to fault the general plotting (it's a writer's conceit, after all); however, the impetus of this story--how it all gets set into motion--is questionable by the denouement. Still, an engrossing and enjoyable film with a high-wire acting job from Reilly, which might have received a great deal more acclaim had the overall results been stronger. **1/2 from ****

After sitting through the world premiere of "Criminal", I spent the whole movie trying to remember where I had seen this script before, and then the credits mention that it was adapted from the script of a great British film called "Nine Queens", which was out only a few years ago.

Except for exchanging a postage stamp for a rare currency bill, there is no originality in this adapted screenplay. Similar to the remake of "Psycho", if you are going to film a scene-for-scene remake, then why do it?

I can only hope that this movie causes people to seek out the original "Nine Queens", so that it gets the recognition it deserves in America.

It's truly sad that the first film from someone who has worked for years as an assistant director couldn't be something more innovative, original, or unique.