Spartacus

The original Spartacus is a superior movie as movies go. However, this version has much to offer and won't disappoint. The depiction of the Gladiator fights has several authentic touches such as the branding on the neck of the losing fighter. The brand was to insure the gladiator wasn't faking death! They still got the thumbs-down crowd signal wrong. In the movies, the thumbs-down means the crowd wants the loser to die. In reality the thumbs-down meant to let the loser live and to signal the victor to put down their sword. The death signal was a thumb stabbing motion toward the heart. I suppose they can be forgiven because few people watching the movie would know that and it would probably confuse most people to change it. They likewise included the signal of the losing fighter to plead for mercy, but got that wrong slightly too because the signal is one finger, not two. Still, they obviously tried to get things more accurate. The gladiator characters were quite accurate as were their weaponry and armor. Very good job there. They obviously paid attention to the discoveries made since "Gladiator" came out in 2000.

But the gladitorial combat scenes are a very small part of this movie. This is primarily a war movie and the war is a fight for freedom by slaves against the Roman empire. The producers retained much of the social commentary from Howard Fast's book. It fact they hit you over the head with it in case you didn't read the book. Most important in this the Draba character, the black gladiator who fights Spartacus. His role, though small, is key to the story. Also pay attention to Agrippa, the Roman Senator who is constantly making Crassius' life miserable. He's not what he seems, so pay attention.

Watching the mini-series on USA Network over two separate nights days apart is unbearable. But when commercials are edited out and you can watch the whole thing without so many interruptions, the narrative is quite fluid. This would make a nice DVD because the photography is good, the costumes detailed, the acting/casting good, and the story excellent.

It is just not the same movie as the 1960 version. Don't expect a simple remake. The ending is different. Spartacus' fate is different. It's more like Howard Fast wrote it originally than what Hollywood made of it in 1960.

The 1960 version is superb, but it's not the same as this movie. It's a similar but different story. I highly recommend this version along with the original.

The 1960 version of Spartacus remains one of the best historical epics ever made but this new film rates very well beside it. It is more historically accurate and much more faithful to the original Howard Fast novel on which both films were based.

All the actors did a good job. Goran Visnvjic was an effective Spartacus and Rhona Mitra a feisty Varinia very much in keeping with the book. Alan Bates is at his best in the role of a senator playing a behind the scenes role in trying to stop Crassus in his drive for power over the Roman state. I was least impressed by Angas Macfadyen in the role of Crassus although it's still a competent performance. I guess that Lawrence Olivier who played Crassus in the 1960 movie is a hard act to follow.

The battle scenes are competently performed but the armies look much smaller than the historical record said they were. I guess the original Spartacus had more money to spend on extras. A long standing wish of mine is for a Roman epic to get the armor right. The Roman soldier of this period wore short mail shirts and used oval shields. The segmented armor wasn't introduced until about a century later.

I couldn't fault the history. Everything seems to be done right, from the first battle when the slaves abseiled down the cliffs of Vesuvius to attack the Roman camp to the splitting up of the slave army when Crixus and Spartacus had a falling out. The gladiator scenes are just as good as the original too.

All in all, a great movie that even die-hard fans of the Kirk Douglas version should enjoy.

This was beautifully acted and when it was over I wanted more! However when the ending credits started to roll I was disgusted to see that Goran Visnijic's name was spelled Goren. Okay if you misspell Visnijic that's one thing but how hard is Goran? That seems awfully disrespectful and unprofessional. Where are the editors? There was a reminiscence of Braveheart especially since "Robert the Bruce" was opposite Goran for the spotlight here. And who could've missed the famous battle cry of "FREEDOM" when it was shouted? I loved Braveheart, I loved Spartacus and, what can I say I love Goran Visnijic. I think it's important these days to try and adequately and accurately portrait history's important events using television and movies because our children almost depend on it as a source of information. Using special effects and quality actors is a good start, thumbs up, but please fix your misspelling.

One of the previous reviewers, whose review garnered a "useful" label by 29 out of 29 people at the time of this writing, had the gall to correct the "thumbs up" vs "thumbs down" decision-making style of the gladiatorial arena.

This is the height of hubris. In reality, there is not a person alive today who truly knows what motion of the hand meant what in ancient Rome. The entirety of our knowledge of the "thumbs up" thing comes from a passage in a letter written in Latin where it is mentioned that at a recent gladiatorial game the writer had observed that the fate was decided in "the usual way" by means of "pressed thumb". Hollywood interpreted this as thumbs up vs thumbs down, but who the hell knows what it really means.

Where the previous author collected this notion of down meaning "spare him" and some kind of "stabbing motion" meaning "kill him" is completely mysterious and untrue. The arrogance with which he delivered the assuredly true claim forced me to correct him publicly, as his review of this film had been validated by 29 people, which by extension validated this fiction he perpetrates.

The TV miniseries opens in Gaul 72 B.C. where the Romans put an end to Varinia's world making her a slave… Meanwhile Spartacus (Goran Visnjic) is free from the hell of the gold mines of Egypt to be trained as gladiator in the establishment of Lentulus Batiatus (Ian McNeice).

Most of "Spartacus" contains many of the miniseries' best moments… The operation of the gladiatorial school and its training program is impressive and expressive; the apprentice gladiators are treated like special animals, tutored to perform in the arena as spectator-sport-killers, and occasionally rewarded with a woman in their cells…

In this degrading manner Spartacus meets Varinia (Rhona Mitra) and it is his love for her and his hatred for his captors that brings about his decision to escape and lead revolt…

Particularly effective is the scene in which Marcus Crassus (Angus Macfadyen) and his bored entourage visit the establishment and request for a private showing at its best of a pair of Thracians… Crassus wanted to see courage, passion, and above all finality…

Spartacus is matched with the African Draba in a fight to the death, but Draba (maybe rather than live as a beast) chooses to die as a man, attacking his spectators…

The scene summarizes the iniquity of the situation, the cruelty of bondage, and the subsequent uprising of gladiators in Capua becomes a triumph easy to understand…

Director Robert Donrhelm did a decent job, carrying the grandeur and the decay of ancient Rome