L'écorché

If I hear that overused description of a non-sensical movie, I am going to scream. This movie does not require Suspension of Disbelief..it requires Abandonment of All Logic. I usually give kudos to a filmmaker that attempts to make something original and falls short, especially in this genre. But this is a bad movie, plain and simple, forget all of the apologetic reviews regarding this waste of time. This is not a movie that "you must pay attention to", this is a movie that absolutely does not make sense and should not be watched. Old lady kills strong viral men, there are soooo many holes in this story, the holes have holes. This film is almost comical, and when I think of the strength in which the old lady exerted in dispatching her victims, I realize that this film actually is a comedy.

A deeply flawed plot. I won't recapitulate them here, since many previous commenters have done this quite well. And I did not like the clichéd device of the music building to a (supposed) climax, but then nothing happening in the film. An interesting device the first time it was tried, but filmmakers need to leave that alone. The acting was uneven as well. But it did, surprisingly enough, hold my interest.So it isn't a complete failure. I liked Natalie Avital, and hope she gets more good roles in the future. (Okay I really mean better roles.) The same for Lindsey Stoddart. I suppose that horror film fans should see this movie, and that others should give it a pass.

Not be confused with Danny Boyle's A SHALLOW GRAVE, this low-budget horror flick centers around a series of murders in a small town. A sheriff's office is shutting down and preparing to relocate when a bloodied teen walks in the door. The revelation of his identity only makes things more confusing. It is hard to say more about this movie without giving it all away. Suffice it to say SHALLOW GROUND involves restless spirits and their thirst for revenge. The first half has some wonderfully unsettling and occasionally scary moments. The second half loses some momentum, although the killer's identity comes as a neat surprise and pays homage to Hitchcock in its own twisted way. The supernatural elements are kept to a minimum, which works in the movie's favor. Horror film fans will have seen the plot before, but may appreciate the clever way in which it is presented. The acting is hit or miss at best, and the movie is extremely bloody. It deals pretty graphically with torture-murders, so the little ones should be in bed before you watch this.

While preparing to shutdown a sheriff's station in the woods, the deputies Stuart Dempsey (Stan Kirsch) and Laura Russell (Lindsey Stoddart) are surprised by a naked teenager covered in blood and with a hunt knife in his hand. The boy is arrested and Sheriff Jack Sheppard (Timothy V. Murphy) is summoned by his assistant. While investigating the identity of the boy, Jack hopes to solve the disappearance of many people in the area, including his girlfriend. When the identity of the boy is disclosed, the mystery increases.

The beginning of "Shallow Ground" is promising and intriguing, and I recalled the "X-Files" series. Unfortunately, in a certain moment, it seems that director and writer Sheldon Wilson lost the control of his creation and the story goes nowhere, becoming very confused and having an unsatisfactory and disappointing resolution. In the end, there are three plots: the lead one, about the old lady that lost her husband and daughter in the dam, blames everybody and "builds" a new family of her own: the secondary one is about the torment sheriff , that suffers for not having saved the blond girl. The third one is about a drug dealer that was executed in the city. For some unexplained reason, the dead seek revenge, and all the people killed in the woods somehow combines in one gore being. The same happens with the drug dealer. But why so much complication, wouldn't it be easier if the boy had gone directly to the killer's house and stop her crimes the same way the dealer did with the officer that shot him? The last scene is simply an awful hook for a possible sequel. My vote is six.

Title (Brazil): "Terra Rasa" ("Shallow Ground")

Great idea for an opening - a naked teenage boy, covered in blood from head to foot, walks out of the forest holding a big butcher knife - and into the Sheriff's station which is packing up, making ready to leave.

Bad idea - a Sheriff with a heavy Irish brogue, corny dialogue, some truly 'WTF?!' editing, having all the 'good guys' in the film at least 5 minutes behind the audience (in a 'come on, it's obvious!' way), and a final shot that will have people leaving the cinema asking their friends "What on earth was that about?!" The director / DP knows how to do fish-eye shots, slo-mo, reverse-filming, all those bog-standard music-video things (and the lighting was fine) - even the SFX were fine - but the film really falls down on plot, script and editing. The plot, what it is, is revealed too slowly. I'm all for suspense, but not when you waste 45 minutes and leave only the last 45 or so to shoe-horn all the development in. Characters (and red-herrings) are suddenly forgotten / nobody reacts in a normal way / there's no real clue to events (and people) that are revealed later.. And - given the plot, which I'm trying not to reveal - there's way too little explanation of events which we're told are happening elsewhere (and would make what's going on more coherent).

As I say, the final shot - clearly designed to be a 'sting in the tail' (maybe even a hint at a sequel, or events continuing) will instead leave you walking out of the theatre trying to work out why?! / what?! / and, is there any way I can get my money back? (no).