Possession

American remakes of South Asian films have often produced disastrous results. 'Possession' faces a similar fate. It's not as bad as most remakes of South Asian movies but as a stand alone it's not very good either. The execution is passable. There are some eye-candy photographic visuals but the background score is annoying. The forced 'jump' moments are unnecessary and out of place.

The movie hardly works as a thriller but to an extent it does work as a human drama. Jess's hope of her husband's recovery conflicted with her confusion in seeing her brother-in-law act familiar is well displayed. Sarah Michelle Gellar is brilliantly restrained. How I hope she would move out of the horror thriller genre and attempt different kinds of roles. Lee Pace's performance suffers due to poor characterization.

'Possession' is easily forgettable. Other than Michelle Gellar's performance, there isn't much to look forward to.

Based on the trailer and the tags for the movie I expected a little bit of a horror/thriller from the movie, instead I got a slow moving tense love story. The movie lacked a wow factor, while being watchable and being a remake I would have wanted more out of the second release. Acting in it was good, nothing outstanding as it only was composed of three actors for the majority and of those two that showed any depth.Regardless of what I expected though, the movie was very slow in a lot of areas and then the theatrical version (and from what I read the alternate version is much better) provides an ending that was jumbled and developed poorly for the viewer. They seemed to just toss out this ending without thought to turn it into a somewhat creepy idea of "possession" that I found to be quite bland.

Overall if you watch a lot of movies and need something to watch, check it out, its not horrendous. Otherwise, there are plenty of other flicks worth pouring an hour half into.

I haven't seen the Original Asian movie this is based on, but I am pretty sure, that I would like that more than the Remake I have seen. I'm pretty sure it is more subtle and has better character arcs. Not that the actors are bad in this, but as someone else wrote in a magazine: Seems like Sarah M. Gellars career has gone AWOL, since Buffy ended. And this movie won't bring her career back.

It's a nice little psycho thriller, that tries to stay ambiguous, but you might know where this is going, without me or anyone else telling you about it. There's still a chance you might like it more than some other people, but also a very good chance you might not like it at all. There's better thrillers out there, but you could pick a worse movie. If you are a fan of Sarah M. Gellar, you might wanna give it a try ... also if you like thriller movies in general (with a touch of supernatural thrown in for good measure). Everyone else should stay clear of this

I may review this report after watching the film a second time. this time around, I was most disappointed, expecting from the DVD sleeve promotion and the very title of the film, a demonic horror thriller. No such thing.

Another love triangle involving a young woman and two brothers, this is a soppy sentimental love story but I can see where people are coming from in thinking the husband Ryan has possessed the soul of his brother as a result of the accident. they could have fed off the recent film 'Brothers' which had a war topic to the story and although not great, delivered the goods. this film doesn't.

There is no real drama or horror in this movie and the ending is macabre to say the least. The acting is below standard even from the leading lady and the script is poor, the story told with so slow a pace it was excruciating.

Checking IMDb, there are quite a few films by the same title and it was difficult at first to identify the correct film on which to post the review.

There have been some very sensible and to the point comments by previous commentators about this movie. it remains to be seen whether I revise this review after a second viewing.

After its end, you understand than your expectations are the basic cause for not be just gained by this film, in essence a correct one.

So, as consolation remains the acting more than the story itself and source of frustrations is the so many opportunities to make this film just a good one. But , sure, the decision of director, giving, as compensation , a not inspired but sweet moment is the important one.