Possession

I have watched both versions of the film, and after eagerly anticipating it for more than a year, I can say that the alternate version is what I had expected/hoped for and completely changes the entire film. This film is by no means perfect, and certainly isn't the best written piece of cinema out there, but the story had me wrapped up and interested. The alternate ending made me love it.

If you go into this film under the misapprehension of the marketing - which is, that this film is another "Grudge" or whatever the company tried to push - then you may be disappointed; it is less supernatural and altogether more human.

After its end, you understand than your expectations are the basic cause for not be just gained by this film, in essence a correct one.

So, as consolation remains the acting more than the story itself and source of frustrations is the so many opportunities to make this film just a good one. But , sure, the decision of director, giving, as compensation , a not inspired but sweet moment is the important one.

Based on the trailer and the tags for the movie I expected a little bit of a horror/thriller from the movie, instead I got a slow moving tense love story. The movie lacked a wow factor, while being watchable and being a remake I would have wanted more out of the second release. Acting in it was good, nothing outstanding as it only was composed of three actors for the majority and of those two that showed any depth.Regardless of what I expected though, the movie was very slow in a lot of areas and then the theatrical version (and from what I read the alternate version is much better) provides an ending that was jumbled and developed poorly for the viewer. They seemed to just toss out this ending without thought to turn it into a somewhat creepy idea of "possession" that I found to be quite bland.

Overall if you watch a lot of movies and need something to watch, check it out, its not horrendous. Otherwise, there are plenty of other flicks worth pouring an hour half into.

Sorry, Sarah, but, since your 'Buffy days,' your film career has hardly been glittering. What we have here is a short - and pretty empty - horror/thriller. If you believe the marketing on the poster, the people who made it have something to do with both The Grudge and The Ring. I can assure you... it's not even nearly as good as either of them.

In my opinion, it has two major problems: the first is that it's rushed. It's only eighty minutes long and everything has to happen really quickly to fit it all in. Buffy is now married to 'nice brother,' but 'nasty brother' is generally hanging around with them. Then, one fateful day, nice brother and nasty brother accidentally crash their cars into each other (yeah, seriously), leaving them both fighting for life side by side in their hospital beds.

Then, nasty brother wakes up, only he claims to be nice brother. And now we have our film. Only we don't. Seeing as it's nice brother in nasty brother, he behaves very well and doesn't do anything nasty. So... who's really in there? Nice brother, or nasty brother? Um, do we care? He's nice, so there's absolutely no real sense of danger or dramatic tension (my second fault with the film).

If you're a Buffy/Sarah fan like me, you'll probably agree that she's the best bit. She does her best, but the script is lame and she could do with either having to fight someone, or be chased by something (ala The Grudge).

Sadly, Possession offers nothing you haven't seen before, only better. Stick to the Grudge or the Ring. Like I say... sorry, Sarah.

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This is middle-tier SMG film, but I must say, it has really grown on me over the years. It's gorgeously shot, the story is pretty twisted which keeps you guessing, and Sarah has total command over the emotion of the film. She's pretty fantastic; she's always been one of the best criers in Hollywood, and here she manages a certain emotional state consistently as Jess collects these experiences and weighs the possibilities. Lee Pace is rather good, too.

The directors have a strong sense and a compelling approach to the material that is not stylish and clicks with the audience. The script is the most flawed aspect but serves the basis for a solid thriller. It's quite impressive that they filmed an entire alternative third act. I do prefer the alternative ending to the more Hollywood-ized final version. However, the producers made the right call. American audiences wouldn't have gone along with Jess's final motivations and conclusion in the alternative ending. I find the psychology so interesting.

I wish it would have had a proper wide theatrical release. It would've made $bank$ had it been released early February or mid-April.