Lucille and Irja are retired residents of Sunset Hall, a Los Angeles home for the elderly. Residents of Sunset Hall are retired radicals; they have retired from work but not from protesting ... Read allLucille and Irja are retired residents of Sunset Hall, a Los Angeles home for the elderly. Residents of Sunset Hall are retired radicals; they have retired from work but not from protesting against injustice. Bitter Lucille considers herself a realist. Wheelchair-bound Irja is su... Read allLucille and Irja are retired residents of Sunset Hall, a Los Angeles home for the elderly. Residents of Sunset Hall are retired radicals; they have retired from work but not from protesting against injustice. Bitter Lucille considers herself a realist. Wheelchair-bound Irja is sunny and optimistic. Lucille was raised a Jew but always aspired to assimilate. Irja wants ... Read all
- Director
- Stars
- Awards
- 2 wins & 1 nomination total
Photos
Featured reviews
I'm not sure why these two ladies were selected but they were a good choice for subjects to show what Sunset Hall is all about and who the residents are and were. The film is not that well structured but it does well to let us get to know these two people reasonably well and to the point where we do like them and care about them. I'm not sure what the film's point or agenda was but to me the film was about having respect for the elderly it is too easy to assume that they are used up and finished and to ignore them in order to ignore our own mentality but this shows us they are just people. Of course, pretty much any home can do this and I did used to volunteer in a local old people's home when I was younger, spend time with anyone and you learn things regardless of age. So it is just as well that the film also had the hook of being set in an unusual home whether or not the home is that good an idea or not (seemed to me that arguments were only ever seconds away!) the people there do seem happy with it.
Irja and Lucille are both very warm people who is very easy to care for and you do get into their stories. The direction is unobtrusive but nothing fancy, mainly because it seemed happy to let the subjects speak for themselves. Overall this was a pretty good film for what it did well; show us real people and get involved in their lives to the point where we could learn something form them. The lack of structure is a bit of a problem since it doesn't appear to have a point to make but then Irja and Lucille make up for that by simply being themselves.
And if that turns you off; if you have a picture in your mind that this is going to be a purely weepy, painfully arduous film about old people on the verge of death, you're wrong. There are moments of enlightened humor and brilliance that will make you guffaw out loud. There are inspirational moments that will make you leave the theater wanting to live a fuller life. There are deep moments that have you contemplating your own aging process, as well as your thoughts about what it might be like when you're 75, 85, 95. And yes, there are powerfully, potently sad moments that will have you bawling into your popcorn.
It is, in a nutshell (an overly simplified nutshell), sort of a documentary version of "On Golden Pond", full of the same sweet sadness and auld lang syne (sp?), but with a documentary's ability to sweep aside typical heartstring-pulling cinematic manipulation. Yes, Sunset Story uses a score - a deeply emotional piano score - but it serves the story, enhancing the natural drama playing out on the screen without dictating what emotions you should be feeling at what time.
This documentary should be seen, far and wide.
Details
Box office
- Gross US & Canada
- $17,508
- Opening weekend US & Canada
- $2,966
- Feb 27, 2005
- Gross worldwide
- $17,508
- Runtime
- 1h 13m(73 min)
- Color