The Room

I've never in my life been more entertained by a film that has absolutely NO redeeming qualities. Unintentionally inept characters engage in progressively bizarre and unnatural interactions which seem to peak at erratic and unexpected intervals. The awkwardness of the actors is framed by strange pauses, jarring scripts and incredibly bizarre production techniques - there are ample 'deer in the headlights' moments, in which you can feel genuine sympathy for these people who are obviously so caught up in Tommy's strange and dominating creative control that they've failed to see any better.

Other filmmakers play with similarly surreal concepts - David Lynch for example - but this film lacks anything resembling artistic refinement, insight or self awareness placing it far from comparison. It's kind of like watching a train crash in slow motion - random, incoherent, disastrous, accidental and ultimately painful. The sense of alienation emanating from this film places the audience extremely far from being able to relate to what's happening on screen, which leaves a lot of room for uncontrollable laughter given the right circumstances.

The camera work and production techniques would not be out of place in many daytime soap operas, nor would the script and plot, but there is an undefinable quality which separates this movie from the sense mediocrity often found in such shows and instead casts it deep into the abyss of tragically bad film making where it will be forever trapped along with Wiseau's artistic integrity. This really is a new frontier.

It is truly awful, but I cannot recommend it enough.

Okay - quality of the movie [0/10] Enjoyability of the movie [10/10]

Total paradox, right?

This is the absolute pinnacle of bad story, bad dialogue, bad editing, bad plot.. I mean, I'm saying 'bad' like there actually is any of these elements within the film. The editing makes no sense, it seems randomly cut with continuity errors, there are lines like 'What's going on with the candles and the music' when there ARE NO candles or music.. The entire thing is absurd. But what makes it truly unique is that it was done entirely seriously, this is not a tongue in cheek production like low budget bad movies that know they are catering to an audience who expect to laugh at the poor effects and story.. No, this man, Tommy Wuseau, honestly, genuinely thought he was crafting his magnum opus, masterpiece of cinema.

Is it good? Absolutely, definitely not.

However - as a movie EXPERIENCE. I watched this with some of my family, warning them it was terrible, but we had one of the funniest, most incredible bonding experiences in cinematic history - As we collectively picked apart every camera angle, wobbly set, insane use of props, costume, music that skips, repeats, continuity, edits, plot and dialogue. There is not one redeeming moment in the entire movie. Even if there is a single well crafted line (there isn't) it would have to be spoken by either a terrible actor or by Tommy himself, who's accent sounds like it was in a European car crash . We all laughed until it HURT, and for that.. I have to give the experience a 10/10. I've never enjoyed a movie more with friends and family more than this one.. EVER.

I head that the experience is similar in theatres that still show this film for precisely this reason. Everybody dresses up as their favourite character, recites every line and throws spoons at the screen every time one inexplicably ends up on screen (it's a lot.. is there a reason behind this 'artistic' decision. No. There is no reason for anything)

There is more and more to notice about this film every time I watch it.. Most recently, how the architecture of the building makes no sense whatsoever. They appear to be on the ground floor, but exiting from the other side causes them to end up on the roof - at night. It's things like this that could inspire a PhD in studying the intricate insanity and entirely non sequitur values of every moment in The Room.

Do I recommend it? Well.. how can I not. Everyone needs to see this movie at least once, after a couple of drinks and with friends. It's even funnier than Weekend at Bernies after taking magic mushrooms.

I almost died laughing from a hypoxic brain injury, unable to catch my breath - narrowly avoiding giggling myself into a coma.

The finest abdominal workout video ever made.

This film is completely worth seeing. A friend of mine recently said it was as if a deer made a movie about human interaction, unable to comprehend what it is to be a human being. It is hilarious.

It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.

There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.

I can't think of anything good to say about this movie, other than I enjoyed every single second of it. It's actually so bad that it entertains effortlessly.

Forget all the three-line raves this movie has received (which all seem to be suspiciously similar in tone). THE ROOM is one of those rare laugh-riots that is so fantastically inept as to border on genius. While most bad movies offer a handful of terrible scenes divided by stretches of just plain dull, writer-director-producer-star Tommy Wiseau's film offers one moment of disaster after another.

Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.

This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.

Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.

You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.