Un crime dans la tête

"The Manchurian Candidate (2004)" is a par knock-off of the 1962 classic adapted from the same novel with the usual upgrades and contemporary tweaks. Sporting a good cast and a somewhat cluttered screenplay, the film tells of the plight of a Desert Storm vet (Washington) whose dreams tell a story of what happened to his platoon in Kuwait quite different from the historical account of record with ramifications reaching deep into a U.S. presidential election. A little bulky at two hours, this suspense/drama flick waxes in convolutions and intrigues all the while dangling the "dreams or reality?" question before the audience. With par murmurs from critical corners and mixed commentary from the public in general, this three star flick is probably worth a look for fans of the players or anyone into political thrillers, etc. (B)

Thrilling and chilling film deals with Major Ben Marco (Denzel Washington) , an intelligence officer in the U.S. Army. He served valiantly as a captain in the Kuwait war and his Sergeant, Raymond Shaw, even won the Medal of Honor. Marco has a major problem however, he has a recurring nightmare, one where two members of his squad are killed by Shaw. Raymond Shaw (Liev Schreiver) is an insufferable man, who came back from the Irak War awarded the Congressional Medal of Honor . Shaw for his part eventually becomes a vice-presidential nominee and has established himself well, despite the misgivings of his domineering mother, Mrs. Eleanor Shaw (Meryl Streep). Ben Marco has been having nightmares that lead him to believe that the circumstances that led to Raymond getting the medal are not true. However, Marco learns that another soldier (Jeffrey Wright) from the platoon , has had the same nightmare .While his superiors don't think he knows what he is talking about, he is sent on leave . When he goes to see Raymond, he is arrested ,he aware that also has the same dream. When the officers learn of this they decide to give him a chance to find out what's going on . Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out. Ben Marco have to face off an enemy with even more sinister designs .

Bold political thriller about the mind control of the prisoners Americans in the Irak War dealing with experiments applied to soldiers to modify behavior patterns. Top-notch acting from main cast as Denzel Washington who gives a superbly controlled interpretation as an Irak war veteran who begins to believe that the honored heroics of a former member of his squad may be the product of brainwashing . Furthermore , Liev Schreiver , Kimberly Elise , Jeffrey Wright and John Voight ; mention special to Meryl Streep as mean mother who executes nasty machinations to promote her son's career , she has some moments of real brilliance . The picture packs thrills , suspense , action , intrigue and is quite entertaining . With an excellent script based on a novel by Richard Condon and George Axelrod 1962 screenplay adapted by Daniel Pyne ; it has a splendid narrative rhythm , the film raises a disturbing theory well performed and slickly developed . The movie that leaves you feeling of having a good cinema. The motion picture is compellingly directed by Jonathan Demme ( Silence of the lambs , Philadelphia , Some wild ) . This exciting political paranoia thriller will appeal to Denzel Washington fans .

This interesting film results to be a remake from "The Manchurian Candidate" 1962, with Laurence Harvey as Raymond Shaw , Angela Lansbury as ambitious mother and Frank Sinatra that only a year later surprised with the the death of President Kennedy , directed John Frankenheimer a producer for its realization, appeared excited Frank Sinatra with a script of "The Manchurian Candidate," which could have a role as an officer of the bunch of prisoners Americans, Sinatra was formed as co-producer and introduced the idea before the president of "United Artists" , this film was rereleased theatrically in 1987.

In brief comparison, I adore the 1962 film and consider it one of the best of the 60s. This remake is far from the worst remake in existence(the remake to Psycho should never have been made) plus it does have its good points. The film is well made with stylish cinematography and striking locations. The acting is above decent, Denzel Washington does well filling Frank Sinatra's shoes, Liev Schreiber literally sinks his teeth into his role and Meryl Streep does make an impression as Schreiber's unscrupulous mother. The film does also try hard to evoke a chilling atmosphere and does succeed at times. However, Jonathan Demme's direction lacks subtlety and control. Also the script is pretty weak coming across as hackneyed, the story is extremely complex and too convoluted and the film drags making the (just over) 2 hour film rather dull. All in all, not bad but disappointing. 5/10 Bethany Cox

While the 2004 remake of "The Manchurian Candidate" is ensemble acting at its finest, Meryl Streep seems to be having a bit too much fun playing the villainess Eleanor Prentiss Shaw. She doesn't have the same blood-curdling constitution as did Angela Lansbury.

"What was I supposed to do, call a MEETING?" she exclaims as her wimpy male colleagues in the shadowy Manchurian Global upbraid her for ordering someone killed without consulting them. Problem is, she was radiantly glowing when she uttered the line, which produced laughs in the NYC theatre I was in.

When she showers Liev Schreiber with overly affectionate kisses and hugs, one again suspects Meryl was having a bit too much fun on camera with someone she finds quite attractive -- don't we all? -- in real life.

On its own, the 2004 remake is fine cinema. But the problem with all remakes is the inevitable comparison with original. And sadly, as much as I like the 2004 version, my vote goes with Angie Lansbury and Laurence Harvey.

Here's something I never thought I'd say: I enjoyed parts of "The Manchurian Candidate" remake; it isn't as bad as I expected it to be.

And much of the credit goes to the three main players - Denzel Washington as the paranoid veteran, Liev Schreiber as the titular character and Meryl Streep as the power-hungry, Oedipally motivated Senator Eleanor Shaw.

Screenwriters Daniel Pyne and Dean Georgaris reinvent and contemporize Richard Condon's novel and the 1962 film. While John Frankenheimer's film, written by George Axelrod, was the apotheosis of the Cold War thriller and a scathing indictment of McCarthyism, Jonathan Demme's remake is less subtle in its approach and paranoia, but takes barbed jabs at current politics, the corruptibility of our elected leaders and paranoia disguised as patriotism in a post-9/11 America.

The remake also owes a debt of gratitude to Alan J. Pakula's brilliant 1974 paranoia-conspiracy thriller, "The Parallax View."

Although it isn't clear whether Raymond Shaw is a Republican or Democrat - his mother certainly seems more Republican in her outlook and politics - Demme and his writers' point is that all American politicians are bought and paid for by big business. As we all know, we never heeded President Eisenhower's prescient caution about the military industrial complex.

The villainous Manchurian Global clearly was inspired by Halliburton - there's even mention of the company getting no-bid contracts. Pay close attention and you'll hear pointed references about the use of private contractors by the military, malfunctioning touch-screen voting machines and our government's "compassionate vigilance." Also, look fast and you'll see a news crawl about a Wal-Mart-type chain and a newspaper story about our treatment of Muslims.

Washington's awfully convincing as a man fraying at the edges, whose grip on reality seems to be slowly slipping, and there were a few moments where Schreiber almost reminded me of Laurence Harvey.

Streep, on the other hand, proves why she is undoubtedly the best actress this nation has ever produced. Her Eleanor spits venom. We're utterly convinced why Raymond's such a cuckold. We can only imagine what his poor father must have endured. Streep occasionally comes close to being campy, but so completely dominates the screen that she scares us even when she chews ice.

But several other talented actors, including Jon Voight, Vera Farmiga, Dean Stockwell and Ted Levine, are used to little or no effect.

Some crucial plot elements make no sense. The Dr. Noyle scenario, for instance, proves to be illogical, especially when we learn more about him. Neither Pyne nor Georgaris attempted to rectify this deficiency. Also, the mysterious Muslim women are superfluous. I wonder if their bit wound up on the cutting-room floor.

The film contains an unmistakable cynical tone. As much as it's clearly an indictment of big business' control of politics, it also denounces our leaders' insistence on keeping the public on edge with terror alerts. And as Senator Shaw points out, "The assassin always dies. It's necessary for the national healing."

But after maintaining its cynicism for much of the film, it comes apart completely at the end. Demme and his writers cop out with a pointless and weak denouement. That gunshot you hear is Demme shooting himself in the foot.

It's almost as if they gave in to appease some mindless preview audience or dimwitted studio hack. Or, maybe they envisioned it just like this. Given my admiration of Demme, I'd like to think otherwise. Hope I'm right.