Trauma and tragedy during World War II warp young Hannibal Lecter's mind.Trauma and tragedy during World War II warp young Hannibal Lecter's mind.Trauma and tragedy during World War II warp young Hannibal Lecter's mind.
- Awards
- 2 nominations total
Michelle Wade
- Nanny
- (as Michele Wade)
Featured reviews
I avoided this movie for years. After seeing "Hannibal" I had no interest in seeing how he became the monster he was. Alas, an Amazon Prime membership and down time at work drove me to "Hannibal Rising." I learned that I have a far greater affinity for young Hannibal than old Hannibal. Young Hannibal grew up in WW2 Europe. He went from affluence to fighting for his life due to the war. One particularly tragic event forever changed him.
The actor chosen for Hannibal (Gaspard Ulliel) was excellent. He even had a sinister looking face the way the corners of his mouth curve upward in a Joker-esque manner made him able to sneer with ease. His acting left a little to be desired as his accent (or simply his manner of speaking) seemed forced. Also there was the dialog between him and Lady Murasaki (Li Gong). They constantly spoke in hushed romantic tones as if every word they exchanged was secretive or passionate. It came off as pretentious and grandiose as though they were the two most important or two most passionate people in the world.
If we were to boil it all down, "Hannibal Rising" was a revenge story. Some people are fueled by love, some by hate, others by both. Hannibal was definitely fueled by both and it was his inability or unwillingness to not cross the line that made him Hannibal the cannibal.
The actor chosen for Hannibal (Gaspard Ulliel) was excellent. He even had a sinister looking face the way the corners of his mouth curve upward in a Joker-esque manner made him able to sneer with ease. His acting left a little to be desired as his accent (or simply his manner of speaking) seemed forced. Also there was the dialog between him and Lady Murasaki (Li Gong). They constantly spoke in hushed romantic tones as if every word they exchanged was secretive or passionate. It came off as pretentious and grandiose as though they were the two most important or two most passionate people in the world.
If we were to boil it all down, "Hannibal Rising" was a revenge story. Some people are fueled by love, some by hate, others by both. Hannibal was definitely fueled by both and it was his inability or unwillingness to not cross the line that made him Hannibal the cannibal.
I've heard a lot of reviews saying this was a bad movie. I disagree! I don't know if any of these people have read any of the books, let alone Hannibal Rising, but I loved the movie. Given, it seemed like Thomas Harris wrote the book strictly for the movie, but I felt this movie was made to have people understand how Lecter, "the monster" was created.
Yes, Lecter is irrational and that's the point. Hannibal Lecter is suppose to be distant because he's a psychopath. He's suppose to be apathetic. Some people mistook that for bad acting.
Comparing the movie to the book...they were about 85% compatible. Minor changes were made, but nothing too critical.
I think some people are quick to make this movie out to be horrible because they really are milking the Hannibal Lecter story, but I felt it to be a decent movie.
Yes, Lecter is irrational and that's the point. Hannibal Lecter is suppose to be distant because he's a psychopath. He's suppose to be apathetic. Some people mistook that for bad acting.
Comparing the movie to the book...they were about 85% compatible. Minor changes were made, but nothing too critical.
I think some people are quick to make this movie out to be horrible because they really are milking the Hannibal Lecter story, but I felt it to be a decent movie.
Truly disturbing and succeeds in making you understand why Hannibal Lecter turned out to be the person he became. Not justified, but understandable. Don't leave this out when revisiting the other movies.
Hannibal Rising is a dark and thrilling grand guignol excursion into the formative (but still plenty brutal) years of the infamous Hannibal Lecter. Considering the amount of psychological material the film would appear to have to get through, I think it definitely errs on the side of briskness. In a broad sense, many important sequences are played out and edited very quickly, and this saps them of some of their resonance, but the mood does gradually coalesce into something followers of the prior films and novels will recognise, and will be rewarded in revisiting.
The teen-adult Hannibal as played by Gaspard Ulliel is pale and handsome, and his red slash of a mouth is always very much in evidence, signalling violence and malice, and reminding us of the flesh that we know will come to pass through it. After surviving some murky carnage on the Eastern Front during World War II, he eventually seeks out remaining family in the form of his widowed aunt in France (Gong Li). He begins to open to a more regular life under her curious guidance, but the post-war environment is conducive to grudges and violence, and these are the sparks that are quickest to ignite in Lecter. Direction in this all-too-brief part of the film is some of its best, as it visually and thematically stitches together Hannibal's fascinations so that we can feel them wrap around each other - blood, violence, his own incestual leanings towards his aunt, and his childhood bond with his late sister, Mischa.
After the first murder, though, (which definitely doesn't disappoint) it's a straighter ride through many more on the path of vengeance. It all makes for a fine thriller, but development in Lecter's character beyond this point is harder to read, and Ulliel's performance offers much relish but not-so-much variation. Of the other films in the series, this one has the most in common, stylistically and in subject matter, with Hannibal. As my friend also suggested when we left the cinema, I still feel there could easily be another film out there to deal with Hannibal practising as a psychiatrist and murdering folks on the side, pre-Silence Of The Lambs. This one offers the concrete details of his origins within a thrilling story, but somehow doesn't feel as deep or profound as I'd hoped it would - and I wish it would just relax and offer some longer scenes and more ambiguous moments at times. Nevertheless, Hannibal Rising is a strong film.
The teen-adult Hannibal as played by Gaspard Ulliel is pale and handsome, and his red slash of a mouth is always very much in evidence, signalling violence and malice, and reminding us of the flesh that we know will come to pass through it. After surviving some murky carnage on the Eastern Front during World War II, he eventually seeks out remaining family in the form of his widowed aunt in France (Gong Li). He begins to open to a more regular life under her curious guidance, but the post-war environment is conducive to grudges and violence, and these are the sparks that are quickest to ignite in Lecter. Direction in this all-too-brief part of the film is some of its best, as it visually and thematically stitches together Hannibal's fascinations so that we can feel them wrap around each other - blood, violence, his own incestual leanings towards his aunt, and his childhood bond with his late sister, Mischa.
After the first murder, though, (which definitely doesn't disappoint) it's a straighter ride through many more on the path of vengeance. It all makes for a fine thriller, but development in Lecter's character beyond this point is harder to read, and Ulliel's performance offers much relish but not-so-much variation. Of the other films in the series, this one has the most in common, stylistically and in subject matter, with Hannibal. As my friend also suggested when we left the cinema, I still feel there could easily be another film out there to deal with Hannibal practising as a psychiatrist and murdering folks on the side, pre-Silence Of The Lambs. This one offers the concrete details of his origins within a thrilling story, but somehow doesn't feel as deep or profound as I'd hoped it would - and I wish it would just relax and offer some longer scenes and more ambiguous moments at times. Nevertheless, Hannibal Rising is a strong film.
I don't put this in the same category
as the 3 previous films with Hopkins
(counting Manhunter out completely,,
even though it is a very good film). This movie is another animal altogether. Not
only bc this has a young actor playing a young Lecter,, but bc this is the origin story,, how he became the monster. This movie shows so many new sides to the character. A helpless child,, a traumatized teen,, a deranged young man trying to put his memories together to exact his revenge,,, and also, love. His love for the sister he lost, and also his widowed aunt.
If you are a fan of the Hopkins trilogy,, then you must see this,,,
If you are a fan of the Hopkins trilogy,, then you must see this,,,
Did you know
- Trivia"Lady Murasaki" (Shikibu Murasaki) is actually the name of an 11th-century Japanese novelist. Her "The Tale of the Genji" is regarded as a masterpiece of Japanese literature. In the book on which this film is based, Lady Murasaki is indeed a descendant of the 11th-century novelist. She and Hannibal even quote "The Tale of the Genji".
- GoofsWorld War II German "dogtags" didn't have the name of the soldier on them. Instead they listed the unit that they were in when the tag was issued, and a serial number.
- Quotes
Hannibal Lecter: Rudeness is an epidemic.
- Alternate versionsFor the German retail market a cut version was created (based on the theatrical version) which misses ca. 13 minutes. This version is rated "Not under 16". Theatrical and US-Unrated version are also available with a "Not under 18" rating but have some sales restrictions.
- ConnectionsFeatured in HypaSpace: Episode #6.25 (2007)
- SoundtracksPesnya o Staline
Written by Aleksandr Aleksandrov (as A. Alexandrov) and Sergey Alymov (as S. Alymov)
Public Domain
(misspelled as "Pensya o Staline")
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Hannibal, el origen del mal
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $27,670,986
- Opening weekend US & Canada
- $13,051,650
- Feb 11, 2007
- Gross worldwide
- $82,169,884
- Runtime
- 2h 1m(121 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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