The Toolbox Murders

This is such a great horror-film, and it has some original-twists to it too. The story centers-around the "Lusman Arms" (really the Ambassador Hotel, once THE place for the Hollywood elite and the site of the RFK assassination), a decaying-Hotel in a seedy part of Los Angeles. It seems after recent-renovations to the structure of the building there have been some strange-occurrences: a workman hurt in an unexplained-blast, and strange electrical-surges. There is a constant-sound of hammering, even when the workmen are gone. Tenants have gone-missing, and a strange aura of oppressiveness has descended-upon the building. It seems the place has a reputation that the building manager (a concierge) doesn't want known. It's just a great film, with a bunch of oddball-characters, unlike the log-jam of boring, PG-13 pseudo-horror. The characters in this film feel real, and I like them. Because I like them, I fear for them, and that is what horror is about.

Enter Nell (Angela Bettis of "May") and Steven, two new tenants. We get to know them and some of their backstory, and the decaying-Lusman is literally filled with oddities. For those who have lived in a 1920s-era apartment building, a lot of the funny-parts about maintenance (or the lack-of) will be familiar! If you have ever lived in an old-building, you can attest to the impressions of the past within-the-walls. The ghosts of "old Hollywood" haunt this film, just like they do the films of David Lynch or Kenneth Anger. Let's face it, with the legend of the Black Dahlia (mentioned in the film), the constant-battle for the control of the water-supply (an engineer once controlled L.A. His name was William Mulholland, and designed the Owens Valley Acqueduct), the Manson Family, gangs, poverty, the desert air, all the Hollywood deaths and scandals, cults, Scientology, the Mexican Day of the Dead, Chinatown, drugs, the Ramparts scandals, decades of obscene-corruption--Los Angeles is creepy.

Nell notices a lot of hammering and other strange-phenomena, and eventually begins to probe the mystery of the Lusman Arms. This descent-into-hell is what makes this not merely a slasher, but an Occult-horror piece. The Lusman has a strange, esoteric architecture and a storied-past. It also has mysterious symbols covering it's walls in key-locations. The logical-sequence of room numbers are missing some rooms. Some have commented that the symbols are "Masonic", even calling the film "Masonic-horror", which is false and misleading. The symbols are ancient, and have been around for thousands of years, and most should be familiar. I noticed absolutely nothing "Masonic" in the film whatsoever, which is odd. I guess they were reviews by Nazi-skinheads.

The best-part of this story is that it connects the enigmatic-tale of Jack Parsons, an occultist Crowley-devotee who founded the Jet-Propulsion Lab, being an early rocketeer. It is said that Parsons claimed to have created an "homunculus", an artificial human-being, so there is a genuine-connection with L.A.'s strange-relationship with occultism here. Parsons blew-himself-up in an alchemical experiment in the late-1940s--exactly where the "Lusman-mythos" begins. Without Jack Parsons, there would be no Scientology: L. Ron Hubbard ripped-him-off in a business-deal and used the money to fund the publishing of "Dianetics". I think the occult-backstory of the killer was Tobe Hooper's idea, and it really draws-you-in. "Occult" comes from archaic-Greek, and merely denotes "hidden", nothing-more. There are many hidden-secrets at the Lusman.

The murderer in the film is great, and one could consider it Parson's homunculus in-a-way, though the "coffin-birth" masks this element. I actually thought the "coffin-baby" backstory was interesting, and had the ring of occult-lore to it. Frankly, I would have to agree with some reviewers--if you aren't familiar with occultism, you aren't going to get a lot of the premise here. So, get-familiar kids, study the occult, hah-hah. Nonetheless, it's still a film you can watch superficially, enjoying the many mysteries that Hooper and his writers treat us to. Also, the murders-themselves are pretty original and thrilling, some even gruesome in a way that would do Argento proud! Go-figure, reality isn't what you thought it was! Without giving-away too much, this is a tale of the undead, kept-active by sacred-geometry in the structure of a building. It is a story of the darkness and mystery that surrounds-us, and a story of magic and curiosity. There are so-many incredible images of horror in this film, it is just excellent and intriguing. With a budget of less-than $1 million, Tobe Hooper has created a new classic horror that is likely to be imitated. It is surely "better" than the original film, and is simply his and his writers' take on the source (with major-revisions and additions). It is a re-imagining. The score by Joseph Conlan is very good, and atmospheric, hitting all the right marks. It makes the film feel larger. Toolbox Murders has a lot on-offer for such a little film, and is a great return-to-form for Mr. Hooper. Here's to more from him.

I recently saw this remake last weekend in LA, during which it was being shown on a limited sneak peak basis. Apparently, it's still in limbo on weather to go as a theatrical release or direct to video.

What I got was a well crafted horror remake that drifted away from the original. Yes, it's a remake, but Tobe (Texas Chainsaw Massacre 1&2) Hooper makes this picture all worth while. As we address the title of the film, all is implied with a hammer, a vice, a nail gun and a drill. Those tools are to just name a select few. The story takes place in LA, where a young couple move into an old run down apartment complex that is also rented out to tenants that are wannabe actors and sleeze bag drug users. One by one, they fall victim to our Toolbox Murderer.

It's not my favorite Hooper film, but it's a lot better compared to "Crocodile" and "The Mangler." I particularly am pleased with the gory death scenes, as well as the style of Hooper's directing. That apartment complex that was used was just awesome. Overall this slasher flick delivered in such a way that I'd like purchase it for my horror collection.

8/10 Way to go Tobe!!

Nell and Steven move into a run-down Hollywood apartment in the middle of being renovated. They soon realize that the landlord, maintenance man, and other tenants are a strange bunch. Nell finds herself delving into a mystery of the building when one of her neighbors goes missing. This is an excellent and unique slasher. Considering the last movie I saw by Hooper was about a CGI crocodile, I think it is fair to say he is back in the game. Unfortunately, there are plot holes galore that should have been worked out, the pacing is somewhat uneven, and the ending is a big let-down. But the murder scenes are nasty, the atmosphere is creepy, the set is awesome, and the jump scares are worthy. The "city of broken dreams" theme is effective even though most of the film takes place within the claustrophobia of the apartment building. The performance by Angela Bettis ("May") really anchors the movie. This lady brings a sense of dignity and classiness to the horror genre and I think she could become a real genre pioneer. All horror fans should check-out this movie.

My Rating: 7/10.

This Hollywood Egyptian showing apparently was the US opening of this very scary and shock-filled treat, and a part of the theater's annual Sci-Fi and Horror festival. The audience was obviously enjoying Tobe Hooper's return to his roots with this superb version of the old cult gore flick from the late 70s of the same name. Tobe Hooper himself was present and gave some insight into the whole development and storyline of the film, and he got an outstanding reception. The first film to ever make me really jump was the original "Texas Chainsaw Massacre", and this one is only the second one to do it, and I've seen practically every horror film made in the years between. With that being said, I suggest that if you're ready for a scare, this will deliver. It has some of the good elements from other Hooper films that were good but missed the mark somehow, like The Funhouse. In fact, the killer in this flick seems to be part Leatherface and part Funhouse mutation, with a whole lot of new stuff too. Argento has an equal in Tobe Hopper with this American "giallo" film, Toolbox Murders.

In 1974 Tobe Hooper directed the original horror masterpiece "The Texas Chainsaw Massacre" and created and instant name for himself. But over the past few decades he really hasn't done anything to write home about. Except that in 2004 he directed Angela Bettis in a remake of the 1978 film "The Toolbox Murders".

This new version stars Bettis as Nell as she and her husband move into the Lusman Arms apartment complex in Los Angeles. The complex in under an extensive renovation and is a complete mess, but they have a doorman. The story feels like a lost film from Roman Polanski, drawing a lot from the themes of "Rosemary's Baby" and "The Tenant". The story also throws in a bit of old Hollywood noir, as the apartment building was the former residence of the infamous Black Dahlia victim Elizabeth Short. The building is a character in itself as a dark and foreboding presence. The movie was shot at the old Ambassador Hotel which has a pretty storied past in itself. The Lusman Arms is the place where young actors come with dreams of making it big. Although Nell is a school teacher and her husband Steve and med student.

From the first scene of the movie we know that there is a ski masked maniac in the building who is killing off the resident and things seem to point towards Ned the quiet and creepy young maintenance man who kind of looks like Jack White. Like the original film he kills his victims with various tools in his toolbox, so yeah the title is pretty self explanatory.

Nell immediately gets the creeps about the place, but its so affordable since they have to live in a construction zone. We get to know a lot of the residents from an old man who has lived there for 60 years, to the young couple that is always fighting, and the middle aged couple with a teenage son. After hearing a bunch of screaming from next door Nell calls the cops, but they find nothing. She is all alone with her mind allowed to wonder and with the paper thin walls she can't get a moment of silence. As the terror and suspense increases Nell starts to investigate the history of the Lusman Arms. Acting on a tip from the Old Man she find that each floor is missing a room and that something sinister lurks within the walls.

This is a fun little movie that is all about Angela Bettis and her character Nell as she fights for not only her life but for her sanity. The "Toolbox Murders" DVD is available online or from Netflix and includes a couple of commentary tracks and some deleted scenes. So I guess you should put the Hot Pocket down and go watch this movie.