A Thief of Time

There is NO Esperanto in this movie

I watched this movie specifically because IMDb lists Esperanto as one of the languages used. But IMDb is mistaken about the languages used in this film. There is absolutely no Esperanto at all. It's almost all English with a couple of words of Navajo. Do not watch this film if you're looking for Esperanto movies. Other options instead are "Idiot's Delight" (with Clark Gable) which has a bit of Esperanto, "Incubus" is all Esperanto (although completely mispronounced), and there are some Esperanto street signs in Charlie Chaplin's "The Great Dictator." There was supposed to be some spoken Esperanto in "Gattaca" as well, but I never heard any.

Aside from that, the other reviewer is right. This movie is a complete mess.

Spend your time elsewhere.

This film for me and my wife is more entertaining than all the bloc-buster violent thriller/mystery/murder movies that abound. It is about real people making the best of their lives. They just happen to be Indian and the main characters are in law enforcement. The realistic acting and the great scenery more than make up for the slightly implausible plot. The sound track is by BC Smith, who also did the soundtrack for Coyote Waits, and is great. Adam Beach plays a tribal policeman who is a little bit accident prone and Wes Studi is the stoic consummately professional detective. There are many other fine either supporting or cameo roles by Graham Greene, Tantoo Cardinal, etc. We have also seen Coyote Waits, another adaptation of a Hillerman novel, and we greatly enjoyed it too.

The movie was a waste of time and a waste of great actors. I love Adam, Wes and the other actors. Tony is lying restless in his grave. I has a weird sense of continuity. The editing was mediocre. If you read Tony and saw other video presentations you would understand the continuity.

Joe (Wes) & Jim (Adam) re-acquaint us with the beauty, isolation (psychological as well as physical) and utter terror of "murder most fowl" in the Navaho Southwest. Characterizations, settings and plot continually build .. . even if at times the personal asides leave us wanting "more" .. . with some interesting alternative choices as to "who done it?" Flashbacks (e.g. Peter Fonda . .. good to see him) provide clues but they don't go where you might think. Comic asides (e.g. the Preacher) are mild and appropriate. Where "Skinwalkers" and "Coyote Waits" start to drag .. . "Thief" engages the clutch and four-wheels you around the next corner, never quite sure what's there. Disagree with Joe Leaphorn's manic comment to Jim Chee to "slow down" for the potholes. Wrong ... there are no potholes in the plot, just tracks to follow. On to the next episode! Great photography (as always), appealing characters and more to explore!

I can understand a lot of the bad reviews since they seemed a bit random in what they pulled from the book and what they left out. So if you have not read the book you see a lot of bits that do not seem to be needed / part of the plot. And some of the altered dialog will make you cringe. So will the pronunciations if you are used to Tony Hillerman reading his books. Then there is Emma who is not supposed to be in this story because she died before it starts and screws up the plots of future films. But if you have read the book you will probably enjoy seeing the book on the screen. Alex Rice is just as stunning as she was her Wonderfalls appearance. If Adam Beach and Wes Studi had the same sort of screen presence you probably would not notice the missing bits as much. Dawn Lewis, while gorgeous in this, seems as totally out of place as an anthropologist as Rebecca Holden did as a mechanic in Knight Rider. Both Rice and Lewis tend to dominate the scenes they are in which can kind of lead the viewer, that does not know the book, off track since a lot of their character's linkage to the plots were cut from the film.