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8.0/10
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A tour is taken into the Zion archives, where the history of the real world and the rise of the machines is shown to viewers.A tour is taken into the Zion archives, where the history of the real world and the rise of the machines is shown to viewers.A tour is taken into the Zion archives, where the history of the real world and the rise of the machines is shown to viewers.
Julia Fletcher
- The Instructor
- (voice)
Dane A. Davis
- 01 Versatran Spokesman
- (voice)
- (as Dane Davis)
Debi Derryberry
- Kid
- (voice)
Jill Talley
- Mother
- (voice)
- …
Featured reviews
Entering the archives of Zion we are allowed a look at the history of the matrix. Many years before the machines turned the world into one of machines, man was on top and robots worked to support their lifestyles. When the destruction of a machine is ruled as legal under property rights, large marches for civil equality lead to murder and destruction, the machines retreat to the middle east where they set up a city - however trade wars soon lead to greater conflicts as peace becomes increasingly unlikely.
Having seen the animated short that sets up the warning on the attack on Zion I was then interested to see the vision of the rise of the machines. Part 1 exists separate from part 2 and I am looking forward to seeing the conclusion of the rise. Part 1 is delivered in a mix of Japanese and Western animation styles that is perhaps a little more graphically violent than I had expected. Starting with one machine's `rights' the film chronicles a civil rights movement that mirrors many events in recent human history, these bits don't work that well as it feels like it isn't being clever and is just re-imagining real history. However the actual story is gripping - mainly because even though events seem small, we know where (in this world) events will lead.
The animation is stylish but a little too violent - a human skull crushed and a `woman' sexually attacked are beyond what I expected to see, even though they do hammer home the point forcefully. Some of the machines are a little too crude to be convincing but overall the animation is strong and the direction is slick. It would be easy to dismiss this as a cynical marketing ploy I think it has more value than just that purpose. This short tells me more about a universe that I am interested in. I have not seen Reloaded at the time of writing this (but will be in a matter of days) but I know that the first film was hooked on discovering what the matrix was and the audience uncovering the extent of the false world at the same time as Neo did. This short succeeds because it allows further understanding of this reality.
On the whole it is easy to dismiss this but it does have enough style of it's own to justify it's existence as a short in it's own right. It shows that (unlike many blockbusters) this trilogy (for all it's flaws) was established in a world that was planned rather than one which was expanded when the box office suggested that it would be a good idea to try to do so.
Having seen the animated short that sets up the warning on the attack on Zion I was then interested to see the vision of the rise of the machines. Part 1 exists separate from part 2 and I am looking forward to seeing the conclusion of the rise. Part 1 is delivered in a mix of Japanese and Western animation styles that is perhaps a little more graphically violent than I had expected. Starting with one machine's `rights' the film chronicles a civil rights movement that mirrors many events in recent human history, these bits don't work that well as it feels like it isn't being clever and is just re-imagining real history. However the actual story is gripping - mainly because even though events seem small, we know where (in this world) events will lead.
The animation is stylish but a little too violent - a human skull crushed and a `woman' sexually attacked are beyond what I expected to see, even though they do hammer home the point forcefully. Some of the machines are a little too crude to be convincing but overall the animation is strong and the direction is slick. It would be easy to dismiss this as a cynical marketing ploy I think it has more value than just that purpose. This short tells me more about a universe that I am interested in. I have not seen Reloaded at the time of writing this (but will be in a matter of days) but I know that the first film was hooked on discovering what the matrix was and the audience uncovering the extent of the false world at the same time as Neo did. This short succeeds because it allows further understanding of this reality.
On the whole it is easy to dismiss this but it does have enough style of it's own to justify it's existence as a short in it's own right. It shows that (unlike many blockbusters) this trilogy (for all it's flaws) was established in a world that was planned rather than one which was expanded when the box office suggested that it would be a good idea to try to do so.
10dispet
along with it's partner, this is the greatest piece of animation ever created. the images and styles are amazing, and match perfectly with the story which is a brilliantly realistic reinterpretation of our own world, where is has been, and where it could go. quite affecting and sometimes painful to watch, it it a masterpiece of the visual art.
'The second beginning' as it's title explains, shows us the beginning of the end for the human race. Set long before the matrix existed, this short anime written by the Wachowski's shows us the world that could lay infront of us in the not to distant future, set at the turn of the 21st century, the second renaissance delves into issues common with human behaviour; greed, power, control, vanity etc.
The use of robots or artificial intellegence as slaves or servents is common among science fiction/fantasy stories. The second renaissance is no exeption to this concept, however instead of a simple man vs. machine layout, this story explains the struggle that the machines put up with, the struggle for acceptance in a world ruled by humans. Where the matrix films show us the human perspective, these short animations tell both sides of the story.
The second renaissance part 1 + 2, answer many questions brought up by the original Matrix film, such as how the war broke out, how the sky was blackend, what led to the use of humans as batteries and it also introduces us to the machine city called 01, which may have relevance to the upcoming Matrix Revolutions film.
I won't give away too much of the story, as I do not want to ruin the experience for perspective viewers, however, I will recommend it to anybody interested in the world of the matrix or simply anybody interested in Japanese animation (anime).
9/10.
The use of robots or artificial intellegence as slaves or servents is common among science fiction/fantasy stories. The second renaissance is no exeption to this concept, however instead of a simple man vs. machine layout, this story explains the struggle that the machines put up with, the struggle for acceptance in a world ruled by humans. Where the matrix films show us the human perspective, these short animations tell both sides of the story.
The second renaissance part 1 + 2, answer many questions brought up by the original Matrix film, such as how the war broke out, how the sky was blackend, what led to the use of humans as batteries and it also introduces us to the machine city called 01, which may have relevance to the upcoming Matrix Revolutions film.
I won't give away too much of the story, as I do not want to ruin the experience for perspective viewers, however, I will recommend it to anybody interested in the world of the matrix or simply anybody interested in Japanese animation (anime).
9/10.
This is the second Animatrix short, and the first of them to be what one could call 'artistic'. It contains a lot of references, metaphors and symbols in the dense amount of material, especially with a running time of 9 minutes. I've heard some complaints that this is "anti-human", or tries to direct hate towards man, for their "sins against machine". I don't think that's true; it merely uses the robots to show us, that as humans, we aren't particularly accepting or open-minded towards anyone different from ourselves. I'd say it does a great job of that. The plot is good... it plays as a historical document, recounting what led to one of the main conflicts in the trilogy. Thus it holds clips from fictional news reports and the like. The voice acting is very good, if there is not a lot of it. The animation is nice, and the use of color, in spite of the usually realistic drawing style, makes it more open to do the smooth transitions and other surreal imagery. This has several bits of strong violence and disturbing visuals, as well as a little nudity. The disc holds a commentary, not in English but subtitled, and worth a listen/read. There is also a well-done and informative making of, based on both parts, so I would advise watching it after seeing the next one, as well. I recommend this to anyone who enjoys the Matrix universe, and/or science fiction in general. 8/10
What was always missing with the Matrix story was how things came to be in the real world. Say no more, because this part of the story covered most of the bases. What was truly interesting was how political it was, maybe even a cheap shot at the current presidential administration. Fascism and violence were the only things man could think of in regards to fighting the robotic horde, who were meant as nothing more than servants to humanity. What I also found interesting was the use of fear and how it was perpetuated by the idea of the unknown. We as humans tend to fall into that trap quite often, letting the lack of logic and thought overtake us because people can't believe the contrary. Well represented and put together, this a true testament to how illogical humans can be.
Did you know
- TriviaThe robot who first rebelled against humans is designated as "BI-66ER," a reference to Bigger Thomas, the protagonist of the 1939 novel Native Son, giving the rise of the machines a backdrop in historical race relations. In the novel, Thomas is a black teenager who comes from a poor, working-class upbringing and goes to work as a butler for an affluent white family until he accidentally murders his employers' daughter and ultimately receives a life sentence for his crimes.
- ConnectionsEdited into Animatrix (2003)
- SoundtracksBIG WEDNESDAY
Written by Adam Freedman, Jamie Stevens and Frank Xavier
Performed by Free*land
Courtesy of Marine Parade
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- The Animatrix: The Second Renaissance Part I
- Production companies
- See more company credits at IMDbPro
- Runtime9 minutes
- Color
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