The Myth

Well, it almost feels like two separate movies. I liked the half of the movie that takes place in modern times, that has some vintage Jackie Chan moment, like the fight in the glue factory or the tomb raiding fight in India, these scenes alone bring us back to a younger Jackie Chan era like Projetc A and Mr. Canton and Lady Rose. But the other half of the film, the epic historical stuff, is very, very cheesy, even the fights, which a loaded with CG for this half of the film, don't spark any positive reaction, and Jackie trying to play a serious, melodramatic role doesn't quite cut the mustard either. However, Tong uses brilliant cinematography for the old era China part of the film and I must compliment the film for some of its use of music. Overall, the story doesn't hold up as being remotely plosible. But thanks to some great comedy and other funny moments (that I don't think were meant to be funny) the film is still enjoyable. It's not Jackie's best, but it is better than most things he's put out in recent years, with the exception of New Police Story--which I think is his best in a long time.

Saw the movie today. Nice authenticity with the arms, armor and tactics of the Qin Dynasty (comtemprary of Republican Rome)and attention to detail. And a very beautiful Korean princess who looked every inch the role. Overall entertaining movie with signature JC fight scenes in the modern parts of the story. This new Indiana Jones type role for JC is certainly refreshing. The cop role is getting stale. The ending is also new for a JC movie, and perhaps indicates a certain coming of age - no more everyone happy, bad guys in jail, good guys get rewarded template anymore. The use of multiple languages by native speakers corresponding to authentic locations is refreshing (Mandarin, Korean, Cantonese, English, Hindi)- no more stilted "other" languages.

It's worth seeing the movie just even for the rat glue factory scene. It's a wonderful Jackie Chan physical comedy. Sure to become a classic scene.

The rest of the movie constitutes of a historical "Hero" like war martial art action with some modern Jackie Chan slapstick. The plot is very tenuous and was probably written after someone wanted a story with Chinese history combined with a modern drive towards the nascent Chinese scientific and technological resurgence.

Jackie Chan plays an Indiana Jones like archaeologist which spirals into a Lara Croft style adventure of finding very strange but mindbogglingly powerful things. Meanwhile a very hazy parallel story runs of a concubine who falls for a general played by Jackie Chan a few hundreds years in the past. There is anti-gravity devices and immortality pills thrown in as well.

Though it does get really cheesy and maudlin at times, it's a really fun movie to watch.

Credit to Jackie, he does try to do something different with his Hong Kong films. It would be easy for him to churn out countless sequels to already established series, but he does try to vary his output. Well, that is in as much as the constraints of his fans expectations and his established film persona will allow, anyway. The Myth, as a film, suffers paradoxically because of these two things; trying to satisfy by offering something new, while fulfilling audience expectation based on Jackie's previous output. The historical side of the film works best, providing Chan with a role (Army General bound by honour, compromised by love) that is unfamiliar and more interesting largely because of that. The action is more gritty and brutal in these sequences, with lots more blood on show than in typical Jackie fare. The present day character is classic Jackie, though the comedic set pieces and brief fight scenes don't have quite the inventiveness or sparkle of yesteryear. You can imagine the glue factory scene in particular being more involving and exciting if it had been choreographed twenty, or even ten, years ago. Stanley Tong's handling of the material is, due to the nature of his script, very uneven. The presentation of the modern day settings is fine, if a little uninspiring; especially when you consider some of the film's spectacular locations. However, the historical battles look and feel dull and lack any kind of epic quality. This may have been down to budget constraints, but watching the film you feel that if more clever camera-work had been employed, this effect could have been conveyed. Ultimately, it's a pity Jackie wasn't brave enough to do a straight, serious historical action/drama, because under The Myth's familiarity there's a different Jackie Chan film trying to get out.

This film was pretty hyped up for many reasons. Jackie Chan, after the relatively successful return to HK movie industry with the release of New Police Story, teams up once again with Stanley Tong (Rumble in the Bronx) for starters. Tong wrote the story of The Myth, casting Jackie Chan in a never seen before role (yes, audiences are tired with his cop roles already) as a Qin dynasty general. What's refreshing too is that the role requires the use of a real weapon (a sword in this case), rather than having JC's character improvising with tools from his environment.

As most would already know from the trailer and poster, JC plays Jack Chan (about time they come up with better names too), an archaeologist who dreams about a Korean princess whom he's escorting to the Qin emperor as his new concubine. It's a recurring dream, and before you can say "Indiana Jones", he's off to locales he sees in his dream world to try and unravel its mystery, while research companion Tony Leung (The Lover) irks him along the way with tomb raiding in the name of scientific studies.

The story, while it might be original for a Jackie Chan movie, seemed a little cliché. It plays like a young boy's fantasy of snagging that exotic oriental princess, enjoying the support of the troop masses, having utmost loyalty to the king, and blessed with good fighting skills topped with a signature sword. And with the Qin dynasty, you're usually reduced to plots which may include the Great Wall, beautiful consorts, or the pill of Immortality.

The Myth looks and feels like a classic JC movie in terms of production values, like the familiar fight-with-the-baddies-acrobatic-stunts scenes, and physical humour injected at certain points. However, I guess with JC's age, the number of fight scenes have been reduced, and somewhat slowed down deliberately. The fight at the Rat Glue Factory stood out for being a combination of both brawn and injected situational humour. On the other hand, The Myth signifies new developments in a typical JC storyline, with the introduction of drama-mama romance (nothing much romantic though, with being comatose in all the good bits and lots of lingering stares), and a surprise(?) epilogue for his Qin character. And the "No blood no sex" unofficial clause goes out the window too.

Despite its huge budget, the special effects were not refined, which was a pity. The "blue screen" effect is obvious, even to the untrained eye, and there were a tad too many "lazy extras" who, in wide angled, supposedly big epic fight scenes, just stood, danced, moved around, anything but fight realistically. The original Highlander perfected the art of transitioning between flashbacks and present time, while The Myth falters, looking seemingly forced and contrived at times, or opted for the cheap way out - the blackouts.

As with most JC films, the women here play "flower vases". But I'm not complaining. Kim Hee-seon was beautiful in her role as the princess, and in the blooper reel, she was actually speaking Mandarin, and having a hard time remembering her lines. Mallika Sherawat was sizzling as she dandied around in flimsical dresses, while executing those high kicks, and I guess the entire run up to the Rat Glue Factory might turn out to be a fan favourite.

Many in the audience were surprised when the characters started speaking in Cantonese (for settings in modern day Hong Kong), and the local censors had no issue with that, instead of dubbing over the lines with Mandarin. Now that's a thumbs up.

So enjoy The Myth for what it is, just don't expect too much from a simple predictable storyline, and for some illogical and improbable scenes (I can't stand the horse back-kicking bits) that plays out like Michelle Yeoh's The Touch or even JC's own The Medallion.