Skenbart: En film om tåg

In December 1945 a train leaves the central station of Stockholm for Berlin. There aren't much left when it arrives. Not of the train and not of some passengers.

This is a black comedy directed by Peter Dalle and acted like they used to act in the 40s and also photographed (in b/w) like they used to during that period. The actors must have had lots of fun making it. They aren't much of characters, like they weren't in the 40s, but the story is well narrated and everybody has timing.

A deadly black and deadly funny film. See it, if you didn't think the Swedes were capable of humour.

Very funny film with some of the best swedish actors. It's all filmed in black and white with the true 40-ish feeling. Most of the film you are aboard a train headed for Berlin in 1945 among a mixture of characters from refugees to 2 gay guys and 2 nuns. I truly recommend this film if you like to laugh.

Audiences should be used by now to Peter Dalles special brand of film-making. One could easily say that he is a man with a rather cruel view of humanity, and this also shows. His sense of humor is not for the weak-hearted and dark as coal. This however is both more accessible and more elaborate than his previous works.

Gunnar is a literary critic who wants to change his life. This is just after World War 2 and Gunnar decides to go to Germany where there is work rebuilding the country. He wants to make a difference. He gets on the train to Berlin along with a gallery of other personalities. Some of which have more sinister motives...

Seldom have i seen a noir murder story mixed with slapstick-comedy. And i guess this is not for everyone, but in my opinion it works pretty well. Mostly due to solid acting from most of the cast. The murder story is quite interesting, but would perhaps have a had hard time standing by itself. But with the small side-tracks and the humor added the movie moves along quite nicely. Also i have to say that this is one of the nicest-looking Swedish movies i've seen. The technical quality is excellent in Swedish terms.

So, no movie is perfect. What is lacking? Well some of the actors, especially Anna Björk and Kristina Törnqvist in the two largest female parts, are quite wooden and unnatural. They could just as well be reading their lines from a piece of paper. Also the slapstick has a rather brutal touch to it sometimes that becomes almost too much. But of course this is a matter of taste and humor.

All in all i felt this was a well-made and enjoyable movie from director Peter Dalle. I rate it 6/10 and recommend it.

Skenbart takes place in the 1940s, right after the second world war. Main character Gunnar (Gustav Hammarsten) quits his job to get a chance to "make a difference" in the bombed-out postwar Europe. He packs a book by his favourite philisopher, Ludwig Witgenstein, and embarks on a trip which will eventually prove Witgenstein's famous statement true: Nothing is what it seems.

There are two main plots, and several subplots, to this film, which takes place on a train bound for Berlin. Writer/Director Peter Dalle (also playing the role as the conductor of the train) has assembled an impressive cast including swedish legends Lena Nyman, Gösta Ekman and Robert Gustafsson. Overall, the acting is excellent.

Skenbart offers some rather twisted slapstick comedy combined with more subtle black humor (like the nun who loses her faith and starts cursing violently). It's like Killinggänget meets Peter Jackson (Braindead, Bad Taste) in Schindler's List. I laughed during most of the film, and when i woke up the next morning i laughed even more. An intelligent film for fans of Swedish comedy.

First of all - I hardly ever watch Swedish movies, and this is actually the second time in my life I watch a Swedish movie on cinema! Therefor, I believe it's one of the best Swedish movies ever! The combination of thrill and humour is OUTSTANDING, and sometimes you don't even know if you should be terrified or just laugh! The plot is about this man, a writer who wants to go to Germany after World War II and help the Germans to start over. On the way to Germany, he is trying to help his friends on the train, which is however a bad idea. What a clumsy jerk! And poor Robert Gustafsson - the wounded soldier - always get in the way ... OUCH!!! But he still got his great mood. A positive guy. Robert Gustafsson have done some less great movies the last years or so, and this is really a relief. He is great in this movie. After all - this is one of the best Swedish movies ever, and Peter Dalle has made an excellent job! Congratulations!