Motives

One of the outcomes of the struggle Black actors in Hollywood obviously face (judging from their relative absence on the screen) is that one can afford to have an entire cast of actors who can actually act. Much that comes out of the mainstream film industry is that a star or two leads of relatively unseasoned, mediocre cast of pretty faces. Films such as this, with a notably soap-operaish plot, brighten the screen and captivate out interests because of the talent of so many talented actors on one screen, in one film. It's was an experience to see seasoned actors play off one another, feeding viewers desire to see what would happen next. And Vivica Fox is just fierce. Shemar Moore and most of the others are fine, too!

Motives is a souped up soap opera with a restricted rating due to graphic sexual content, more sex with a little violence thrown in . Everyone looked so pretty and the life these fine people lived definately makes you want to covet. It was an interesting film just easily one read like a Soap Opera hyped up in its own melodrama.

Emery Sims played by pretty boy Shamar Moore, is just that, a pretty boy who owns a restaurant business who's very wealthy and respected in the community. When a consensual affair goes wrong along with a murder investigation pending, Sims world begans to spiral down. But as the events unfold Sims begins to question the ones closest to him including his most trusted wife played by Vivica Fox. I thought her perfomance was bland in this movie as they made her into the attractive yet subdued nagging wife.

So yes its been done before and its all acting. Need I say two of Young and the Restless' (Moore and Rowell) were plucked from this sitcom. I also found the beginning subplot unnecessarily used for this story. I do however support the rise of more all star casts of African Americans in films whether their backed independently or not. I just wished that the storylines weren't so confined to stereotypes and overdone material. There's no slighting of the actors because I'm a fan of Fox and Rowell. And let's not forget the knockout performance from Mr. Joe Torrey himself. Just lose the material. You have a potential fan waiting.

i enjoyed the film motives. it lulled a bit in the middle but picked up towards the end when shamar moore's character got deep in it. boy, was it hard to see such a good-looking man in prison garb. i must say i almost lost it.

but on to the matter at hand. WHERE, OH, WHERE IS THE SOUNDTRACK? i own the film and NEED to own the soundtrack. WHERE IS IT? the music is so good.

it's 2004. this film just came out. grant it, it could have been on the big screen. why wasn't it? nevertheless, a soundtrack SHOULD be created for its fans like me. we own the film and would like the wonderful music to accompany it. someone please email me and let me know WHEN the soundtrack will come out. SOMEONE HELP ME, PLEASE. THE SOUNDTRACK THAT SHOULD BE AVAILABLE IS BANGIN'!!! if it doesn't exist, then create it!

tanya

This film tries to combine several genres, in a quite a strange mix. The plot happens in Atlanta, and involves a businessman and restaurant owner married un-happily apparently with a charity organization leader, involved in all type of dubious activities, including stock market fraud, murder, and a steamy extra-marital affair. The pace and the moral approach is of a 70s TV soap opera, combined with a 90s erotic thriller. Nothing too bad, but nothing original or really interesting either. Characters are one-dimensional, their physical appearance is all that counts. The plot twist towards the end works quite well, or it worked for me in any case.

The odd thing is that all main characters, without any exception are Afro-American. This does not work in my opinion - the American society as I know it is multi-racial, and reversed segregation does not work, not on life, and not on screen. Why? Is this meant to be a revenge to the all segregated approach of film making in the 40s or 50s? Well, it does not succeed to be more than a DVD rental minor film, and the reason is probably that it never tries to be more.

Not to be mis-understood, Afro-American film-making can be great (mentioning just Spike Lee is kind of trivial) but only when it approaches life and minority causes in a realistic and good taste manner. This is not the case here. 4 out of 10 on my personal scale.

Unlike some reviewers who didn't like this movie because it has an all black cast, I liked it BECAUSE it had an all black cast that wasn't singing, dancing or rapping, or being portrayed as drug addled ghetto trash. I like seeing black ppl in "normal" stories about lust, murder, money and revenge. However, this is where my praise ends.

THIS MOVIE SUCKED THE HOT AIR OUT OF ALL BALLOONS EVERYWHERE!!!!!

I'm not sure if it was the plot, the sophomoric acting or the lazy direction, but this film sunk to the bottom of cinematic trash and all the king's horses and all the king's men could not save it.

Personally, I think Vivica A. Fox is above this kind of straight to video crap, but if it pays the bills...whatever. Do you boo!

The scenery was beautiful and should be nominated for an Oscar, however.

If you've nothing better to do on a lazy Saturday afternoon...maybe you want to get your taxes done to some background noise...then this might be the film for you. Otherwise, you'd be better off checking out L.A. Confidential or The Devil in the Blue Dress for any kind of cinematic satisfaction.