The Assassination of Richard Nixon

Much like the Joel Schumacher film of 1993 starring Michael Douglas, this film is about an ordinary man with an ordinary job who is driven to insanity by the injustice and unfairness of his world. While both films teach us that no matter how solid it seems, everything will crumble under enough pressure there is no humor to TAORN. In fact it's the most depressing film like...ever.

I don't know what made me go see TAORN. I'd heard nothing of it but I like Sean Penn and Naomi Watts (they were in the brilliant 21 Grams together) and everything else at the cinema I had either seen or looked crap (Man of the House, Miss Congenatailiality 2) so I chose this, hoping it to be a dark horse. It was well made and acted but it's really, really heavy and I would not recommend it to anyone bored with their jobs or lives in general.

Sean Penn plays the true story of Sam Bicke, a furniture salesman who is estranged from his family, his wife, his children, his colleagues...basically everything. He sees the fatcats around him growing richer and richer while he rots away in his inescapable reality of nothingness. He blames Dick Nixon for his woes, the fattest of all fatcats, the man at the top of the food chain. He believes that if he kills Nixon he might be able to make the slightest of changes to the racist, lying world.

Of course he failed, but watching Sam Bicke crash and burn is a very painful thing to do. What makes it more distressing is that there is never a reason given as to why everyone deserted him. It gave the impression that anyone can be so callous and uncaring and that anyone can be driven to such insanity and desperate measures.

Not a film to see with your girlfriend that's for damn sure but certainly an impressive, if tough to watch, piece of work.

Richard Nixon (or as I like to call him, President Pinocchio) brought American politics to an unprecedented low (unfortunately, Tricky Dick was not the last one to do that). His escalation of the Vietnam War, his "dirty tricks" campaign to spy on protesters, his assassinations of Black Panthers and American Indian Movement activists, his overthrow of Chile's government, and Watergate, pretty much destroyed the idealistic view of "good government".

So, it's not surprising that someone would want to assassinate him. In "The Assassination of Richard Nixon", Sean Penn plays Sam Bicke, a disgruntled salesman who is going through a divorce and losing his job. After seeing Nixon's policies play out, Sam takes it upon himself to assassinate the president by crashing a plane into the White House. Maybe that conjures up memories of September 11, 2001, but Penn gives a gritty performance to the point where you can't help but completely agree with Sam's actions.

I caught this film at AFI primarily due to my interest in Sean Penn and indeed his performance is spectacular. But Mr. Penn's performance alone is not what makes this a truly great film. The intelligent writing, well-timed and rich score, and supportive performances by Naomi Watts, Jack Thompson and Don Cheadle blend perfectly in this marvelously crafted feature transporting the viewer into the lives and era of the exquisitely human characters who are so elegantly portrayed. Sean Penn's performance leans heavily on the clever and complex writing which offers him the opportunity to display an impressive range of pathos. The writers have managed to depict the very human and sympathetic side of a character that would typically be cast as the villain. I think this is a hugely important film for that reason and on many other levels as well. The writers are able to very subtly include sociopolitical commentary without being "in your face" or at all judgmental as the political arena is viewed through the lead character's eyes yet not really distorted due to the inclusion of archival footage. The unexpected doses of humor matched perfectly with the poignancy of the lead character's plight. This film is so moving, scenes and dialogue echo in the corners of the mind for days after the first viewing. I'll definitely be seeing Assassination again.

Just saw THE ASSASSINATION OF RICHARD NIXON last night at an AFI screening. The film is absolutely stunning.

Niels Mueller has such a sure and masterful hand in directing that belies the fact that this is his theatrical directorial debut. He directs with a flair that is never gimmicky and the film is pitch perfect without a single false note (helped in part by the tight script by Mueller and Kevin Kennedy and the elegant editing). The scenes hum with a slowburn intensity and gradually build up a momentum that lunges to the film's explosive final act.

This young director is one to watch.

Sean Penn gave a powerful and nuanced performance that explores the whole range of his acting personas. This IS the towering performance of his career. Excellent supporting work from Naomi Watts, Don Cheadle, Jack Thompson and a scene-stealing Michael Wincott.

Refusing to lie to his customers was the thing that saw Samuel Bickle leave his job with his brother's tyre sales business and looks like it will be again in his new job as an office furniture salesman. Failing in his career, Sam has also failed in marriage, with an estranged wife who is seeing another man and children who barely notice whether he is around or not. Trying to do the honest thing and put in the hard work needed to make a success of himself is not easy as he still requires loans to do that. As he slowly crumbles under the pressure of seeing the life he believed he should have eluding him, he watches Nixon survive and sell himself to the nation for a second term. Bit by bit his anger finds a focus and his path is clear.

Although I know nothing of the "true story" back in the seventies, I am in no doubt that this film is very relevant today. Ignore the fact that Nixon was an unpopular President that took America into a war that few wanted (hmmm), this is relevant because many "little" people feel like Sam to some degree; even those not in his shoes will be able to feel for him and recognise why he feels the way he does. The narrative is interesting but the really this is a character study of Sam – although I don't know if it is the real man of the true story but the character study is of a man sold down the river by the dreams he has been promised and the lifestyle he has been sold. In this way the film succeeds because the writing is great; this is a man who is in a lot of pain but not totally pathetic or needy – just a man who wants the simple promise of a family, a job and a slice of the good life. It is telling that he has the standard three children and dog, but his white picket fence around his old home is faded and peeling. If it sounds a simple story then that's because it is, but it is compelling, depressing, recognisable and very relevant to a world where large numbers of people feel cut off from the ruling classes and entirely left out of the dream that we are told to aim for by adverts, the media and our upbringing.

The writing is great but the acting still needs to be good to make it work; luckily it is impressive in almost all areas. Yet again Penn gives a great performance but, unlike Mystic River, it is a performance of restraint and quiet moments that gripped me by how well observed it was. Watts is only in a small role comparatively but she works well as the contrast of Sam – she has been failed as well but she accepts it and just does it in the way most of us do. Cheadle is good as always and Thompson is perfectly cast as the slick embodiment of what it takes to get on – lies and spin! With this heavy support cast, it speaks volumes that Penn still dominates the film and his performance is worthy of awards when the season comes but I suspect that the subject matter and the timing of the film will not make that too easy.

Overall this is a strong film with a good narrative but it works best as a character study. Sam is disenfranchised, feeling betrayed and just trying to make good with the qualities that he has been taught will be enough to bring him a slice of the dream. It is compelling, relevant and sadly, depressingly convincing as a life that many of us will at least be able to recognise if not totally empathise with.