Jeux d'enfants

It's funny how when it comes to french movies, french people are just so harsh (i'm refering to previous comments about this movie and others)!

This one starts really (i mean really) good and, it's true, goes through worse scenes ... but the end ... well I loved it! It sure can be accused to mimic american movies (just listen to the music and the "passing-above" camera moves) but shortly after it really turns ... well ... "french". But it's not a bad thing in my opinion. Talking about the characters, You just can't help thinking "what's with them ?", why are they acting like they do ? I like to think it's because of a tradition in french cinema. Characters have to be twisted and torn apart because of their deep feelings.

In the sequence of events, it can be perceived as seemingly weird ... and I have no answer to that ... Yet I appreciated it quite much and I'm looking forward to watching the next Samuell's piece. I rated it 9 out of 10. And i can only tell: watch it!

I totally loved the experience of this movie... and the conceit of "the game"!

BUT what I really liked IS questionable... these were perhaps the MEANEST characters I've seen in a film who WEREN'T "bad guys" in years!

That said... THAT'S what I loved! These characters were completely selfish... withholding their feelings from each other for fear of being hurt... but then taking it to another level by dragging innocent bystanders into their game (through marriages that are PART of the game)...

Without giving away too much... what I liked about watching this movie unfold is what Hollywood never allows-- sometimes people just suck!

And the movie IS stylish too!

Yay!

Michael Carlin

This may be one of the best French films I have seen in a long, long time. In many ways it reminds me of Berliner's "Ma Vie en Rose" (and not just because this film also uses Zazie's brilliant rendition of the Piaf song). It has much of the same Pierre et Giles aesthetic that made the other film so memorable and the child actors also display a similarly remarkable complexity that is so rare when they are usually depicted in film.

Very rarely does a film have the capacity to surprise me this much - either with the usually predictable storyline or when trying to understand the character's motivations etc. But this film continually had me reeling when trying to get a grip on it and, in the end, just when I thought it was a predictable love story...!! For this reason alone I found it a most remarkable film and I would strongly recommend seeing it.

This film will not appeal to lovers of mainstream American cinema - it is too intelligent in the way it challenges our usual expectations. We usually expect to finish watching a film and have no questions - to have everything wrapped up nice and neatly so we can get on with our lives.

If you do not want to suddenly find yourself asking "Pour quoi?" a week later or waking up with the haunting refrains of the unique renditions of the Piaf song in your head, then I would suggest you rent a more predictable movie.

However, if you like being alternately surprised, delighted and haunted by a unique film and wonderful soundtrack - check this one out.

To understand "Love Me If You Dare", one must harken back to childhood when fondness translated to teasing. So it is with Julien and Sophie, the central characters of this film, who in childhood become fast friends because of a game they share (or visa versa) which involves one challenging the other to do something outrageous while passing a gayly decorated candy canister to them. Upon completion of the dare, the canisters is passed back and the dared person announces "Game!". And so it goes, back and forth, as the children grow to adolescents and then to adults with the brinksmanship and friendship becoming increasingly substantial and the ubiquitous canister the ever present reminder of their unspoken bond. Finely crafted though sometimes disjointed, this creative work is full of life and energy and passion and its ever escalating story is maddeningly captivating and unsatisfying as it waxes toward its inevitable and somewhat clumsy conclusion. A love it or hate it audience dividing flick, "Love Me..." can be appreciated on as many levels as it can be condemned. The only way you'll know if you like it is to watch it. (A-)

This bittersweet comedy about love is in line with great recent French movies such as Amelie or L'Auberge Espagnole, But Jeux d'Enfants is not trying to copy any of the previous. In fact, it is one of the most original movies I've seen lately.

Directed in a superb way by the inventive Yann Samuell, this film can make you laugh out loud in a minute and shed some tears on the next due to the extreme complexity of the feelings the director and the actors share with you. Nothing in this film seems exaggerated; it's a fairy tale of our time with a great dose of realism.

The chemistry between Guillaume Canet and Marion Cotillard is simply perfect.

Whether you like it or not, it's difficult to be indifferent to this movie and this is one of the best compliments a director can receive.