A young man is sent to prison for 25 years and is taken under the wing of Jake, a lifer with dark intentions.A young man is sent to prison for 25 years and is taken under the wing of Jake, a lifer with dark intentions.A young man is sent to prison for 25 years and is taken under the wing of Jake, a lifer with dark intentions.
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I started watching this movie with no pre-conceived notions. (I only decided to see it based on the presence of Michael Pitt, who has proved himself to be a very capable young actor, and that it was produced by the same producer as L.I.E. I had heard nothing about it.)I wish I had read a review before hand and saved myself some time and money. (Though the review I read here for it wouldn't have stopped me from seeing the film. They seemed to think simplicity means "art".) The acting was surprisingly good. That I am willing to say. If you want an acting class on how to react silently on film, Pitt's performance is sublime. Sadly, those moments do not save this clunker of a movie.
Some times you see a movie that was based on a play and you can feel the story not fitting the medium of film. This was a very similar experience to that. It was like watching a badly lit stage play with close ups. You are robbed of the joy of going to see a play while also being robbed of the pleasures of film. They are two completely different mediums and this movie fit neither one.
If it was play at a local theater, I would recommend it solely based on the mental exercise that would accompany the play on the ride home. But as a film, I must say this movie left me feeling flat. The camera felt intrusive. The pace felt forced. The violence seemed tame and unreal. Even the dialouge seemed as if it were written by someone who had never seen the inside of a prison. (Or if they had, it was in 1957.)The actors clearly did the best they could. They had to take this job for the chance to do good work and not for money, but sadly the direction and script didn't allow them to make a movie you don't forget about ten minutes before the credits even start.
Some times you see a movie that was based on a play and you can feel the story not fitting the medium of film. This was a very similar experience to that. It was like watching a badly lit stage play with close ups. You are robbed of the joy of going to see a play while also being robbed of the pleasures of film. They are two completely different mediums and this movie fit neither one.
If it was play at a local theater, I would recommend it solely based on the mental exercise that would accompany the play on the ride home. But as a film, I must say this movie left me feeling flat. The camera felt intrusive. The pace felt forced. The violence seemed tame and unreal. Even the dialouge seemed as if it were written by someone who had never seen the inside of a prison. (Or if they had, it was in 1957.)The actors clearly did the best they could. They had to take this job for the chance to do good work and not for money, but sadly the direction and script didn't allow them to make a movie you don't forget about ten minutes before the credits even start.
Thank God this film will finally receive its long-overdue theatrical release later on this summer! I saw it a while back at a film festival and thought it was one of the best independent films I'd seen in a long, long time. It is extremely powerful, disturbing, thought-provoking and funny all at the same time. The performances by all four actors are spot-on. Michael Pitt continues to impress. In fact, I think he went deeper emotionally in this film than any other, with the possible exception of 'Last Days.' Stephen Adly Guirgis surpasses his 'Palindromes' performance by a country mile. He's fantastic. And the film as a whole has a very mature, seasoned tone, pace and structure. It reminded me of some of Fassbinder's films. And early Louis Malle and a bit of Bresson. A great debut by writer/director Brett C. Leonard. I heard after the screening I saw that they shot the whole thing in 8 or 9 days. Incredible. Does anyone know when it will premiere in L.A.? I believe it opens New York sometime in July. Anyway, if it comes out where you live, I highly recommend it. A great example of auteur, personal film-making on a shoe string budget.
`When in disgrace with fortune and men's eyes' from one of Shakespeare's sonnets was used in 1967 (before Stonewall) as the title of a play about men in prison and the sexual games that were played there.
Jailbait covers much the same territory and it would appear (if this movie is taken at face value) that some parts of society haven't moved ahead at all.
In this prison drama, essentially a two-man play, we see the interaction between the hardened lifer Jake and the much younger, much more frail Randy (played by Michael Pitt)
The first scene with the two men is deceptively mild but towards the end of that scene we see that there is menace just below the surface of Jake's behavior. From the `wounded doe' look in Randy's eyes at the beginning of the second scene we can begin to see that something is wrong and while what it is seems pretty obvious (given that it's a prison movie) we are not really certain for some time
Unfortunately the movie doesn't progress much from there. Like the men, we seemed sentenced to remain in the same place for much longer than we'd choose to.
This movie is worth seeing as a character study and there are some memorable bits but it seemed to cover no new ground nor present any new perspectives over the 30 year old Fortune and Men's Eyes (albeit this one showed that it had a much better budget and was by far more polished)
I was ultimately left unfulfilled and wondering why this movie had been made.
Jailbait covers much the same territory and it would appear (if this movie is taken at face value) that some parts of society haven't moved ahead at all.
In this prison drama, essentially a two-man play, we see the interaction between the hardened lifer Jake and the much younger, much more frail Randy (played by Michael Pitt)
The first scene with the two men is deceptively mild but towards the end of that scene we see that there is menace just below the surface of Jake's behavior. From the `wounded doe' look in Randy's eyes at the beginning of the second scene we can begin to see that something is wrong and while what it is seems pretty obvious (given that it's a prison movie) we are not really certain for some time
Unfortunately the movie doesn't progress much from there. Like the men, we seemed sentenced to remain in the same place for much longer than we'd choose to.
This movie is worth seeing as a character study and there are some memorable bits but it seemed to cover no new ground nor present any new perspectives over the 30 year old Fortune and Men's Eyes (albeit this one showed that it had a much better budget and was by far more polished)
I was ultimately left unfulfilled and wondering why this movie had been made.
This movie is extremely good, with pitch-perfect performances by Stephen Adly Guirgis and Michael Pitt. I mean, this ain't Christmas WITH THE KRANKS, and it can be difficult to watch at times, but only because the writing and directing are so intelligent and emotionally jarring that you sort of feel behind the same bars as the characters are stuck behind. It's a visceral experience, and as I was watching it, I noted how rare that is in cinema these days. Brett C. Leonard never delves into melodrama, as a writer AND director. He lets his actors do the work but with excellent cinematography in a small space, and the mental/physical domination unfolds in unexpected ways. I hope this film gets the recognition it deserves!
I did not care for this movie at all, very uneventful and very little script, not a good one so i'd suggest you save your time and pass on watching this one as you may be disappointed by this movie. The ending was very abrupt and the story (script) had very little to offer the viewer.Pass on this movie and watch something good. This movie "Jailbait" was one of the worst movies i have seen, did not live up to it's billing. Basically a one character script due to the fact that Randy (Michael Pitt) had very little dialog and most of the movies dialog was by Stephen Adly Guirgis (Jake) who gave a good performance but still was not enough to save this movie from being awful, all and all i didn't enjoy this movie to recommend to you, so the best i can say is in this one sided movie was lackluster and didn't have much to offer it's audience in the way it was written it had no surprises or Suspense and little if any drama, the only thing that made this movie anything was Stephen Adly Guirgis (Jake) who's acting ability kind of saved this movie from being a total disaster which is what it came close to being, he did give it some uplifting moments at times but other then that it wasn't worth seeing, so take your chances if you do decide to watch this movie as it really failed in the script and the ending. That's the reason i had to rate it a 1 out of 10.
Did you know
- TriviaThe movie was awarded the Grand Jury Prize at the 2004 Lake Placid Film Festival
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Box office
- Gross US & Canada
- $5,741
- Opening weekend US & Canada
- $1,890
- Aug 6, 2006
- Gross worldwide
- $5,741
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