Rånarna

Typical Swedish movie. Cast is known. But if you do not watch Swedish movies every day, will suit.

Having watched about ten Swedish movies so far, I still can not predict it. Yes, maybe Swedish viewers can predict everything, I could not.

Can not comment on plot, but it's kind of simple. At least it has logic. Characters, well, more or less they are played well. I would say you should not in any case compare this to Hollywood movie. Just don't do it. Swedish level of details, Swedish logic and Swedish atmosphere.

Yes, probably second time I would not watch it, but to get the atmosphere and spend an evening, why not?

This must be one of the worst movies I have ever seen. I was actually expecting a bad movie but I was caught by surprise believe it or not. The storyline is the traditional, all clichées are included.

The dialogue is so poorly written that you actually laugh when the otherwise half-descent actors are trying to make it sound real. The photo is not too good, the music is so malplacée it actually made me angry, the actors are not even trying, altho the script makes it almost impossible you could expect more from people that have been acting for 30 years and the so called action scenes actually manage to lack the "action" itself.

I dont understand why these types of bad movies keep on coming, who is financing this shit? Where is the screening ? And why on earth do actors take on this mission impossible script?

There are a million hollywood-movies in this genre without even aspiration of reaching the theaters, but even them Straight To Video things actually manages to look professional in comparison.

I can not say anything positive about this except the title which explains it all, I feel robbed of 2 hours of my life.

Standard procedure for Swedish movies today seem to be to start by throwing plausibility out the window and continue down that path for the rest of the process. Rånarna is another fine example of a movie making very little sense.

Banks in Stockholm are being robbed by a highly efficient "military-styled" gang of robbers. Two police officers start investigating the case that soon becomes more complicated than it would appear at first.

As usual in Swedish film the cast is mostly made up of the same people you have seen over and over again. Mikael Persbrandt must be in every Swedish film from the last few years! But that's OK i guess since Persbrandt is one of few that performs solidly here (like he usually does). The problems with this film mostly revolves around the story itself. First of all the robberies feel mostly like background. Rather this is more a movie about a young policewoman fighting to prove herself in a male world (like that has not been made a thousand times before with a decent actress instead of Sofia Helin). Also there is a completely unbelievable plot twist near the end that seems about as plausible as Aliens landing. But still, i did think it was a quite nice touch considering i was half asleep right about then. It spiced things up a bit (and actually saved the rating from dropping another step).

In the end the main problem is the same thing as with most other Swedish movies of this kind. Simply that the action and suspense doesn't live up to the standards we are used to from other movies of this kind (mostly Hollywood). It feels cheap and rather weak in comparison. In my opinion Swedish filmmakers should try to focus more on plot and acting, and forget about trying to make "Hollywood-action light" like they do now. Because this becomes yet another forgettable effort from the Swedish movie-industry. I rate it 3/10.

Some cops are killers, a robbery can be a kidnapping in disguise, and a friend may turn out to be an enemy after all. Peter Lindmark does wonders when he gets to work with his own script, rather than the novel he used as the basis for his most recent movie, "Exit". While "Exit" is as complicated as it is predictable, "Rånarna" tells a simple story that is full of surprises. There seems to be no bottom as grand larceny investigator Karla Arvidsson (Sofia Helin) is sucked deeper and deeper into her current case, a series of highly professional bank robberies rooted in paramilitary right-wing underground circles. Much as the movie owes to the clever script, it's Sofia Helin's personal touch that makes you want to know what happens next. She makes Karla come alive as a rich character, with a story of her own that extends well beyond the two hour window of the movie. No doubt she will stay with you for a while. Go see it if you liked 2001's "The Pledge".

Swedish action movies have over the past few years evolved into something that imitate American hardened action movies like "Heat" but with a low budget. This movie follows the same prescription as "Noll Tolerans" and "Livvakterna". However, it is obvious that they are trying too hard to make a cool and tough movie.

The story has been seen before, the dialogue feels artificial and the acting is very poor, especially from the main actress. The movie tries to paint a picture of hard-boiled military-like robbers with no remorse at all and a female investigator who has completely lost it with problems of the past but at the same time acts completely rational. It does not succeed very well.

The bluish-cast photo style does not seem fresh anymore, and it is not even done well in this picture. Only a very few scenes actually look good. Also, the sound is quite weird and it sounds like a lot of the actual dialogue is recorded afterward.

The main quality of this movie is Stefan Sauk, though not making a convincing portrait of a SWAT-team leader, has some really funny lines. Also, the music is quite well.