God Has a Rap Sheet

After voting I noticed only people who rated this movie with 10 out 10 commented it so I thought I should do my service to the community by balancing a bit the comment department :)

I gave it 6 out of 10, which means I thought it was a bit over the average. I don't care if it's a low budget or a million dollar blockbuster, my parameters resume to my satisfaction while watching the movie.

This whole movie takes place in just one cell with about 8 guys in it. So the least you'll expect is 8 terrific actors and a perfect plot. I can't complain too much about the actors, some were great, others forced their "type" a bit too much and others were unnoticeable... still nothing shocking here. The plot, however, was nice but tried to give more than it should. The whole theme around the conversations within the cell resume to politics, racism, violence, etc... which is all very nice and interesting, but after almost 2 hours of condescending advice about how to reject sin and be good to your brother was just too much. I think they forced the idea a bit too much.

The plot disappointed me in more two items, the way it explained "God's" story, and the last part of the movie took a few strange and useless turns.

By the way, the soundtrack could have been much more interesting as well as the photography.

Whatever you may believe (in more sense than one), this movie might rub you a certain way. There are quite a few cliches checked here. The white old guy who says he is god, looks like or similar to what Christianity makes him out to be. Of course within the cast there is "diversity". Coincidence or not, they all get locked up in one cell and ... talking ensues.

Whatever you may think of religion and or ethinicity, the movie tries to be entertaining with that stuff while also gives you food for thought throughout. The message seems to be that it is tough to be good and very easy to be tempted to the dark side. Is there a chance for redemption, is too late or is all just ... talk? No pun intended, though to be fair there is a lot of talking which may be too much for some.

While many things are on the nose, look for subtle things like a shadow (4 minutes before the movie ends) ... have to admit was positively surprised overall by this. And the acting was decent too - like the idea and the script - whether you believe or don't ... oh it's real! It's damn real (or is it?)

An honest character study that is fearless in finding humor in certain racial stereotypes. Very well acted especially from the lead; John Ford Noonan, who I've had the pleasure of meeting and speaking with on many different subjects and levels. The direction is solid and specific from Kamal Ahmed who's created a fresh, raw and impressive take on the Independent film medium. Bonz Malone is another powerful character who takes the film to another level. The set and some of the visual choices made in this film are amazing and prove the level of commitment involved from Director, Ahmed and Cinematographer, Tom Agnello. Another great attribute to the film is it's soundtrack by The Sacred Groove Posse which mixes funk and an old seventies type feeling to the story.

Okay,let me start by saying "God has a rap sheet" was a flawed movie in many respects. I can point out several moments when the film took unnecessary turns or took unnecessary liberties with character development,but the honesty that comes from the written word along with the honesty in which the actors portrayed their characters made me absolutely love this movie. In fact,I realized how many things in the movie made me think for a moment (which made me watch it immediately again)and also made me feel what a true herculean effort writer/director Kamal Ahmed put into this almost,under-the-radar indie. After a few days of watching "God has a rap sheet",I wondered why I never caught this on the IFC or Sundance channel so I called both stations to see if they heard of this title and to my puzzlement,both replied "We past on that film." I was totally blown away,considering this movie is EXACTLY what those tired so-called indie cable channels have become. I said that they should reconsider,but both again replied- "Once we past on something,that's kinda it for the movie." Wow.

First caught this back in 2003, own the DVD now and still impressed by this indie flick. This film has a Mean Streets look and feel to it, and the actors, with the exception of a few weak links, are impressive. Noonan's performance is once to remember, as is Ahmed's directorial debut. The soundtrack, instrumental rock with an edge, is memorable and fits into the desolate scenery of the movie.

While the plot is, for the most part, fresh, a few of the main characters (such as the the Hasidic Jew and the Irish mobster) present more engaging character studies than others (the yuppie professionals).

Overall, well worth watching for anyone who loves early Keitel, early Scorsese NYC-style films and the witty and interesting dialog of a Whit Stillman.