Jitsuroku Andô Noboru kyôdô-den: Rekka
- 2002
- 1h 36m
IMDb RATING
6.7/10
1.8K
YOUR RATING
When his beloved boss is killed, a dangerous young gangster cuts a path of vengeance through the Japanese mafia.When his beloved boss is killed, a dangerous young gangster cuts a path of vengeance through the Japanese mafia.When his beloved boss is killed, a dangerous young gangster cuts a path of vengeance through the Japanese mafia.
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10ele129
Like many people I was first turned onto the works of the great director Takashi Miike in the movie "Ichi the killer". After viewing that film I was instantly hooked to his take no prisoners style. Takashi Miike is a man that truly stretches the boundaries of violence and audacity into an art form. Several months later I was surprised to see "Deadly Outlaw Rekka" sitting on the shelves of my local Best Buy. Due to the rarity of Takashi Miike's films I bought it without hesitation, and I'm glad I did. Japanese film star Riki Takuechi (or as i like to call him, cool hair guy from "Dead or Alive") plays the roll of Kunisada, a grizzly yakuza hell bent on revenge for the death of his boss. As the story unfolds the audience becomes ensnared in webs of love, betrayal, sorrow, and revenge. Though lacking in the unbridled violence that originally drew me in to these kind of movies the gritty and often times zany style of Takashi Miike remains ever present. Overall "Deadly Outlaw Rekka" is a fantastic film that is a must have for fans of Takashi Miike or just really great action films and worthy addition to any movie collection!
DEADLY OUTLAW: REKKA is a rare misfire from the usually interesting Takashi Miike, who can typically be relied upon from making outrageously entertaining movies. This is a standard Yakuza movie, featuring a low rent thug who decides to go on an odyssey of revenge, yet despite a few moments of surrealism and violence you can't really tell it's a Miike film at all.
Instead it has more in common with low budget art-house fare, featuring interchangeable characters and some padded scenes of characters wandering the streets aimlessly at night. Oh, there's bound to be a brutal fight scene or execution around the next corner, but there isn't anything that makes you care about what's going on. Okay, I don't watch a Miike film for the characterisation, but at least ICHI THE KILLER had tons of incident and AUDITION's slow build worked when matched with THAT ending.
This one's predictable in the extreme, I couldn't care less about the characters, and the whole 'stone face' type of acting is just a bit dull. Miike tries to spice things up with a sex scene here and a mutilation there, but it isn't enough; for much of the running time, I was simply bored. DEADLY OUTLAW: REKKA does have the same kind of hustle and vibe as the early gangster films of Beat Takeshi, but it lacks their finesse and raw power. Attempts to make it feel like an old-fashioned grindhouse movie of the 1970s don't really gel either; instead this movie is both slight and forgettable.
Instead it has more in common with low budget art-house fare, featuring interchangeable characters and some padded scenes of characters wandering the streets aimlessly at night. Oh, there's bound to be a brutal fight scene or execution around the next corner, but there isn't anything that makes you care about what's going on. Okay, I don't watch a Miike film for the characterisation, but at least ICHI THE KILLER had tons of incident and AUDITION's slow build worked when matched with THAT ending.
This one's predictable in the extreme, I couldn't care less about the characters, and the whole 'stone face' type of acting is just a bit dull. Miike tries to spice things up with a sex scene here and a mutilation there, but it isn't enough; for much of the running time, I was simply bored. DEADLY OUTLAW: REKKA does have the same kind of hustle and vibe as the early gangster films of Beat Takeshi, but it lacks their finesse and raw power. Attempts to make it feel like an old-fashioned grindhouse movie of the 1970s don't really gel either; instead this movie is both slight and forgettable.
This was really one great ride from Takashi Miike, if you love or you are familliar with his style you will really enjoy Deadly Outlaw:Rekka, it is not intelligent movie, it is not movie with a big budget but it is entertraining and full of energy, and yes the cast in this one is amazing, so many great memorable faces from Japanese cinema, sadly a lot of them are now deceased: Joe Yamanaka, Rikiya Yasuoka, Yuya Uchida, Tetsuro Tanba, Shin'ichi Chiba and the main protagonist of the movie Riki Takeuchi, this is one of his most memorable roles for sure. The first half of the movie is like any other regular Yakuza movie, the second part is more unique cartoonish Miike style, and it works in the movie very well, love the ending when Riki is taking Bazooka to destroy his enemies. You will remember this movie thanks to magnificent cast and its charachters, i enjoyed this one more than more known Dead or Alive. In the same day i have watched Kikoku or Yakuza Demon from 2003, it is different sort of the movie, more regular Yakuza crime, but my recoomendation is to watch it in combination with Deadly Outlaw Rekka. I give this one 8/10.
Miike shows us in this film his outstanding gift for the yakuza genre from the first minute to the last. This time he adds a soundtrack from the Flower Traveling Band, Satori, a Doom Metal key album from 1971 that makes those master shoots, of perfect color, shine without stopping during the cinematographic experience he proposes.
His characters flow before the viewer like a handful of impossible to stop Japanese scarfaces. Shinjuku, mafia, escorts, magic and Rock and Roll !!
Those of you that are used to American-style movies, don't watch this because you're probably going to be bored. People, like me, who are used to weird Japanese movie-styles will mildly enjoy this movie. The editing is very strange, sometimes you get the impression that your DVD has skipped, the sound is also weird in some places, I can't explain exactly what's wrong with it but watch this film and you'll know what I mean.
I recently watched "Imprint". That's an episode in the "Masters Of Horror"-series directed by Takashi Miike. THAT's what I call a strong and violent film. It was awesome!
Don't expect too much and you will be entertained. But not as much as you expected. A decent watch. Nothing to keep.
I recently watched "Imprint". That's an episode in the "Masters Of Horror"-series directed by Takashi Miike. THAT's what I call a strong and violent film. It was awesome!
Don't expect too much and you will be entertained. But not as much as you expected. A decent watch. Nothing to keep.
Did you know
- TriviaTakashi Miike cut this movie to the strains of the 1971 progressive rock album "Satori" by the Flower Traveling Band, which he learned of through costars Joe Yamanaka and Yûya Uchida, who were also the band's founding members. Miike found the album to be way ahead of its time and was delighted at how well and inconspicuously it cut into a movie made 30 years later.
- GoofsAt 35:52 the shadow of someone holding a hand-held camera can be seen.
- ConnectionsReferenced in Rewind This! (2013)
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- Deadly Outlaw: Rekka
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- 1h 36m(96 min)
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