La face cachée de la lune

I read nothing of this movie before going in and I'm glad I didn't. I think I would have been put off by any reviews.

This is a great story of human interaction and sibling connection while exploring the depths of the great space race and how it affected one boy's life. Beautifully filmed and containing some truly amazing dialogue, Lepage manages to create an insightful, sometimes funny story of one man's struggle with life.

Lepage is a great talent. He not only starred in but also wrote and directed this great little movie. I think many will miss this one which is really sad. Movies like this should really be part of everyone's regular viewing. We'd all be much more enlightened characters if that was the case.

8/10 Innovative, fun and entertaining.

I finally got to see this movie, and pretty glad I did. I know Lepage a bit because of works he did in theater (and the fact that he usually does plays is pretty obvious in the way the film is made, if you pay attention, specially the way he uses the background in many scenes).

I first have to warn a few people who are thinking about seeing this movie. Although the magic of it, by the way Lepage plays with scenery, background and various imaginative, non-realistic shots, is pretty accessible to everyone (like say Big Fish is), some people might discard the plot as simplistic and unworthy. If it is hard to actually say the opposite, the point is that to make a plot that's original or particularly thrilling wasn't the goal. It's basically just the day to day life of a dreamer who isn't quite successful in any aspect of his life (would it be on a professional or social basis). But the movie wants to show that despite theses lacks, the main character (I forgot the name) is still an original person, with imagination et interesting thoughts. To make that point, I might take the various imaginary scenes where Lepage take us, or simply the video the guy shots fort the SETI program. You'll notice that most of the interesting commentary and clever interventions by the main character are made while shooting this movie, and that he is alone doing so. It just emphasis the fact that he's apparently quite boring, but actually an interesting person.

Another clever idea in the movie is that there actually isn't many differences between the shots taken during the children hood of the guy (in the 70's) and the on taken in 2000, while he's 40. Besides, many transitions take place from 2000 to the 70's or the other way around without any warning. This is to show that the character didn't really evolved much. He was a dreamer when younger, and unlike many he didn't change when he grew up.

About transitions, they all are very very smooth, and you end up at the end of the movie not so sure if it wasn't only one long shot. Any viewer able to appreciate a movie for anything else but it's plot should see this one. The soundtrack, mostly Beethoven songs, is also quite fit.

For people in the Theatre community, Lepage is a much heralded genius. But the nature of theatre is that you have to be in the right place at the right time to see his work. With this movie he has etched a beautiful masterpiece for world wide viewing (granted it gets a decent release). I'm not sure if it's just my enthusiasm from having seen the play but the story was just one that I felt I wanted to embrace again. The stage play was so cinematic that a movie seemed inevitable, and the transitions between scenes were even enhanced through the use of a camera rather than stage. This is really too biased to be a review, but if you haven't seen it, you really should.

Unlike the ancient notion that the moon is a mirror of the Earth's surface, modern space exploration and satellite imagery have revealed that the moon is a large cratered rock with the far side permanently turned away from the Earth. In Quebecois director Robert Lepage's film Far Side of the Moon, the moon's far side serves as a metaphor for the divide that separates two brothers, each with a different sexual orientation. Based on a one-man stage play by Mr. Lepage, it is both a history of man's exploration of the surface of the moon and the inner exploration of two individuals who are trying to put their life in order after the death of their mother (Anne-Marie Cadieux).

Shot in fifteen days in digital video using dissolves and CGI, the film creates a dazzling confluence of reality and fantasy that moves effortlessly between past and present utilizing delightful, surreal effects that form a bridge between the Earth and the cosmos. Philippe looks at the window of a washing machine and sees the vastness of space, a trip into the stomach of a pregnant mother turns a fetus into a tiny astronaut connected to his craft, the stacking of bottles in a restaurant becomes the launching of a space mission, and a man walking on snow becomes an explorer on the moon. The two brothers, Philippe and André, are performed in a dual role by the director. Philippe is an unhappy dreamer with no relationship and no profession.

He works as a telephone solicitor for the Montreal newspaper Le Soleil but is clearly distracted and makes personal calls to his ex-girlfriend (Céline Bonnier) and his brother that cause his employer consternation. His younger brother André, a gay man, is a weatherman for the local television station and maintains an ongoing relationship with Carl (Marco Poulin). More carefree than Philippe, he is preoccupied with disposing of his mother's possessions. Philippe is a perennial student who, at age forty, is still seeking approval for his Doctoral dissertation which argues that man's desire to explore space is built, not on discovering the mystery and wonder of the universe, but on his own narcissism - his act of self-projection.

When Philippe's thesis is again rejected by his Doctoral committee, however, he seeks other avenues for recognition but they lead only to humiliation. He is treated rudely by guards when he wants to give a copy of his paper to former Russian cosmonaut Alexi Leonov; is thrown out of a late night bar for being loud and drunk; has an embarrassing meeting with Carl at a sauna, and when he receives an invitation to present his paper at a symposium in Moscow, ridiculously forgets to adjust his watch to local time and faces an empty theater. Finally given a chance to showcase his creative talent when he is accepted as a participant in a SETI project to collect home videos to send into space, he limits his film to showing his apartment while rambling about his life and his video lacks poetry or self awareness.

As Philippe's life becomes increasingly dysfunctional, and his estrangement with André more pronounced, a suddenly discovered secret brings the two brothers together. Like the scarred far side of the moon, their lives have sustained repeated impacts which they have kept well hidden. Now that their scars are revealed, a huge burden has been lifted, and, with the aid of CGI, Philippe's weightless body can ascend into space. Far Side of the Moon is entertaining and highly imaginative and I would recommend it, yet there is little emotion in the film and, for all its transcendental motifs, I found it to be lacking a sense of the mystery and wonder of either outer or inner space.

If you have never seen any of Lepage's work before, this is a good place to start. You will be entertained, educated and amazed by this movie that was created on a shoe-string budget. The movie is packed full of simple, but effective visuals that don't take over the movie, but seamlessly take you on a journey. I particularly liked the Green Screen effects, which (to the untrained eye) are seamless. The final scene in the airport with the large Aim Higher backdrop was the cream of the crop. I also thought that some of the transitions were simple, yet stunning. It is 'one of those films' you would normally find yourself watching on your own one afternoon. It's not for everyone, but if you are open minded, don't mind subtitles and want some light entertainment then this movie will not disappoint.