Papa est mort

I watched Dad's Dead at this year's ICA's One Dot Zero festival and thought it was amazing. It was billed as a `uk hybrid masterpiece', at first I thought it was overblown title but after watching realised it's totally unique. It was mind-blowing. It blends the art house with a hard-hitting story in a way I've never seen before.

Ian Hart narrates with real tension. It deals with his memories of his best friend Johnno, who is a socio-path. Johnno torments and attacks anything he doesn't understand. Traits which we are all capable of. It's a difficult film to explain, it feels like the viewer is being attacked and forced to take part in terrible events. A bit like Man Bites Dog. My favourite bit is the Peter and Jane book sequence which reminds me of being a kid. There was a lot of sadness there too, especially with the blind man section which is really disturbing.

The best thing is the title which gives you totally the wrong idea of what it's all about. Don't want to give it away! It's a work of intelligence, which is well worth watching.

Our narrator looks fondly back at his childhood in Liverpool and the antics of his best friend Johnno. Well known for being a showman and a keen one for joking and the like, Johnno starts to change for the worse after he announced that his father has died.

I wasn't sure what to expect from this film. I had seen it was an animation on the website and had assumed it would be an arty thing made by a newly graduated student - don't know why I assumed that, but I did. Happily this film was much better than that and when it finished it was very powerful despite the odd flaw. The plot is disturbing with the speed with which things go from childhood memory to something much darker. The reasons for the change are layered into the fabric well and only the end is a little unclear.

The animation is well used and very clever. A lot of the film is real action with animation used effectively at different points - in it's own right or to animate the digitally shot action. In some cases this is funny, in others it lets us see the monster inside each character and in others it is surprisingly violent and indicative of a mind that is being lost and surrounded by evil thoughts. I'm not a big animation fan but it worked very well here.

I struggled to place the voice the whole way through and was surprised to see it was Ian Hart. However he does really well with the voice over and really brought his character to life. The support cast are good and the lad who played Johnno really did a good job to bring the menace out of him.

Overall this took me by surprise. It is well written so as to allow the plot to build quickly and with force and was very cleverly directed. The animation is a mix of styles and is very cleverly used to portray different things - from a Betty Boop style vision on an ice-cream van to a `Peter and Jane' book to illustrate nice thoughts. The combination of all these things make it well worth a look.

This short film made quite an impression on me when I first watched it. I thought it was odd and quite different from others. It goes through a lot of memories and establishes a rather bleak tone.

This is one of the two shorts(the other being the odd Mole Hills) on the DVD of Sunshine. It has a running time of 6 and a half minutes, and a one minute introduction by Danny Boyle. Yes, this is bleak and unpleasant, as well as rather twisted. I suppose if you've never known someone you can compare to Johnno, this may just repel you; however, calling it an attempt to do nothing but offend is a misunderstanding. People like him exist, and this is sadly a credible look at them. Yes, it's nasty, at times disgusting; there's a reason for that. It's a spot-light pointed straight at something extremely dark and brutal. This is a mix of live-action and animation, and it can be quite psychedelic(it communicates its message very clearly, though), and for how grim it is, it can be colorful, as well. The editing and cinematography are interesting, and this not being too long keeps the subject matter from getting you to turn it off before it's over(hopefully). While narration and visuals lock it into the specific region(London?) of Britain, they ultimately result in this being a distinct voice for telling a terribly universal(at least to suburban environments) tale. Acting and writing are marvelous. This is well-paced with nothing overstaying its welcome or being curt. The plot revolves around two youths and their activities. There is a lot of disturbing content, a bit of strong language and a little violence in this. I recommend this to any fan of the medium(who believe they can stomach it, and are willing to ponder what this has to say). 8/10

This is a film that has lovely and very inventive animation. Other than that, there was absolutely nothing I liked about the film. The 3 points it earns are only for the animation, as the rest of the film is just ugly and throughly unpleasant--a hateful and nihilistic mess. It looks as if someone decided to make a film just to offend and make people mad or ill--and had no other purpose.

The story, such as it is, seems more an excuse to splice in images of people giving the British equivalent of the middle finger, showing lots of hard-core obscenities on the walls and maggots feasting on rotting food among other such repellent images. In many ways, this film is like The Sex Pistols of film-dom--just meant to be loud, nasty and offensive. And, naturally, some idiots thought this was art and nominated it for a BAFTA award. By this standard, I think I could make an animation of someone defecating and probably get a nomination. What a waste.