The Box

First off, "The Box" of the title doesn't appear until the final reel. Up to that point you will be enjoying some terrific performances by some very intriguing actors. James Russo is at the top of his game as a sympathetic con. Theresa Russell is sexy and somewhat mysterious as the femme. Brad Dourif is not instantly recognizable as Russo's pothead friend. Finally, Michael Rooker is very intimidating as the number one villain. The film has some sudden and not totally expected bursts of violence, and an ending that certainly is believable, if not totally satisfying. I give this one high marks, and consider it a well above average crime drama. - MERK

This is an excellent movie that takes chances. The whole cast is great, but the standout is James Russo as Frank. Russo never goes over the top. Frank just wants to live his life quietly. He is forced into violence. Theresa Russell, Michael Rooker, and Steve Railsback also put in very good performances. It is very unpredictable.

The Plot Is: When Frank and Dora (Theresa Russell) find a box full of money, other characters get involved including dirty cops.

Usually James Russo is in Z-grade junk like ("Deep Core", "The House Next Door", "Sonic Impact") It is nice to see him in a good movie for once.

In the end: If you want to see a solid crime drama, see "The Box"

For more insanity, please visit: comeuppancereviews.com

This film is a surprise. When I started watching the DVD, I was sure it's a cheap, campy, B or C, D-series kind of movie. The kind that goes directly to DVD, after the test-projection. But no! As the story unfolded, I became more and more impressed. I knew Theresa Russel from a series of good films, such as Kazan's "Last Tycoon", where she made a wonderful debut. I also knew James Russo, but I didn't expect such a special performance. Perfectly paced by the director (whom I haven't heard of, before this film), the chain of events doesn't give you the time to wonder If they make any sense or not. You just go along, and accept that Russel's character has a mysterious ex-husband that drags her into dirty business, that the real cops never show up and so on. Leaving for Hawaii, with the girl and the money, would have been such a great ending, but, after all, the girl wasn't very clean, and neither were the money... Which leaves us with one of the most sympathetic killers I've seen in films the last years and an interesting paraphrase-ending to "The Treasure of Sierra Madre". Check out this film.

There is one thing that works better than a good twist: the absence of a twist when you are expecting one. Why? Because if this happens, it means the movie could surprise you, in the way it didn't choose the path you were thinking about. The Box falls in this category of films.

In its dark, somber and rough style, The Box has elements of the film-noir genre: an ex-convict just released from prison, a small urban town, a femme-fatale and a load of money. And as soon we realize everything is going from bad to worst - following a pessimistic storyline - we know Frank is doomed from the first moment he was released from prison, just because he left unfinished businesses when he was arrested. And for that reason there is no possible redemption, even if we can see, for some moments, glimpses of a new life for the doomed hero.

I like tragedies and doomed characters, and that's one of the reasons I liked The Box. Also, it's nice to see a thriller without a major twist in a time where every thriller marks its points by a closing twist. For this reason, The Box is surely an original piece or, at least, something different from the big-twist-ahead thrillers I've seen in the recent times. For its own good, The Box does not pretend to be smarter than its audience.

Lives up to the genre standard. An ex-con tries to go straight but also wants to get back money he's owed for the job that put him in prison. He meets a waitress who's also seen her share of trouble and they start up a tenuous relationship. Then there's a murder and things get complicated. It's noir so the plot isn't the main focus but the mood of the film is consistent and properly downbeat. The characters can't seem to shake the fate that hangs over them. The only thing that which was stood out as a mistake in judgment is the ending which comes too abruptly and seems tacked on from another film.

James Russo is excellent in this film, his face has aged rapidly acquiring a toughness/grittiness to match that cold stare he's always displayed. To my surprise he also wrote the screenplay, and maybe if he acted in more films he scripted he'd be a better known actor.

Theresa Russell, also getting more and more interesting with age gives a good performance as the waitress. There's also some excellent character work from Brad Dourif, Steve Railsback and Michael Rooker as the friend and the heavies, respectively.

I really love this genre and I wholeheartedly recommend it for other fans.