I'll Bury You Tomorrow

Gore and over the top reactions are prevalent in this low budget movie. There is plenty of the red stuff to be seen all the way through, as the pretty blonde gets a job caring for the deceased... Necrophilia is a subject that is not often covered in my experience, and I have watched hundreds of films, and this one does it no justice. The thing that gets me the most is the crazy screaming from the female characters, particularly towards the end of the film, along with the awful shouting scenes. I thought most of the acting was wooden at best, with Mr Beech in mind, he may as well have been a Woodentop (see early sixties kiddies series!). The death scenes are gratuitously violent, in keeping with the promise of the film's theme, and the blood spills by the bucket load, but some of the scenes are pathetic. Sorry if this seems a rather scathing attack, but if you plan to buy this, simply don't. Or if you plan to rent it from your video store, choose an alternative title instead. Trust me. This is one to miss....

Rating - 3 out of 10.

this is a campy, gory, horror film classic with GREAT performances, high tension, and gruesome disembowelments. a real crowd pleaser. the cast is great all around, and the soap opera that plays bullion to the graphic bloody stew is entertaining and compelling. it all leads up to a highly entertaining climax, so hang on to your seats, its a bumpy, bloody ride! In I'll Bury You Tomorrow, Alan Rowe Kelly introduces us to a wicked array of decedent and deceptive characters with hidden secrets and agenda's that lead them to a final confrontation. as the body count mounts, the tension builds, and the characters morph from good to evil, victim to villain and most of the time living to dead! look for stand out performances by the leads - Zoe and Jerry, and a lively cameo by Alan himself. full of quotable quotes and memorable images that will shock and entertain.

Exemplary no budget indie that knows exactly where it is going at all times, even if we do not. Most confident showing by director/ writer and super lead performance by Zoe Daelman make this, despite it's length a characterful, engaging and ultimately relentless ride. Full of sex and gore, although admittedly more of the latter and it all works so well because time has been spent in the early sequences introducing us to this bunch of (likeable) nutters. There is eventually a certain inevitability about proceedings but one is never really sure how far a scene will go or whether we really are going to delve into those little dark corners, like necrophilia or child abuse. I'm astonished (but glad) that this film has been released uncut in the UK where up until a few years ago a film would be banned if it used the word 'chainsaw'!! How times have changed and allowed us such delights as this fine full throttle exercise which whilst it has humourless moments does not clown about all the time. Excellent.

I came aware of this movie by searching on the net for independent horror movies, I found a lot by that way. So I watched the trailer of this movie and I contacted Alan Rowe Kelly to send me a signed copy. After all these years you really can tell when a movie is okay. And this one is. First I thought, damn, two hours watching an independent that will be boring but hey, it never was boring. You are in the movie from scene one and before you know it the movie is over. It was a delight to see that this wasn't a slasher but a dark Gothic story about necrophilia and body snatching. The acting is great by everybody. There is some nudity in it, luckily not gratuitous. This was the debut of Alan Rowe Kelly and it's a good one. Even the effects are nicely done and gory in some ways. Really, if your in a 70's mood, watch this one.

I'll bury you tomorrow? -More like: "I'll bury you when I can't take your stink no more".

This movie was too long. Now that I think about it, being shorter wouldn't have saved it anyway. The acting was amateurish but passable. The sleazy, unscrupulous, doped-out brother of the town sheriff was probably the best. I found myself wondering at times if he was really acting or if he was a real dope fiend.

Here's a little preview: sick necrophiliac chick moves to a new town, probably because she was forced to. She looks for employment in a funeral parlor. Makes sense, right? Anyway, she lucks out and gets a job at one plus room and board. Also working at this place is the afore mentioned sheriff's brother who is secretly selling bodies and/or their parts on the side. His partner in crime is a transvestite (Didn't fool me for a second, uggh!) who also works at the funeral parlor as a make-up artist. Figures.

It seems like a formula for something interesting, right? Well it didn't work out that way. It was dull, dull, dull. And then some. Trust me, unless you have a high threshold for boredom, stay the hell away! Love, Boloxxxi.