Walk the Line

Wow, what a film. I had been waiting to see this movie since I read that Joaquin Phoenix and Reese Witherspoon were cast in the lead roles. I was not sure what to expect when I heard they were going to do their own singing, but was I ever impressed. Their performances in this movie were brilliant, and I had chills down my spine. It was truly amazing how much Phoenix sounded like Johnny Cash-this was a role he was born to play, and he was mesmerizing. Totally sizzling. Witherspoon was positively radiant as June Carter, and talk about chemistry between the two actors. Talk about lightning striking! I only hope they are rewarded for their efforts come Oscar time. This was a truly amazing movie, filled with great music, a top-notch supporting cast and a terrific script which was wonderfully directed.

FIRST: Let us FOCUS on the Title's Content and Context.....

Here is a BIOPIC focused on a real life cultural icon who rose to fame at least a generation before most of You Dear Readers were even BORN!

In L. A., California, in the 50s and 60s, my daily habit of listening to TOP 40 Radio exposed me to just about every kind of music genre, pretty much all of the time! Interestingly enough, I acquired, eventually, a taste for just about all of them, to one degree or another! Well, pretty much everything...JAZZ, not so much, really, and definitely NOT at all: COUNTRY music!

The ONLY Country album I EVER bought in my ENTIRE life (Well, at least before turning 50!) was "Johnny Cash: His Greatest Hits"! Upon realizing that they had released a movie about his life, it immediately went to the top of my "MUST SEE" List!

Here is the central question for ALL of You to ponder BEFORE... DURING ...and AFTER watching: Precisely what was it about his music that gave it such widespread appeal? Exactly what ELEMENTS made Johnny Cash and his Music so very, very special?

It would be nice to be able to provide a simple, straightforward answer to both questions, but in the film, WALK the LINE, it is all too clear, that in real life, when it comes to a human being, things sure can get extremely complicated!

As a result, here, we end up with a movie that mirrors the life of its lead character: very interesting, entertaining, multifaceted, but at the same time, often dark, brooding and conflicted!

I most certainly MUST emphasize ...WALK is a film I can wholeheartedly recommend no matter how you feel about Johnny Cash and/or his music.

Quite frankly, for the role of Johnny Cash, Joaquin Phoenix (GLADIATOR) is not someone who would have made my short list, or even my long list, for that matter! WOW!, What a surprise! This actor, who was born in Puerto Rico, demonstrates tremendous versatility, both as an actor as well as a singer... (Yes, that is Joaquin Phoenix's own voice in the movie!) However, I do think that, at times, Mr. Phoenix comes up just a little bit short when it comes to his ability to project his voice firmly, but his performance, in general, was so masterful, that this point is quite easily overlooked.

What really drives WALK? What gives it its soul and keeps it focused and centered is the repressed romance between Cash and the love of his life, June Carter (Reese Witherspoon / Legally Blonde, Cruel Intentions) Joaquin Phoenix, despite shining in the title role, is overshadowed by Witherspoon's overwhelming screen presence in the scenes where they appear together.

Previously, WITHERSPOON had never really flagged my attention that much, perhaps other than her notable characterization of Tracey Flick in ELECTION. In most of her roles she seemed to be type cast as the syrupy sweet, but at the same time, rather annoying girl next door! WALK is well worth any time and money you invest to see Reese demonstrate her considerable acting talents ... And how clearly she demonstrates just how stunning those abilities are!

Surely, WALK the LINE, for a myriad of reasons, invites comparison with another film about the life of another famous musician, RAY. Perhaps, there are many common elements in the life of famous musicians: A tragic childhood, years struggling in anonymity, problems with alcohol and drugs, a great deal of conflict and tension in their affective relationships and great difficulty accepting and managing fame and money. But after all, each story is real and each contains many elements that distinguishes it from others!

8******** ENJOY! / DISFRUTELA!

Any comments, questions or observations, in English o en Español, are most welcome!

Before watching this film, I had my doubts. Johnny Cash is one of my favourite country singers, nay, singers of all time, and I was unsure as whether, as with other mediocre biopics, namely the flashy Ray, could do him enough justice. As it turned out, Johnny gets the film he deserves, and, what's more, Walk the Line got me extremely interested in the work of his wife, June Carter Cash.

Covering 20 years of his life, including Cash's rise into fame and delve into near-self-destruction, James Mangold concentrates on the key things in his life – his music, the drugs, and his all-consuming, untameable love for the very special June Carter Cash. It is as a romance that Walk the Line truly shines. In real life, Johnny and June didn't get together until 20 years since their first meeting, and that they could wait that long for each other, is quite poignant.

Holding the film together are the Oscar-nominated and Oscar-winning figures of Joaquin Phoenix and Reese Witherspoon, and their chemistry pretty much carries the film. When they're together, they both dazzle, gelling perfectly, whether it's a bout of verbal jesting, they're doing a duet, or just chatting. Phoenix captures the tortured soul of Cash eloquently in one of his finest performances, and one that exudes that dangerous yet enthralling edge of danger present in Cash. His singing voice resembles that of Cash's, yet he never resorts to downright imitation, which only adds to the viewing pleasure.

But the shining star of the film is Reese Witherspoon, as June Carter Cash. She plays the singer-songwriter-country music star that grabbed the attentions of Johnny Cash, but proved a hard win, forcing him to quit his narcotic dependence and violent self-destruction before she'd consider him. Although many have disliked Witherspoon's work her, I simply adore it. She makes June a truly memorable, Crouchesque, person. For the audience, she can be goofy and lovable, but alone, with Johnny, she displays a vulnerable side. Witherspoon here radiates a strong, feminist, yet effortlessly lovable vibe, and every scene she appears in, she steals.

The look and feel of Johnny's time are captured well in the set design and T-Bone Burnett guitar-led score, and the costumes are nothing short of sublime. The dressing of Cash is inspired, but it is June's clothes – floral print, pink, domestic, or snazzy, that, again, steal the show. Each of Reese's costumes captures the mood of her characters.

There's also great fun to be had in the musical numbers. Ring of Fire and Jukebox Blues allow the audience to get their toes tapping, but my favourite number is the performance of Jackson, where their unmatched chemistry is showcased in one of my favourite songs of all-time. Like the film, this song is entertaining, sweet, and more intelligent than frequently given credit for.

I've long thought that James Mangold was one of the most underrated American directors; while other acclaimed auteurs like Wes Anderson and David Gordon Green have made names for themselves by essentially repeating themselves with each film, Mangold has attracted considerably less attention for actually having the gall to show some range. Like the great directors of the Hollywood studio system, Mangold shows visual and narrative skill across a wide array of genres: character-driven crime (COPLAND); horror (IDENTITY); issue-oriented drama (GIRL INTERRUPTED), etc. What each of these films shares in common is a stunningly elegant and expressive visual style, an attention to character reminiscent of Renoir, and an economy of storytelling that would make Howard Hawks envious.

Now Mangold has delivered his masterpiece, and it's the best studio release I've seen so far this year. WALK THE LINE, Mangold's story of the relationship between Johnny Cash and June Carter, is deliriously romantic, exhiliratingly entertaining (as a musical it invites and earns comparison with the best of Vincente Minelli), and profoundly moving--all set to a spectacular soundtrack. Joaquin Phoenix and Reese Witherspoon are both brilliant as Cash and Carter, but not only in the ways you would expect. Their most impressive achievement is to convincingly portray two people falling in love in a manner that's sincere and sweet but never cheaply sentimental. This is the most unabashedly romantic American movie since THE NOTEBOOK, but it's totally authentic and lacking in melodrama; the subtlety with which Mangold and his performers delineate the one step forward, two steps back nature of Cash and Carter's love affair is staggering. Phoenix is particularly brilliant, not only in the romantic scenes but in moments in which Cash discusses his brother's early death; in these scenes the major tragedies of both the character and the performer's lives merge in a way that is heartbreakingly real. And the movie gets across the intoxicating nature of creative collaboration between two people in love better than any film I've ever seen--perhaps no coincidence given that Mangold and his closest collaborator, producer Cathy Konrad, are married. I could (and will) go on about this movie for hours, but let's just say that it's the movie to beat for the rest of the year.

I don't know about "Mangold the Auteur", and might need a bit more proof that this is really a director worth paying attention to, but this is a pretty watchable film. I found the story and film-making a bit predictable, like the usual bio-pic formula that you might expect if you've seen, say, coal miner's daughter, or any other bio-pic of someone you love. What makes this movie stand out is the two lead performances. Reese is unbelievably convincing as June Carter Cash. She almost disappears into the role. And her singing! Who knew???

And Joaquin! We've been waiting for him to deliver a really spectacular performance for some time, and this is finally it. I, for one, resisted the idea that ANYONE could portray the man in black, but he does a pretty fine job. Not just an impersonation, but actually a performance worth watching. Really fine.

Watch for the Jackson duet. Really awesome.