Paanch

Prompted me to chip in after the ROCK ON!! "euphoria". A film I saw at the at Osians in 2003. A film made way-back…..an underground fav. Though a envy worthy status for a film to be loved and sought after even in it's unreleased state.…it's been long and it needs to be out in the open. What if we never got to watch Fight Club or Old Boy ever and just were privy to the downsized Indian Censor friendly Sanjay Gupta's Zinda and what if the only Fight Club I knew was Vicky Malhotra or Chopra or whatever's Zayed Khan starrer Fuzz Club? I would dread it if censors all over the world kept a film in limbo for their own immaturity and stunted growth process.

And now that it's cleared what are the producers upto? Is it a medical product to have an expiry. Will it lose it's value?

For me Paanch still looks fresh and dark/morbid/stark/gritty and this is the movie which patented Anurag Kashyap's neon fetish. When the first poster of Alwyn Kalicharan was released in the TOI some years back…..it read… "This Winter Think Neon"

15 fps shots...time transitions.....great music....VIJAY MAURYA is awesome....as usually towering over the expected SHOW STEALERS....KK and Aditya Srivastav......who are GREAT anyways....the problem is they are so good....you know they are gonna blow you...so you expect it....awesome music......Abbas Tyrewala's legendary "TAMAS" lyrics...they still manage to haunt me......

IT'S ABOUT ROCK…….and there is ROCK…..they dope....they swear…they scratch armpits….they want a better life….Luke wants to be recognized…ever worshiped…and music is a let out…a let out for angst/love/lust/greed and unfulfilled dreams and not just a Sunday relief in their plush Malabar Hill penthouse.

A film which gives me the choice to explore or feel for the lesser evil than the GOOD v/s BAD routine or is PAANCH about EVIL v/s BAD ASS EVIL. How often do we have that on screen?

ONE OF THE BEST TITLE SEQUENCE....ONE WHICH YOU WILL REMEMBER....AFTER SEVEN WHICH HAD A SIMILAR GRUNGY FEEL TO IT.....I LOVED THIS ONE.....PLUS THE CITY CAPTURED IN IT'S PSYCHEDELIC GLORY.

Paanch needs a wider platform to be seen…..to be loved/hated/criticized/debated on.

I saw Anurag Kashyap's Paanch at the Cinefan Film Festival, 2002. It was clearly one of the best movies of the festival, on par with movies like Hero and Osama.

The story depicts what ambition, immorality, greed and angst, unmistakably the products of urban life, can do to an ordinary person. A little mischief for the sake of success leads a group of 5 wannabe rock stars to get entangled in a gory web of murder and betrayal.

What follows is a shocking thriller of a story, supported aptly by some great performances, the best coming from Kay Kay Menon and Tejaswini Kolhapure. The movie has a great musical score by Vishal Bhardwaj. The songs, most of which Kashyap interestingly uses up in the first 15 minutes, are brilliant. So is the background music. Another high point of the movie is the cinematography, which impresses upon the viewer an aura of fast-paced urbanity juxtaposed with dark, ruthless bloodshed. If there's a low point in the movie, it is the few minutes after the interval where which seem ineffective and dragged. However, they are easily outweighed by the compelling tension and gloom that permeate the movie.

Clever, brilliant, yet utterly pessimistic, Paanch is strongly recommended.

7.5/10

I had heard so much about this movie for the last 5-6 years that I thought this would be a letdown. Usually over-hyped movies are such that you feel that you were letdown by it. I finally got hold of it and I can say that Paanch is arguably one of the best crime thrillers the Hindi film industry has produced.

I cannot fathom the reason why the government would ban this, (probably because this movie would attain cult status and dissuade the youth of today to smoke and drink and waste their time....) but in this movie we have one of the greatest acting performance by an actor, one of the best soundtracks ever made in the history of Bollywood, and one helluva movie. The movie theme will remind you of Requiem for a Dream, Trainspotting, only Paanch has a thriller plot apart from based on the systematic destruction of human morals.

The plot is fairly simple. Its about 5 people who are struggling musicians. They play at nightclubs and concerts for cheap cash, but most of it is spent on marijuana, drugs and booze. They are all college dropouts and have almost no connections with their relatives. They live under one roof, practice in a vacant garage of one of their friends(their only friend!!).

The movie continues at leisurely pace until they have an idea to kidnap their friend and ask for a fat ransom from his rich dad. But all goes haywire when one of them in a fit of rage kills their friend. Things turn for the worse when to cover up one murder they go on a killing spree. In the end, all five of them are behind bars, and in a gradual degradation of all morals.

This movie, if and when it comes out will primarily be remembered for the immensely powerful acting performance of one Kay Kay Menon. His performance is bound to remind you of Brad Pitt in Fight Club as the legendary Tyler Dyrden. K.K's music will make you take a jacket and go out to the nearest music store and buy the Original Soundtrack of this movie ASAP!! Paanch is the movie where one can say Bollywood came of age and we had proper rock music.

There are only three songs in the movie, one a bluesy track "Kya din kya raat" one that will remind you of the classic jazz of the 40's, the psychedelic themed "Tu Jaa Maat" meant to remind you Cobain and the rock track "Khuda ke Liye" which will remind you of "Rock On!!" only it was 5 years earlier.. Even The Doors' "Roadhouse Blues" was an awesome addition!!!

The acting performances have been superb. Kay Kay Menon was brilliant as "Luke" as I mentioned earlier, and he has been brilliantly supported by the very impressive Aditya Srivastava as "Murgi", Joy Fernandes as "Joy" and Vijay Maurya as the hilarious "Pondy" Even Tejaswini Kolhapure as "Shiuli" the only chick in the movie does a decent job. Sharat Saxena is also impressive in his short role as the Police Inspector.

Lastly, Mr.Anurag Kashyap!!! This was his very first attempt behind the camera. It was his brainchild. He being the producer and writer as well. But kudos to the man, for giving us yet another cinematic pleasure. Thank you sir, and I hope you make more of similar movies and keep us people who are fans of non-mainstream movies satisfied.

A truly well deserved 10/10 !!!

Almost all films stale out if the release is delayed by few months... forget years. Anurag Kashyup's Paanch is one of the strongest exceptions on the list. This film delayed by almost a decade is still so effective, most importantly because its narrative is timeless and was also ahead of its times making it relevant and entertaining even today.

Much before Bollywood had seen any Kaminey, Paanch was one of the first 'dark' and intense films from India and absolutely effective. Drugs, smoke, alcohol, abuse, expletives, kidnap, murder, body butchering, heavy metal rock music, dark lightening in scenes, sexual undertones in dialogues, crime thriller genre, noir treatment, erratic lyrics and much more - and none of this simply forced to make the film look pretentiously dark.

The narrative is unambiguous yet not predictable for a moment. 5 people (4 guys and 1 girl) get involved in a kidnap which leads to murder and the more they try to get out of it, the more they get trapped in it. The 5 people setting reminded of Mahabharat's Draupadi and the Paanch Pandavs (through here there was 1 guy less). There is also a subtle reference to Draupadi in a scene where Kay Kay asks Tejaswini to wear a longer sari - 'Sadi lambi pehna kar Draupadi' (the word Draupadi was muted by censor in the preview copy) - Interestingly in this scene there are 5 guys with the additional one being the one to be subsequently kidnapped (Pankaj Saraswat).

All the characters are negative and Kashyup develops each of them so distinctly. Even his approach to writing and directing every scene is absolutely innovative with the characters behaving unpredictably and the situations changing spontaneously. The characters are so unusual to Bollywood screen but so true to real life. You might have surely encountered one or the other character prototypes in real life in your college, workplace or home. One is a coward (Vijay Maurya), one is silent spectator (Aditya Srivastava), one is partner in crime (Joy Fernandes).

The performances are BRILLIANT. Without a doubt this is Kay Kay Menon's career best performance till date. He is so much into the character of a hot-headed perpetrator who vents out his frustration on anybody and everybody in the team that at times you literally feel a part of the cast who are bogged down by his constant bossing and bullying on the gang. Even when he sings a rock song, he is so much into the act that you feel he's performing for a live audience. Another gem of a discovery of this film was Vijay Maurya (who by now has become popular for his roles in Black Friday (as Dawood) and Mumbai Meri Jaan). Maurya plays his part so perfectly that you actually feel pity for his character's cowardice. Aditya Narayan and Joy Fernandes are good. It's sad that an actress as amazing as Tejaswini Kolhapure got lost never to come back in a proper role in Hindi films.

It's surprising that Censors kept the film on hold considering some of today's Hindi films have more expletives than Paanch. Actually the censor wasn't as evolved then as it is today. That's what makes the film ahead of its times. Now the film is seemingly approved by the Censors but is perhaps stuck due to producer problems. However there is not even a single smooch or even kissing scene in the film forget any sexual intimacy.

Music is one factor that Anurag Kashyap never ever gets wrong with. While we always talk of filmmakers like Subhash Ghai, Yash Chopra or Sanjay Leela Bhansali to have a good music sense that reflects in their films, Anurag Kashyap has always had superlative and path-breaking musical score in all his films (though he is grossly underrated for it) and has a 100% perfect track record. Whether its Indian Ocean in Black Friday, Amit Trivedi in Dev.D or Piyush Mishra in Gulaal, all his films had refreshingly NEW and very good music. Paanch is no exception with Vishal Bhardwaj (in his early days as a composer) who composed some tunes which were traditionally not Bollywood but very interesting.

Some of the most effective scenes from the films are when - Kay Kay and Maurya get into a fight over switching off the stereo, - when Kay Kay scares Joy for a moment saying 'Kya main Joker dikhta hoon' (supposedly a tribute to Martin Scorcese's Goodfellas), - when Kay Kay faces Inspector Deshpande (Sharat Saxena) for the first time and almost every other scene.

The film brought into light the rock culture (much before the ROCK ON happened), had a subtle reference to a human body butchering scene (which has now become a cliché in crime dramas), had a noir treatment when the genre was still in its nascent stage in Bollywood. Again, ahead of its times... or would you call trend-setting!

However the film is not flawless. The epilogue added to the crime drama in the last 15 minutes is clearly stretched and perhaps the only predictable portion of the plot. The twist in the tale that it intends to create almost falls flat. Also an item number was the worst way to end an otherwise original and entertaining film. Plus the footnote added at the end of the film as a moral-of-the-story (perhaps forced by the Censors) which reads 'Crime Never Pays' absolutely kills the noir effect of the film.

Nevertheless the film is so gripping barring this slack ending that you easily excuse that blemish and enjoy Paanch as one of India's cult-classic crime dramas.

There is may be.. not may be but definitely wrong with me or with the censor board who did not given certification to this movie,though i just finished watching the preview copy of this movie after downloading from torrent.i don't know why i took that much time or years... to watch this movie but never the less this movie still got it freshness after 9 years.

so what went wrong why this movie did got released and question remain unanswered even after that time period or so. while watching this movie it reminds me of another exceptionally well picture which recently released called shaitan because that movie shaitan has a shadow of this paanch really i find the glimpse of that in that paanch so when shaitan can get a certification why not this one.

about paanch what can i say. Kay Kay menon rocks man! and so the other star cast really they all together pulled out the great job.and after seeing this one can really say that why anurag kashyap is been known as the one of the most talented director of recent times because he given one of the best work almost 9 or 10 years ago and still its not been appreciated or given credit for masterpiece which hes has created long ago.

as far as songs are concerned Vishal bhardwaj and abbas done once again they have know for uniqueness and freshness because still this kind of work is very rare though there are few like amit trivedi in Dev.d but again there is anurag kashyap again..

editing and cinematography are also the strong parts of the movie and which in whole this movies is truly or nearly a masterpiece......

I feel good i have seen a such kind work before it get theatrical released but on the other had i feel sorry the movie lovers for not got chance to see. and to be honest censor board is been biased to this movie.