À toute épreuve

Slick, witty, snappy, tight, and fun. Bright, endearing leads. David Suchet is really good as someone who really isn't very nice. The heists (and camera/editing), while not exactly Mission Impossible, are innovative and exciting, and although you always know what's going to happen it's a fun ride getting there.

Foolproof doesn't have the same star-quality you might find in some bigger releases, but the film looks crisp and colourful with good (eg. believable, unobtrusive) special effects, and there are plenty of films - and big-name directors - who could learn a thing or two about getting sparky performances, and a pacy, neat little caper.

While not up to the pace and drama of The Italian Job or Heist,this made for cable epic is redeemed by a nice twist ending.

Kristin Booth as the female lead has charm and presence. Her smile lights up the screen and she looks capable of the part played by her character, with a well muscled build unlike the typical stick woman of Hollywood.

David Suchet, who you may remember as the cop in A Perfect Murder, underplays the villain well though the other leads struggle more with the wooden dialogue.

A diverting way to spend some time. Certainly better than The Score, which wasted a huge budget and big name actors. Here, a modest budget and working talent exceed expectations.

Foolproof was the largest domestic opening for a Canadian film. Roughly 2 million in prints and advertising was wasted on what was a truly an abysmal caper film. I was hoping for it to do well, felt the need to cheer for the cinematic home team but after seeing it I tried to understand why so much money was sunk into a film without a chance. AT the heart of the story lies a trio of friends led by the talented Canadian export Ryan Reynolds. They stage "foolproof" capers as a fun thing to do as friends. This was the first script obstacle which was terribly wonky and hard to get over but we move on. Enter bad guy, played with the stereotypical menace by David Souchet, another good actor whose talents were wasted by the director. What ensues is a ridiculous story which is so poorly written that the film can't possibly survive it's own running time. It tries to be a high impact crime caper full of twists and turns. The problem is that like many great caper films, the script has to be airtight. This script was no where near production ready. Another problem is that Foolproof didn't have the budget that caper films require in order to be successful. They blew their load on one or two scenes and the rest of the film looks like a TV movie. It's sad that this film died such a public death. It makes it so much harder for other Canadian films to get out there. While I admire the risk taken on Foolproof's domestic release, I'm saddened that they blew a bunch of cash releasing a mediocre film, that never had a chance.

Finally, a heist movie that doesn't have any noticeable plot holes, intriguing concept, and for Canadian viewers, doesn't attempt to hide a major Canadian city as somewhere in America.

Normally, I'm put off by action movies because of the plot holes and repetitiveness of so many of them. So "Foolproof" came as a pleasant treat- there is a MAJOR twist in the plot that you will just have to watch for yourself.

Watching "Foolproof" was like reading a nice mystery novel on a winter afternoon, (as it happens, I saw this movie on a snowy afternoon!)

If this is the future of Canadian film, more please!

I rented this video on a whim as I enjoy heist flicks, but went in expecting really grade B material. I ended up thoroughly enjoying this film! Ryan Reynolds and the cast were funny without overdoing it and worked well together. The film wasn't burdened with cheesy dialogue, hokey special effects and the such. Throughout it maintained a smart approach toward keeping the characters in the forefront. Yes, the heist sequences were detailed and decent in their own right and is on par with that of Entrapment but maybe even better: cool to watch without it being way, way over the top. But we never lose sight of the three central characters. It's finding these small niche gems that make watching films an adventure.