Salem

aside from the fact that the writers tried to ham handedly bring the story into the 21st century with allusions to the internet, the gulf war, et al. (which seem stuck in there more than anything else) this simply wasn't scary. in fact, it wasn't even creepy. the original movie, while flawed, at least was creepy. in this one, the character of straker is turned from an elegant older gentleman who generates an aura of menace into a crazy wild haired old man that just as well may wear a sign around his neck saying "haha, i'm a bad guy!" there is no chemistry between ben mears and sue norton. the marston house doesn't seem to project the image of a "sounding board for evil" that king described in the novel.

rutger hauer was somewhat effective as barlow, but was largely a disappointment because he was underutilized. while barlow may have not had a lot of appearances in the book, the ones that he did have were memorable.

finally, the special effects were just far too cliché'd. all the business of vampires climbing walls and ceilings...what is that supposed to be? scary it isn't.

i long for someone to take a steven king story and be genuinely creepy with it. all of these horror genre directors are so "in your face" with the supernatural and with their effects that they seem to forget that the most terrifying things are the things that you can't see or see dimly for most of the time, and when they are seen full face, they must project the appropriate menace in order to answer the buildup.

thus, another bad vampire movie bites the dust. trust me, you're better off with buffy the vampire slayer. the writing is certainly better!

First off, let me say that I have read the original novel and seen the 1979 miniseries. Both are great in their own right. The novel is scary and foreboding. The '79 movie captures that feeling even though it changed a good amount of the story.

This 2004 adaptation doesn't attempt to mimic the feelings the '79 movie conveyed. In my opinion, this is a good thing. Although many posters seem to indicate they want to see the same scenes that were in the '79 version, what would this accomplish? The '79 version is on tape, so if you want to be scared in the same way, watch that.

The critics I've read so far have criticized this film for not being close to the novel. I guess I had a different expectation. I have long since given up on the expectation that novels translate perfectly to film. This does not happen (the rare exception being Lord of the Rings, yet even that had changes). Nevertheless, here are their main arguments. I'll respond to each one:

1) The ending of Father Callahan. - This is a 3 hour movie, and as such, plot points and characters need to be wrapped up. While Father Callahan may survive in the novel (only to reappear in The Dark Tower), this would leave more questions than answers to those who are watching the miniseries and getting the story for the first time. Remember how ridiculous the truncated version of the '79 movie ended--without knowing what happened to Susan? Films need to wrap up their loose ends.

2) The modernization of the story. - Salem's Lot was set in the mid-seventies not for any particular reason but only because that was when King wrote it. Obviously the original film took place in the seventies (as it was shown in 1979). Why must the new miniseries take place in the 70s? There's nothing in the book that requires the 70s to be the setting, and more people will be able to adapt to the current time. They don't sacrifice any of the story elements to do this. But since we are modernizing it, we do need to add some modern touches (i.e. email, cell phone, etc.) None of these take away from the story.

3) It's not scary / doesn't scare me as much as the '79 version. - Again, the '04 version isn't attempting to imitate the earlier film, and rightfully so. We don't need a shot by shot of what made the '79 classic horror (and it is) - this is how the remake of "Psycho" got panned. The original is a classic, and you can't remake a classic. So instead the director here (Saloman) decided to focus not so much on the fear but on another aspect of King's novel that was not focused on in the '79 version, and that is the entity of the town itself. The '79 version eliminated, combined, and truncated many characters, so that in the end, the only really main ones were Ben, Mark, Susan, and Straker. It worked, but this was a far cry from King's novel. The 2004 version gives us much more, including Dr. Cody, Dud, Ruthie, Father Callahan (in a larger role), Barlow (in the real role), and many other minor characters (i.e. the bus driver).

To sum up - No, it's not scary, but it isn't trying to be. There's a '79 version that did that very, very well. We didn't need them to remake that; it's good on its own. What we needed was an interesting story. Salem's Lot '04 gives us that. Don't expect it to win any Emmys, but hearing people say they wasted 4 hours of their lives makes me laugh. This is one of the best adaptations of a King work, and there are far, far worse.

I'm just gonna tell it like I feel it is: This re-make of Stephen King's well-known tale of vampires deserves the same rating as the original '79 made-for TV version. A lot of people say stuff like "It's not as scary as the original...", but they forget that they saw the original when they were kids. I'm pretty sure that when you show the scene were Rutger Hauer (with fangs & contact lenses) is crawling around on the ceiling (in this new version) to any kid, it will scare the living daylights out of it. The story moves at an okay pace and is actually constructed like one big flashback. Decent performances from the whole cast (Donald Shutterland is pretty evil in this one) and characters with enough background to make them interesting. I also had the feeling that near the end, there were a lot more vampires than in the original '79 version. The whole town seemed to be infected. A solid three-hour movie, worthy of your time.

Salem's Lot, the miniseries SUCKED big time...and not just in a vampire sort of way.

When is TV going to get this book right?

Where should I start with what is wrong with this series? So little of it was good or done properly.

First of all, the series is TOTALLY different from the book, even more so than the '79 miniseries. I really enjoyed the book and was disappointed by this series.

The characters and story line are different from the book, and unfortunately not nearly as interesting or engaging.

Also this miniseries is NOT scary. They screwed up the two most scary parts of the book; when Matt Burke finds Mike Ryerson in his bedroom, and when Sue Norton and Mark Petrie go into the Marsten house.

Also why did they make Matt Burke a gay black? In the book he's an elderly White heterosexual. Changing this character hurt the story IMO.

I'd give this miniseries a "D" , which is a shame because it could have, and SHOULD have been so much better.

All,

Sad but true, Stephen King novels cannot be turned into movies without losing some of the authors original intent. The 2004 attempt to bring 'Salems Lot to the "little screen" suceeded in some aspects, but failed miserably in others. Where as the 1979 version of the film scared the living be-Jesus out of us (I still cannot sleep with the shades open at night), I can truthfully say that I don't think I ever read our 18th century or earlier vampire villain Barlow screeching something like a person who has had one to many Macnonalds cheese burger at 4:00 in the morning (wheeeee). I don't know about the rest of the known universe, but I've always envisioned Barlow as a blood thirsty sophisticant. An individual of unspeakable evil, yet a person cultured and refined. I don't think Rutger was able to achieve that definition. It seemed to me that he carried his role from "Buffy the Vampire Slayer" (Donald Sutherland????) over to this production. Don't get me wrong, I've enjoyed most of Rutgers' work, Blade Runner especially, but I really think he kinda missed the mark with this role. As far as meeting in the middle. I think the 2004 version of the film somewhat stayed true to the original book, but lacked the overall psychological punch of the 1979 version. Which leads you to the question...Can we ever achieve a fine balance with regards to a Stephen King novel brought to the big or small screen.....