Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.Writer Ben Mears returns to his childhood home of Jerusalem's Lot and discovers that it is being terrorized by vampires.
- Nominated for 1 Primetime Emmy
- 2 wins & 8 nominations total
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Salem's Lot, the miniseries SUCKED big time...and not just in a vampire sort of way.
When is TV going to get this book right?
Where should I start with what is wrong with this series? So little of it was good or done properly.
First of all, the series is TOTALLY different from the book, even more so than the '79 miniseries. I really enjoyed the book and was disappointed by this series.
The characters and story line are different from the book, and unfortunately not nearly as interesting or engaging.
Also this miniseries is NOT scary. They screwed up the two most scary parts of the book; when Matt Burke finds Mike Ryerson in his bedroom, and when Sue Norton and Mark Petrie go into the Marsten house.
Also why did they make Matt Burke a gay black? In the book he's an elderly White heterosexual. Changing this character hurt the story IMO.
I'd give this miniseries a "D" , which is a shame because it could have, and SHOULD have been so much better.
When is TV going to get this book right?
Where should I start with what is wrong with this series? So little of it was good or done properly.
First of all, the series is TOTALLY different from the book, even more so than the '79 miniseries. I really enjoyed the book and was disappointed by this series.
The characters and story line are different from the book, and unfortunately not nearly as interesting or engaging.
Also this miniseries is NOT scary. They screwed up the two most scary parts of the book; when Matt Burke finds Mike Ryerson in his bedroom, and when Sue Norton and Mark Petrie go into the Marsten house.
Also why did they make Matt Burke a gay black? In the book he's an elderly White heterosexual. Changing this character hurt the story IMO.
I'd give this miniseries a "D" , which is a shame because it could have, and SHOULD have been so much better.
Just watched the DVD and was gripped from beginning to end. Why all these bad comments? King's book reaches into the well worn bag of Vampire clichés and recreates the myth. Instead of a wild, exotic location, his vampire tale happens in our own back yard - small town USA. The movie, like the book, details characters - typical types, but uniquely drawn to perk our interest - setting up ordinary and recognizable patterns of action and behavior. Enter the vampire; strange things happen, the patterns shake and change; the town goes from sunlit Americana to moonlit nightmare. This movie changes many of King's original notions, but maintains the heart and soul of his book. The first fifteen or twenty minutes, introduced by the Lowe character with a steady and pointed commentary,
brilliantly introduces the story's characters while it's signaling the movie's main conflict. For me, this was seamless storytelling; convincing, entertaining, and, with the overall dark mood reflected in the words and Lowe's voice, a foreshadowing that's all the more ironic because what we're looking at is so ordinary. Being a TV mini series, the film makers didn't have to cram the book into a two hour box. Time is taken to develop characters, relationships; action unfolds at a pace that seems steadily natural - nothing is pushed. Knowing more about the characters means we feel more for them when bad things happen. At least, I did. Rob Lowe's measured, low key performance anchors the movie. I believed he was a writer, who's guarded, repressed nature was rigidly calculated as if all things in life progressed like words in a well written sentence. I found all the Vampire stuff genuinely spooky - mainly because it all seemed so sad. With only a few misguided gestures along the way (the incest bit, for one, seemed unnecessary), this director focused the movie with care and respect. Even when "bad" characters are "changed" we feel a kind of empathy that is all but nonexistent in Horror movies these days. Maybe watching it in one sitting, as I did, with no interruptions, is why I could follow and appreciate things that others (based on the majority of these comments) seemed to miss. My opinion is firm: this is a great movie.
brilliantly introduces the story's characters while it's signaling the movie's main conflict. For me, this was seamless storytelling; convincing, entertaining, and, with the overall dark mood reflected in the words and Lowe's voice, a foreshadowing that's all the more ironic because what we're looking at is so ordinary. Being a TV mini series, the film makers didn't have to cram the book into a two hour box. Time is taken to develop characters, relationships; action unfolds at a pace that seems steadily natural - nothing is pushed. Knowing more about the characters means we feel more for them when bad things happen. At least, I did. Rob Lowe's measured, low key performance anchors the movie. I believed he was a writer, who's guarded, repressed nature was rigidly calculated as if all things in life progressed like words in a well written sentence. I found all the Vampire stuff genuinely spooky - mainly because it all seemed so sad. With only a few misguided gestures along the way (the incest bit, for one, seemed unnecessary), this director focused the movie with care and respect. Even when "bad" characters are "changed" we feel a kind of empathy that is all but nonexistent in Horror movies these days. Maybe watching it in one sitting, as I did, with no interruptions, is why I could follow and appreciate things that others (based on the majority of these comments) seemed to miss. My opinion is firm: this is a great movie.
All,
Sad but true, Stephen King novels cannot be turned into movies without losing some of the authors original intent. The 2004 attempt to bring 'Salems Lot to the "little screen" suceeded in some aspects, but failed miserably in others. Where as the 1979 version of the film scared the living be-Jesus out of us (I still cannot sleep with the shades open at night), I can truthfully say that I don't think I ever read our 18th century or earlier vampire villain Barlow screeching something like a person who has had one to many Macnonalds cheese burger at 4:00 in the morning (wheeeee). I don't know about the rest of the known universe, but I've always envisioned Barlow as a blood thirsty sophisticant. An individual of unspeakable evil, yet a person cultured and refined. I don't think Rutger was able to achieve that definition. It seemed to me that he carried his role from "Buffy the Vampire Slayer" (Donald Sutherland????) over to this production. Don't get me wrong, I've enjoyed most of Rutgers' work, Blade Runner especially, but I really think he kinda missed the mark with this role. As far as meeting in the middle. I think the 2004 version of the film somewhat stayed true to the original book, but lacked the overall psychological punch of the 1979 version. Which leads you to the question...Can we ever achieve a fine balance with regards to a Stephen King novel brought to the big or small screen.....
Sad but true, Stephen King novels cannot be turned into movies without losing some of the authors original intent. The 2004 attempt to bring 'Salems Lot to the "little screen" suceeded in some aspects, but failed miserably in others. Where as the 1979 version of the film scared the living be-Jesus out of us (I still cannot sleep with the shades open at night), I can truthfully say that I don't think I ever read our 18th century or earlier vampire villain Barlow screeching something like a person who has had one to many Macnonalds cheese burger at 4:00 in the morning (wheeeee). I don't know about the rest of the known universe, but I've always envisioned Barlow as a blood thirsty sophisticant. An individual of unspeakable evil, yet a person cultured and refined. I don't think Rutger was able to achieve that definition. It seemed to me that he carried his role from "Buffy the Vampire Slayer" (Donald Sutherland????) over to this production. Don't get me wrong, I've enjoyed most of Rutgers' work, Blade Runner especially, but I really think he kinda missed the mark with this role. As far as meeting in the middle. I think the 2004 version of the film somewhat stayed true to the original book, but lacked the overall psychological punch of the 1979 version. Which leads you to the question...Can we ever achieve a fine balance with regards to a Stephen King novel brought to the big or small screen.....
I loved this book so much and watched the original movie on t.v. When it aired as a kid. The original has always been one of my favorite vampire movies and i was totally jacked up to see this remake. God did it suck! Donald Sutherland was very good as crazed a Straker, but overall this was half the quality of the original. VERY Disappointing! I always thought the original was special because it was actually frightening for a t.v. movie. I wish so much that HBO had remade this film. The story is incredibly spooky and could have been sculpted into a fine remake, but i was thoroughly disappointed in the cheesy way they ended up making this film. It just has that "made for TV" feel to it. The casting was one of the many things i had a huge problem with. It seemed that the character's were all too young. Why make Matt Burke a gay man? That certainly wasn't in the book at all. ugh! Well, at least the star wars trilogy will be out soon on DVD. I sure hope that lives up to expectations...
First off, let me say that I have read the original novel and seen the 1979 miniseries. Both are great in their own right. The novel is scary and foreboding. The '79 movie captures that feeling even though it changed a good amount of the story.
This 2004 adaptation doesn't attempt to mimic the feelings the '79 movie conveyed. In my opinion, this is a good thing. Although many posters seem to indicate they want to see the same scenes that were in the '79 version, what would this accomplish? The '79 version is on tape, so if you want to be scared in the same way, watch that.
The critics I've read so far have criticized this film for not being close to the novel. I guess I had a different expectation. I have long since given up on the expectation that novels translate perfectly to film. This does not happen (the rare exception being Lord of the Rings, yet even that had changes). Nevertheless, here are their main arguments. I'll respond to each one:
1) The ending of Father Callahan. - This is a 3 hour movie, and as such, plot points and characters need to be wrapped up. While Father Callahan may survive in the novel (only to reappear in The Dark Tower), this would leave more questions than answers to those who are watching the miniseries and getting the story for the first time. Remember how ridiculous the truncated version of the '79 movie ended--without knowing what happened to Susan? Films need to wrap up their loose ends.
2) The modernization of the story. - Salem's Lot was set in the mid-seventies not for any particular reason but only because that was when King wrote it. Obviously the original film took place in the seventies (as it was shown in 1979). Why must the new miniseries take place in the 70s? There's nothing in the book that requires the 70s to be the setting, and more people will be able to adapt to the current time. They don't sacrifice any of the story elements to do this. But since we are modernizing it, we do need to add some modern touches (i.e. email, cell phone, etc.) None of these take away from the story.
3) It's not scary / doesn't scare me as much as the '79 version. - Again, the '04 version isn't attempting to imitate the earlier film, and rightfully so. We don't need a shot by shot of what made the '79 classic horror (and it is) - this is how the remake of "Psycho" got panned. The original is a classic, and you can't remake a classic. So instead the director here (Saloman) decided to focus not so much on the fear but on another aspect of King's novel that was not focused on in the '79 version, and that is the entity of the town itself. The '79 version eliminated, combined, and truncated many characters, so that in the end, the only really main ones were Ben, Mark, Susan, and Straker. It worked, but this was a far cry from King's novel. The 2004 version gives us much more, including Dr. Cody, Dud, Ruthie, Father Callahan (in a larger role), Barlow (in the real role), and many other minor characters (i.e. the bus driver).
To sum up - No, it's not scary, but it isn't trying to be. There's a '79 version that did that very, very well. We didn't need them to remake that; it's good on its own. What we needed was an interesting story. Salem's Lot '04 gives us that. Don't expect it to win any Emmys, but hearing people say they wasted 4 hours of their lives makes me laugh. This is one of the best adaptations of a King work, and there are far, far worse.
This 2004 adaptation doesn't attempt to mimic the feelings the '79 movie conveyed. In my opinion, this is a good thing. Although many posters seem to indicate they want to see the same scenes that were in the '79 version, what would this accomplish? The '79 version is on tape, so if you want to be scared in the same way, watch that.
The critics I've read so far have criticized this film for not being close to the novel. I guess I had a different expectation. I have long since given up on the expectation that novels translate perfectly to film. This does not happen (the rare exception being Lord of the Rings, yet even that had changes). Nevertheless, here are their main arguments. I'll respond to each one:
1) The ending of Father Callahan. - This is a 3 hour movie, and as such, plot points and characters need to be wrapped up. While Father Callahan may survive in the novel (only to reappear in The Dark Tower), this would leave more questions than answers to those who are watching the miniseries and getting the story for the first time. Remember how ridiculous the truncated version of the '79 movie ended--without knowing what happened to Susan? Films need to wrap up their loose ends.
2) The modernization of the story. - Salem's Lot was set in the mid-seventies not for any particular reason but only because that was when King wrote it. Obviously the original film took place in the seventies (as it was shown in 1979). Why must the new miniseries take place in the 70s? There's nothing in the book that requires the 70s to be the setting, and more people will be able to adapt to the current time. They don't sacrifice any of the story elements to do this. But since we are modernizing it, we do need to add some modern touches (i.e. email, cell phone, etc.) None of these take away from the story.
3) It's not scary / doesn't scare me as much as the '79 version. - Again, the '04 version isn't attempting to imitate the earlier film, and rightfully so. We don't need a shot by shot of what made the '79 classic horror (and it is) - this is how the remake of "Psycho" got panned. The original is a classic, and you can't remake a classic. So instead the director here (Saloman) decided to focus not so much on the fear but on another aspect of King's novel that was not focused on in the '79 version, and that is the entity of the town itself. The '79 version eliminated, combined, and truncated many characters, so that in the end, the only really main ones were Ben, Mark, Susan, and Straker. It worked, but this was a far cry from King's novel. The 2004 version gives us much more, including Dr. Cody, Dud, Ruthie, Father Callahan (in a larger role), Barlow (in the real role), and many other minor characters (i.e. the bus driver).
To sum up - No, it's not scary, but it isn't trying to be. There's a '79 version that did that very, very well. We didn't need them to remake that; it's good on its own. What we needed was an interesting story. Salem's Lot '04 gives us that. Don't expect it to win any Emmys, but hearing people say they wasted 4 hours of their lives makes me laugh. This is one of the best adaptations of a King work, and there are far, far worse.
Did you know
- TriviaAccording to Rob Lowe, during the filming of the final confrontation with Kurt Barlow, Rutger Hauer went off script, but remained in-character, and launched into a bizarre non-sequitur soliloquy about wanting to be a cowboy. Director Mikael Salomon was not impressed, quickly yelled "Cut!" and asked Hauer what he was doing. After a very tense negotiation, Hauer agreed to stick to the original script, but had not bothered to learn the original two-page speech he gave, so had to read it off cue cards.
- GoofsIn some outdoor night scenes crickets and other insects can be heard clearly yet the ground is covered in snow. During Maine winters there are no insects audible at night.
- Quotes
Ben Mears: You're a vampire hunter now.
Dr. James Cody: We'll be home by midnight?
Ben Mears: No, that's Cinderella.
- ConnectionsFeatured in Cinemania: Stephen King: O vasilias tou tromou (2009)
- How many seasons does Salem's Lot have?Powered by Alexa
Details
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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