The Yin-Yang Master

This Japanese period piece/fable/fantasy/comic-book adaption hybrid film was the second highest grossing movie of 2001, just behind the superb "Spirited Away". It's not as good as that aforementioned film. A fantasy that long to be epic, yet falls a tad bit short thanks to sub-par special effects. That's not to say it's not enjoyable, as it is. Very much so. Just that, for me, the effects turned a film that could have been great into one that's merely pretty good. That said I still look forward to viewing the sequel.

My Grade: B

Where i saw it: Showtime Beyond

I rented this movie expecting it to be cool in certain ways, which only goes to prove the old adage: never judge a DVD by its cover. Especially not in a dusty, abandoned corner of your local Blockbuster. In any case, Onmyouji was pretty much not-cool at all in any of the ways I had anticipated coolness; its wholly unique brand of cool came from somewhere else, somewhere unexpected, somewhere completely different. In the end, that's what won me over -- Onmyouji is the cool you just don't expect.

Most of that cool stems from the acting and, therefore, from the characters themselves; the former operating on multiple levels of "fantastic" and the latter managing to intrigue, amuse and inspire great fondness by the movie's conclusion. I think the main joy of watching Onmyouji is Nomura Mansai's stellar performance; you get the picture early on that he's the real deal. He moves like some otherworldly spirit gracing his audience with his at once delicate and wry presence; some sort of living embodiment of mono no aware with a smirking edge and quirky eyebrows. I felt instinctively that it was an honor just to be watching him on my living room TV.

Sanada Hiroyuki, while I felt sometimes that he'd stumbled onto the wrong set by accident and then figured "Hey, what the hell, maybe I'll get paid," delivered a wonderful performance as well. I was a fan of his before this movie, and I remain a fan.

The special effects and some of the stages may be a bit on the cheap side but part of me feels that it was an intentional super-awareness of the movie-as-a-stage. The whole film watched and felt like traditional Japanese theatre, and not just because of Nomura Mansai's traditional Japanese theatre aura. As some sort of wild throwback to Murasaki Shikibu's classic and the literary tropes of Heian court culture, this film is a definite winner. Listen not to the people who were expecting a grand and lavish cinematic spectacular; this movie wanted to look like a stage and so it created one, on which its excellent stage actors excelled.

Contrary to some of the more unfavorable comments, this is Japanese movie, has nothing to do with the Chinese genre of wuxia or martial hero movie, and does not prominently feature martial arts. Instead, it is a movie about an Onmyoji or Master or Yin and Yang, an ancient Japanese master of the occult arts, including exorcism, necromancy, foreknowledge, etc. The recreation of these arts is quite authentic and the movie is suitable for use in the classroom to help students understand the jumble of Chinese Daoism and Indian Buddhism that made up Chinese esoteric learning for the early Japanese. The hero, Abe no Seimei, is played by a noted Noh actor. His style is arresting, so mannered that it might seem artificial. But in this performance it gives Seimei an otherworldly, superhuman air that ads mystery to the character. If you rent it on DVD, be sure to choose to hear it in Japanese with subtitles rather than in the dubbed version. Much of the magic depends on chants and spells and I can't imagine how they could have dubbed those. THis movie requires close attention to follow the story, but it is worth it. An engrossing story of a totally different world, where the fate of nations is determined by sorcerers and wrathful spirits, and imperial forces rely as much on exorcists and priests as on generals. Highly recommended.

A fantasy martial arts film set in feudal Japan, Onmyoji uses a good cast of characters and a mystical setting to keep the audiences entertained.

When I caught this film on TV (Showtime, I believe), I was immediately drawn in. There are demons, Shinto-like priests, curses, spells, and impressive costume designs to entertain.

The story is basic-- a young well-to-do member of the court finds himself relying on help from an half-demon Onmyoji priest to protect the kingdom-- but the world of Onmyoji is fascinating and fun to watch. It's not everyday you get to watch people battle it out with chants and prayers, evil demons, and people can fly.

Despite a previous bad review, I recommend this film to anyone who has the opportunity to see it. It's a fantasy film, but the world of Onmyoji is compelling and will draw you in.

This movie's plot is difficult to follow. If you rent the movie sit back and let the costumes, sets, imagination, and special effects take you away.

I think the director just had an idea to do a costume movie about wizards with special powers. He got everything but a compelling story