Garden of Love

This film is further evidence that Olaf Ittenbach is the current king of splatter and gore. There are directors who make scarier and more accomplished films than Ittenbach but no one currently orchestrates squashed skulls, severed limbs and general acts of mutilation better than this German maestro. Garden Of Love is a horror treasure - a highly entertaining mix of black humour and flying body parts.

Garden Of Love is probably Olaf Ittenbach's most structured film, the time leaps and flashbacks which feature so prominently in his other works have been toned down. This has the advantage of making Garden Of Love more appealing to mainstream horror fans but is initially somewhat disconcerting for fans of the manic storytelling on display in films like the classic "Premutos". After overcoming the initial shock of the film's traditional structure and the noticeably improved production values, Ittenbach fans will not take long to settle into the film - despite the somewhat slow start. In fact, in the film's first 30 or 40 minutes is oddly violence free with the exception of the initial massacre and an ingenious butcher knife infomercial.

The film's plot is admittedly rather thin. However, it more than suffices as a backdrop to the film's real purpose - blood, and lots of it. In short, the Verlaine family is massacred in their sleep and the only survivor, Rebecca, wakes from her coma with amnesia. Years later, Rebecah starts receiving messages from her dead family on the TV (just go with it!) and she returns to the family farm for a reunion of sorts. This is the point where Ittenbach kicks free of the storytelling constraints that interfere with his virtuoso approach to blood and gore and lets rip. My favourite scenes include Rebecca's inventive use of a power drill and a spectacular set piece in which the zombified Verlaine family members literally rip a team of police men to shreds. Skulls are smashed, holes punched through faces and bodies, heads shot off and torsos ripped in half. Ittenbach handles this scene with the grace and precision of a maestro conductor standing before an orchestra.

The real brilliance of the film lies in the director's "more is more" approach to gore and his phenomenal skill at employing special effects. Garden Of Love is another showcase of brilliant blood and gore effects. Their realism and impact belie the film's modest budget. It is only the presence of some dubiously talented Ittenbach regulars among the cast that occasionally reminds you that you are watching a micro budget, shot-on-video horror movie. The exception to the mediocre acting is the lead Natacza Boon, who makes a reasonably convincing scream queen. The make-up artists and cameramen deserve a lot credit for the eerie atmosphere inside the Verlaine farmhouse.

Garden Of Love exceeds all the requirements of a good splatter film. You can't help but sense that it will only be a matter of time before the rest of the world catches on to the pleasures of Olaf Ittenbach and his beautifully sick and twisted mind.

So, I ignored my better sense and watched this disaster of a film. It's not funny, and even the gore is ridiculous and shot so poorly you can't even enjoy that aspect.

The acting is funny, it's horrific and not in a good way. I used to think freddy got fingered was the worst movie ever made - then I watched this. If I had't been on a plane with nothing better to do I would have stopped watching after the first 5 minutes. But I watched it to the end, and no it doesn't get any better.

The story is stupid, the direction is pathetic, there are 6 year olds that act better than any of the "actors" in this movie, and the script is literally so dumb I was wondering if there is a country somewhere where people actually talk like the actors in this film.

It's bad - really bad - like so bad I would rather have been cleaning toilets than watching this movie. Ignore the good reviews, it's crap - I only gave it 2 stars for the "plot twist" at the end and even that was cliché.

Let's face it...most people do not know the name Olaf Ittenbach. And to an extent, for good reason. While I'm a fan of his, I find it hard to watch a lot of his earlier stuff and even his newer stuff can be hard to find. But if you're a gorehound (I would not say that about myself, but I do love a good splatter movie now and again), then a healthy Ittenbach collection is a must. It would be very hard to make an argument that anyone currently working in special effects (let alone directing) has the talent he has for making a head go pop or letting loose an almost hilariously unnecessary amount of blood at one time.

With that said, Ittenbach's movies seem to have a bit of a formula to them. They'll usually assault you virtually in the opening credits, drag along for a little while, give you a pretty intense amount of non-stop gore, fade away for a bit longer, and then hit you with a blood soaked climax. The trick is to make it through the parts that are boring to get to the good stuff. "Rebecca Verlaine" is a prime example of this. Mass murder within the first 5 minutes, then a pretty unimpressive story for 20-30 minutes, a big dose of people getting their faces ripped in two and/or their limbs torn off, more boring crap for awhile, and then a nice finale so Ittenbach can let you know who's boss. That...and his trademark disregard for accents. I swear, if there's 4 people in a scene at least 2 of them will have different accents from the others. And there's no rhyme or reason. Sometimes one brother has a German accent and the other British...Olaf doesn't care.

In the hands of a less capable special effects man, this easily would be nearly unwatchable. But as it stands it's quite watchable, especially for the aforementioned gorehounds. A 7 may be a bit of a stretch, but what can I say...I'm a tad biased towards the man's movies. Now if it could just have been as cool as "House Of Blood"...

I have had the pleasure of seeing this film at a horror festival in Edinburgh. Garden of Love does not have a serious bone in its sick low-budget body. There is lots and lots of blood and gore, starting with the opening credits. The plot is extremely silly like everything else in this film. In fact you might say this film is a pastiche of gory films. At first this film seemed really bad, but it was so entertaining that the director must have been doing something right. Garden of Love definitely needs to be enjoyed in company (with like-minded people!).

A lot of people were laughing at the quality of the acting, but to be so funny throughout the film it had to be deliberately bad - SURELY?. The character playing Munster was my definite favourite and I would see the film just for his extremely camp performance. I am not sure that many actors could have made the awful lines quite so funny.

You may have gathered that Garden of Love won't be everyone's cup of tea but if you have a soft spot for bad taste gory films then see it, because it's wonderfully awful.

Okay, ask yourself if you enjoy gore. Are you okay with weak but humorous acting? Do you like silly writing? Once again ask yourself, if you enjoy gore. You do like gore? And funny acting and writing!? Well, alright, this movie's for you!

Once again, the master of brutal gore delivers another solid piece of super violent entertainment. This go around it surrounds a girl who's being haunted by her dead family. They want revenge and the only way they can achieve it is by this young lass to help out. There's more back-story, with some mystery involved, but that's basically the plot.

The story itself surprisingly was pretty fun. There were some lulls, but nothing that'll bore you so much that you'll shut it off or skip the scene. Regardless of a slow part here and there, the story was directed well, and with the awesome violence thrown in, it turned out to be a very fun Ittenbach flick. Definitely recommendable to gorehounds and fans of the Olaf.