5x2

At 5x2 we see the course of a relationship from end to beginning. The reverse chronology of events is now a well established editing technique which almost always works and intrigues the viewer.

The personalities of both Marion and Gilles are established fairly quickly, but the reasoning behind their actions is usually explained at a later time. In fact, this shows how well written 5x2 is, because throughout all five episodes the characters of the protagonists don't change, their behavior has changed due to actions of the other part.

Both actors deliver high caliber performances and their faces write perfectly on the screen. They do create a chemistry when needed (and a lack of again when needed). Can you believe by the way that beautiful Valeria Bruni is forty years old?

The vintage Italian music adds color to the story and Ozon shows he is an accomplished director. As the movie ends he gives us one of the most idyllic scenes ever filmed.

The end and beginning of the love of the French couple Marion (Valeria Bruni-Tedeschi) and Gilles (Stéphane Freiss) is disclosed backwards through five moments in their lives:

1st moment: They divorce and have one last brutal intercourse without love.

2nd moment: With their relationship shaken, they have a dinner party with Gilles's gay brother Christophe (Antoine Chappey) and his younger mate, when an infidelity is disclosed at the dinner table.

3rd moment: The troubled pregnancy of Marion and the delivery of their premature son Nicolas, with the total absence of Giles.

4th moment: Their wedding, when Marion commits adultery with an unknown guest of the hotel.

5th moment: .When they meet each other in an Italian resort and begin their relationship.

This simple and realistic movie recalls "Irreversible" (2002), since the screenplay discloses five moments of the relationship of a couple chronologically backwards. I believe the first intention of François Ozon is to remember that behind every divorce, there is a couple that loved each other in the past, that decided to marry each other expecting to live together and raise a family of their own. However, relationships usually deteriorate and time destroys everything including love. In these fragmented glimpses of the lives of Marion and Gilles, the viewer does not see exactly when their love ended, but after their initial encounter, there are many signs suggesting the beginning of the end: the adultery of Marion in the wedding night; the absence of Gilles in the birth of his son; his consented participation in an orgy in the presence of Marion, visibly showing one sort of last attempt to save their empty marriage. Further to the good screenplay, the outstanding and strong performances of the sexy Valeria Bruni-Tedeschi and Stéphane Freiss give the credibility to the characters. My vote is seven.

Title (Brazil): "Amor em 5 Tempos" ("Love in 5 Times")

As another reviewer before me, I also can't believe how badly people are writing about this film here. I adore Francois Ozon and I've seen all his feature-length films. This one seems quite different from the others (except, maybe, Sous le sable) and it's as low-key as Ozon could ever get, but it is still an excellently scripted and played film that makes one think.

I didn't consider the backwards structure to be gimmicky at all, it rather helped the viewer to better make out flaws early in the relationship. There is betrayal in each one of the episodes, starting with the last (chronologically the first) one. The film shows us that even little egoisms and uncharitable behavior can lead to grave consequences - in this case, to divorce. The woman, Marion, seems to be easily led anywhere, not having enough standing of her own, while the man, Gilles, seems to be egoistic, cowardly and sometimes just simply sex-crazed.

I think the structure rather helps us to understand the characters better, since we have already seen the consequences of their actions and attitudes. I didn't consider the large gaps between (and also in) the episodes to be a problem - they only acknowledge that the whole story can never be told because it is made up by every single moment between their first meeting and the last time they see each other. These episodes can only indicate what went wrong, they cannot explain - that would be too simplistic.

The actors were excellent, especially Valeria Bruni-Tedeschi. The way the looks of the main characters changed during the film (becoming more and more youthful and fresh as the story goes backwards), was also excellently done.

The parallel love stories (between Gilles's brother and his young lover, and between Marion's parents) shed some more light on the relationship between Marion and Gilles - also on what might have gone wrong.

This film should probably be required viewing for every couple wanting to get married... :-) Not in order to deter them, but rather to make them aware of the pitfalls of relationships and married life.

The reverse chronology brings together what all too often tears us apart, wait it's love, love that tears us apart. Marriage really is a different thing altogether.

The film feels to a degree like flipping through old photographs, nostalgia is a form of pain, right? What was interesting was to see the actors really portraying quite different characters in the five sets, although had I seen the French Remix where the scenes are re-reversed, perhaps it would have all seemed more fated and just an unwrapping of a bitter, broken wedding gift.

I did wonder if the movie was filmed in proper chronological order.

There is something about maid Marion's parents, that is placed on a very tiny pedestal, without much explanation. I found compassion in watching Valerie Bruni-Tedeschi here...while her lesser half did not get much of a fair chance at redemption.

All of us, and all of our partners are flawed. But perhaps not all relationships are fatally flawed. Find someone emotionally compatible and give it a shot, maybe savor the best memories periodically. Good luck...

This is one of the most resonant films I have seen for a long time. Superb performances by both leads and a simple but very effective structure. To begin at the end and move backwards to look at moments, glimpses, fragments is such a simple device yet devastatingly effective as demonstrated with such expertise by Ozon here. I found certain moments deeply moving such as the physical assault on his wife. It seemed like a desperate attempt by the husband to try and claim power over his wife. But we know that the relationship is in the final throes of death. I loved the scene on the wedding night when she looks at her mother and father who we have previously seen rowing, just dancing alone at the reception. Somehow you know that their relationship will last and there is hope for them. The adultery the wife commits seemed to work although at first I thought it too contrived. Her pleasure on seeing her husband and love for him as he sleeps when she creeps back into the room felt very real. For me however the most beautiful and most moving sequence was the end when they first meet. It was wonderfully set up and echoed real life so well. It is always a series of events, a chain that causes all the pieces to fall in the right place and the couple to meet. It such a subtle scene when they talk on the beach as we know they are about to fall in love. When they walk into the golden sea bathed in light the two are literally becoming one as they embark on a new chapter in both their lives. The beauty of the scene is made more powerful by the conflicting emotion in our minds as we know that this love will be destroyed. How can something so perfect ever diminish? What Ozon is saying is that all things must die, that surely it is better to have loved and lost than never to have loved at all. Go and see this film. It is marvellous.