Neverland

A black Wendy? A juvenile delinquent Michael? A community college drop-out John? Obviously this isn't your grandparent's Peter Pan. These and many other stylish changes can be found in Damion Dietz's update of the J.M. Barrie classic, while sticking closely to the plot points of the original.

In fact, Neverland does follow the main points of the story fairly closely, which is scary considering the result. It's actually pretty amazing how easily Dietz was able to change certain plot points to make them fit a more contemporary backdrop. When he is introduced, Peter is looking for the keys to his car, nicknamed, appropriately enough, "My Shadow." Neverland is a run-down amusement park peopled by drug-addled "faeries" and runaway "lost boys." Tiger Lily is a performing drag queen from one of the park's cheezy revues. The pirates are costumed "cast members" of the park and Captain Hook a disgruntled janitor. Even the crocodile makes an appearance, in the form of a costumed nebbish whose one-night stand with Hook has him stalking the man for another "taste." All fit perfectly into the scheme of the Dietz update.

So much so, that when certain anachronistic fantasy elements are presented, it is pretty strange. Cute, but kind of creepy, too, given the hyper-real Kids-meets-Urbania motivations of this film. Especially when Tinkerbell makes with the "fairy dust" so that the "kids" can fly away to Neverland in a kaleidoscope of imagery and MTV jumpcuts with a grinding, hard-edged musical backbeat.

One aspect which could have used some fancifying, however, is the main character of Peter Pan. As presented by Dietz, he is an arrogant, snot-nosed punk; a poster child for disaffected youth and a thoroughly unlikeable hero who thinks he has the answer to all of life's problems. Oh, he's pretty enough, but whereas the Peter Pan of the original novel, was a high-flying sprite who was ageless and literally lived in a fantasy world, Dietz Pan is a brooding, whiney, trash-talking runaway, who simply refuses to grow up. Countered by a grounded and grown-up Wendy, who emerges as the true hero of the story, Peter comes across as the kid that everyone thinks is cool until the chips are down and he proves himself unworthy of the praise.

By contrast, the homoerotic motivations of Gary Kelley's Hook add dimension to what has always been a literary cypher. He fairly bristles with contempt for the lost boys living in the maintenance tunnels of the park, because they represent that which he has lost. His pomposity is also given a dark edge by his dead-end job as a janitor and his hate for the one "boy" he has always wanted, but could never have.

Setting the story in a theme park is an inspiration, as it allows for all the various fanciful "characters" which lend the novel its charm--pirates, mermaids, indians, etc.--to move about freely, without dragging the film too far from the reality it is grounded by. In the end, however, this updated version is pretty desolate and joyless, so don't expect to be humming "you can fly" when you're done watching it. If, however, what you're looking for is a creative and fascinating departure from form, a la the various contemporary updates of Shakespeare's work, then Neverland is an amazing study in social satire with a classic spin.

I will admit that I purchased this movie just for the fact that Wil Wheaton was in it. Having seen it however I do enjoy it and think it is well written. It is definitely not a family version of the film, but a good interpritation. I truly enjoyed this movie and would recommend it to anyone who has a very weird sense of humor and reality. I had the chance also to speak with Wil Wheaton about it not too long ago and even he said he was really happy and proud of it. It is definitely a different interpretation of the film, dealing with drugged up fairies, teenage lost boys, and drag queen Tiger Lilly. I do however warn that it does have strong language.

It takes a lot to surprise me, but I was shocked by this. This has to be one of the most subversive things I've ever seen... and not like a porn version of "Alice in Wonderland" or something like that. This low-budget movie very subtly and gradually melted away the Peter Pan mythology and rebuilt it in the most disturbing way. It was as if the filmmakers took the story of Peter Pan and forced it to grow up, without changing its core. A masterful concept that was handled extraordinarily well despite some obvious budget limitations. My wife cried at the end of this film and couldn't stop. While I found it challenging on an intellectual level, I didn't have the emotional response that she did. When I asked her why she found it so sad she told me that when she was young she would always dream that Peter would show up and fly her away to Neverland, and as she got older she of course had the "prince charming" fantasy. She told me that watching this movie was like the symbolic nail in the coffin of that dream. So not only did this movie freak me out, it made my marriage more depressing. In any case, it was powerful, entertaining, and thought provoking... and very captivating. So when someone says they hate this movie and they want to throw the DVD against the wall, I can understand where they are coming from.

Neverland delivers a strong, sometimes harshly realistic message, but we can't hate the messenger now, can we? Neverland gets an 8.

This movie never promises to be anything that it isn't. The description basically tells you that it's low budget and shot on DV tape. If you were expecting Titanic or Lord of the Rings - then yes, you will be very disappointed.

If you go into it knowing that it's an independent film that was done on a minimum budget by someone just getting started in the business, then it's really not that bad.

Being someone who is just starting out in the world of movie making, I could appreciate the effort and work put into it.

So if you like weird, cult, independent, low-budget movies (and who doesn't?), then check this movie out. On a scale of 1-10 (10 being best), I'd give it about a 6 or 7. My friend thought it was totally weird and didn't like it at all.

Variety was absolutely correct when it referred to the movie as "... A Dark Reimagining of Peter Pan." In the end however, a range of factors led the movie to be nothing more than an attempt at breaking the mainstream cycle of "acceptable" films.

The idea of taking the well-known story of Peter Pan and applying it to modern times, in an attempt to display current social problems is respectable and clever. What the audience received however was a movie in which the acting was lacking. Scott Mechlowicz surprising given some of his other works, appears dazed, and as if he is reading his lines off of a queue card. Melany Bell, although decent at times, tends to set the wrong emotions. Rick Sparks is just annoying as hell, and fails to really play slightly neurotic case of the "boy who wouldn't grow up." He comes off as more of the defiant adolescent, who rebels not because of his fear of society, or his fear of his inability, but rather due to his arrogance. Gary Kelley gave an excellent performance as Hook, although I would say that his performance didn't exactly fit in with the story-line, except for the fact that is disturbing, if not outright creepy. The majority of the other minor characters serve as nothing more than mouthpieces for the screenplay.

Transitions in Neverland are painfully slow. In that dull, menacing, and irritating montages continue for minutes at a time, prompting me to fast forward. It almost appears as if they were added to boost the time of the film, due to the fact that they add absolutely nothing other than substandard music, vexing sounds, and shamefully dull images.

The cinematography is by all means nothing special, nothing too innovative. There is one scene in which Hook is lecturing his employees that displays some amount of editing and camera talent. There were at times however, where the audio did not match the images on the screen.

Overall, this film is a decent introductory film for director and screenwriter Damion Dietz. It tried to take a good idea and make a good film, but in my opinion failed. It relied too much upon stereotypical understandings of society's youth, an odd, if not unnecessary overriding homosexuality component, and what appears to be attempt to manipulate every aspect of Peter Pan as much as possible. It did, honestly, try to emulate the book more than say, the Disney version, but the extremes to which it is taken results in something of chaos.

Also, it is interesting to note that a large majority of the highly positive reviews were the first, and only reviews of some IMDb members.