Anatomie de l'enfer

I have seen this movie yesterday.Well,those who are fans of Amira Casar may like to see this film.. Otherwise it is a boring one. The dialog between Rocco Siffredi (porn Star) and Amira Casar(well known actress) is not realistic. Amira Casar plays mostly naked but just like a model for an artist. She is lying on the bed without any movement. There are some explicit scenes one of which was female close-up genitals.But it is obvious that those close-up genitals are not belong to Amira Casar. Probably another porno star has played on these scenes on behalf of her . She is a good actress for sure but in this film she was just like a sculpture . May be she was uneasy due to play role in the sexual scenes with a porn star with his erect penis . There are some unbelievable obnoxious scenes also such as licking and drinking menstruation blood.

ANATOMY OF HELL is a brooding and vulgar scrutiny of the base nature of Human Sexuality. Catherine Breillat attempts to blend a thoughtfully philosophical film with the shocking details hardcore pornography, and falls far short of the mark. I did not have as much of a problem with the disturbing sexual images, as I did with the absurd dialogue. Nobody talks like this, and it carried the film beyond pretension and into preposterousness. The plot is straightforward, yet odd. A woman visits a gay nightclub, and attempts to slash her wrists in the toilet, however her motive is never revealed. She is rescued by a man who passed her on a stairway in the club, and later she asks the man if she may buy his time for the next several days while she reveals herself to him during her most private moments. What follows is a series of turgid and sophomoric discussions which attempt to elucidate the various differences between Men and Women. Even if these two individuals were more articulate and believable, the director does not show us why these characters are worth our attention. What enduring truths could this gay man possibly have to say about masculinity, and why should we care about the observations of this obviously troubled young woman? ANATOMY OF HELL demonstrates our animal nature as sexual beings in exacting detail, however the opaque reflections of the two central characters ring false, and deaden the overall impact of the work. Many would welcome a cinematic journey in which honest philosophical insight is injected into the very artificial and contrived genre of pornography, but ANATOMY OF HELL is neither honest nor insightful, but only salacious.

I haven't bothered to review a film for a while as it's essentially a pointless task, but I am forced to action (as a person of action might say).

WHY!?!?!? do people have a problem with sex in films. There are rumours that this film is being appealed against in Australia with the intention to ban it!! I do not find breasts offensive, not pubic hair. I certainly don't find a penis offensive, or I would be forced to slice mine off... (I'm quietly admiring of Rocco's, wish mine looked more like his)... so I don't have a problem with those things being portrayed in Anatomie de L'Enfer. There are a few challenging images in the film, but what is wrong with being challenged. Indeed, how could you go into this film and be shocked, the poster let's on what you are in store for, the films rating lets you know!

Why do adults have a problem with two adult characters discussing sex in a film? I thank Einstein that we have films other than the 'lets switch off our brains' U.S films (which there is a time and place for) to sometimes get our teeth into.

Lets cherish Catherine Breillat and look forward to her next production; I for one would love to meet her.

Cheers.

As one of the most controversial (or notorious) contemporary directors, Catherine Breillat seems to push her cinematic expression to further extremity in her every new works. However, it must be noticed she was actually preaching the same theme sexual battle in all these movies, only the stories become more and more simplified, instead of which explicit images play the role of supplements to abstract lecturing. Anatomie de L'enfer is unexceptionally the latest development of her filmic experiment to challenge the traditional ideology both on screen and off screen. The movie was mainly shoot in a room, where the actor and the actress talked about sex (and things related) as well as having sex. Through their conversation and the monologue of the director's voice in the background, again the audiences find the same elements from Catherine Breillat¡¯s previous movies¡ªthe contempt, the hatred, the desire to conquer each other between the two sexes¡ªthough this time she set up a even more extreme scenario to prove her theory, that regardless the chronic anti-woman complex, even his own sense of superiority over women, the man in the movie fell into the fascination of female body (sex)¡on the other hand, overwhelmed by his animal instinct¡ªduring watching the woman exhibiting herself. Moreover the man's self-abasement and self-deceit at the end of the movie emphasized his failure, and more importantly, his sense of failure. Thus Catherine Breillat reveals her perception about the puzzle of sexual relationship¡ªmen are after all capricious children (hinted in the scene of children playing doctor and patient game), who mask their greed to what they are eager for, and turn to hate it if unable to have it. Naturally such desperate view won¡¯t be appreciated by the majority, which makes her a heathen among the believers of ethical love. Then again, her brilliancy lies in her metaphysical research on the topic, even it might be stray or biased. The real stupidity is judging her by the keep-it-simple-stupid rule, as in most occasions how the conservatives treat the pioneers, and the implicit treat the thoughtful.

One may not 'enjoy' the 'Anatomy of Hell' while seeing it in the cinema. It is a very tense experience and most scenes are surprisingly confronting. Go alone and see it anonymously as it may well be a part of human nature to deny such a deep cut- to-the-bone depict of the 'naked' human relations.

'Romance' is about how men treat women and 'Anatomy of Hell' is about how men 'view' and treat women. However, from 'Romance' to 'Anatomy of Hell', while men stay at same, SHE is liberated! She is no longer longing for the impossible of men recognition and driven to despair as in 'Romance', in 'Anatomy of Hell', she lies there and knows TOO WELL that all the sins in the world are caused by the view of her body (AS IF!).

From the high class sex scandals to the street gang rapes, the essence is the same. The very abstract notions of Catherine Breillat's view on misogyny only can be illustrated via the extreme excessive sex scenes. If the extreme sex scenes are taken out form both the 'Romance' and the 'Anatomy of Hell' (as they both have caused censorship controversial in Australia), would the same points be made? The answer is definitely NO.

'Romance' and 'Anatomy of Hell' are the only two films of Catherine Breillat's I have seen. I definitely will try to see the other films she ever made.