Tomie: Re-birth

This is the story of Tomie, a young japanese woman, who gets stabbed to death by her boy-friend in the beginning of the film. Don't ask why, because the two really seem to be in love. While he's painting a picture of her, she slightly whispers that she loves him. And suddenly he seems to lose control. When two of his friends appear, they find him holding her dead body in his arms. The three decide to keep this homicide as a secret and bury her somewhere in the woods. But a few days later she's back and looking for revenge. Strange things begin to happen.

Not the right choice if you're looking for a gory splatterflick. Almost no blood at all. But if you're a friend of films like "The Ring", "Uzumaki" or "Parasite Eve" this one could be the right choice. Can be compared with the first two but is not as brilliant as "Parasite Eve", although the end looked pretty similar.

So while the gorehounds among you might call this boring, i would say it was slow but entertaining and rate it 6/10.

After seeing the first Tomie movie i lost all interest in seeing what the sequels in the serial would bring. For a horror movie, there wasn't a single chill or climax in it, which can only leave a horror fan like me very disappointed. But then i saw that Tomie: Re-birth was directed by no other than Takashi Shimizu (The man behind the four Ju-on movies), and i thought, and (i guess) expected, that he would add a lot of his creepy imagination from his former horror movies (i cant praise them enough) to this sleeping pill of a weird love story. I was, again, VERY disappointed. Though, i have 2 good things to say about this movie. First of all, this one IS better than the first. Second, there actually was one scene in Re-birth that made my hair on the neck to stand up, and that is where a girl is sitting in her bedroom in front of a mirror and suddenly sees a girl, white as snow, peeking out of her closet. Uuhhhhhh Mufasa!! It smelled a little like Ju-on, but then the girl turns away from the mirror and the ghostly lurker is gone. BUUUUUUH!! But besides this minor chill that lasts about 3 seconds, its really hard to see that this is a Shimizu creation. Instead of taking Tomie to a new level and making it to a real creep fest, it seems more like he just goes along with the dull and not THAT fascinating theme from the other Tomie movies. And on top of that, i saw interviews with the cast and the director himself describing this movie as a blend of horror and humor? Now, without sounding like a dumb racist, but do you have to be Japanese to notice the humor? It went over my head thats for sure. But maybe some of the moments that i found laughable and not creepy, like the crawling head, wasn't meant to be scary but fun? I guess i never find out and its not important anyway. I mean, Tomie IS a horror movie right? At least, thats what it says on the movie description. But how on earth is it possible to make a horror movie where the so called "monster" dies all the time, killed by all its "victims", and not the other way around? So far Tomie hasn't convinced me that it can be done...

Please Shimizu, stick to the creepy stuff. Thats what you do best.

I gave it 5 out of 10

If there's one thing that can and should be said for the popular cult- franchise "Tomie", it's this: despite an extremely shaky and underwhelming start, the series does make a noted improvement each time with its first round of sequels. It's a franchise that can be well-worth investing in as a result, despite also being one that has the most extremes of up's and down's throughout it's numerous entries.

Yes, despite being a massive fan of the horror genre and particularly of Japanese creep-shows, I've never been particularly taken with the original "Tomie" movie. Based on a popular ongoing manga of the same name by author Junji Ito, the first entry in the film franchise was a messy swarm of under-developed ideas, sloppy attempts at atmosphere building, trite and hackneyed writing and direction and poorly established rules. It was a fundamental failure both as an example of horror and as a film in general. Thankfully, it's first sequel in "Tomie: Replay" was a marked improvement in virtually every capacity, with fun direction, decent writing and generally strong performances.

And I do think that this third entry, "Tomie: Re-Birth", is another step in the right direction for the franchise. With a nice, slow sense of pacing and a great sense of direction from famed director Takashi Shimizu, this entry has a lot going for it. It stands as one of the better early entries in the series, and can be a great deal of fun.

A young woman named Tomie is modeling for a painting by an artist named Hideo. After she defaces the painting in a jealous fit, Hideo kills her. But, as any fan of the series will know... Tomie will not die. And thus she returns to torment the artist and his friends, leading to an intense and disturbing story filled with twists, turns and subversion of expectation...

I firmly believe the main strength that sets this entry apart is the wonderful direction of Takashi Shimizu, who is best known for creating the very popular haunted-house series "Ju-On" and for also directing the first two entries in its American remake series "The Grudge." Shimizu is a fine director when it comes to slow-build, atmospheric horror, and he excels here with some great, creepy sequences of bodily terror. It's arguably the most disturbing of the first three films, and Shimizu it helps to give it a grand sense of dread and intrigue. Especially in some of the very trippy-yet-grounded visuals that he relishes in. We also have one of the best Tomie's of the series here thanks to actress Miki Sakai, who excels in the role in a way not many of the other actresses to portray the character have.

The film does have some faults to it, however. Much as many entries in the series do. I found that while it is a good time, it can often move a bit slowly. To the point it can be boring even. Some scenes feel a tad out of place and wonkilly inserted into the narrative. And much like virtually every other film in the series, it wrongfully assumes that the viewer is intimately familiar with the source material, causing some confusion with those who aren't. And it is a serious problem- adaptations should be able to stand on their own without knowledge of what came before. The films should try and explain the rules and goings on more than they have been to this point. It causes an unnecessary level of confusion for the viewer, and not in an intentional way.

That being said, I'd rank this one right about on par with the previous entry- the very enjoyable but mildly flawed "Replay." It's a lot of fun. It's very watchable. It runs laps around the sub-par original. But it still has a few faults holding it just shy of being a "great" movie. As it stands, it's merely decent. Worth watching for fans of horror and Asian cinema... but probably not for general movie-goers.

I give "Tomie: Re-Birth" a slightly above average 6 out of 10. Another step in the right direction for the series. But not enough of an improvement for me to call it a great film.

Tomie: Rebirth is the weakest entry in the horror movie franchise about the evil girl that cannot die. Let's start with the few positive points. The film certainly has an uneasy atmosphere from start to finish. Sakai Miki might be the best actress to portray Tomie yet as she finds the right balance between human emotions and monstrous manipulations. The film shows a Tomie that is more powerful than ever before. She can come back to life through a picture, take possession of other people when they use her lipstick and even kill people with the help of her hair.

Despite a good lead actress, an intriguing atmosphere and a few clever ideas, the movie is boring and hard to sit through. Horror movies should be scary in one way or another but there isn't one single frightening moment in the entire film. The cast claimed that the film had humorous elements and were close to a dark comedy but that most certainly isn't the case as the atmosphere remains gloomy throughout the film and people die under terrible circumstances. Most of the acting performances are terrible since actors and actresses constantly move and speak in slow motion that would even make Inspector Mathias and Detective Chief Inspector Derrick look like dynamic characters. The story is also somewhat confusing as it shifts perspectives all the time and includes unnecessary flashbacks. The pace of the film is dragging and it certainly doesn't help that this is the longest movie in the franchise up to that point.

Tomie: Rebirth is a disappointment because it never lifts up, overstays its welcome and wastes all of its initial potential. Shimizu Takashi directed movies like Ju-On before this film and would later on create the marvelous Marebito but his involvement in this film is underwhelming. Only avid collectors and fans of the franchise can give this film a try. Anyone else should stick to Tomie or Tomie: Replay or just read the manga.

Having watched the first three films (Tomie, Tomie: Replay, and this, Tomie: Re-birth), I can say this is far and away the most accessible and interesting of the group.

For sure, this movie is, like the others, almost glacially paced, but those with the attention spans for it will be rewarded.

It's hard to describe the plot, but it essentially revolves around the effect that the title character - Tomie, the girl who can't die - has on the people around her. Tomie "enchants" men in so much as they become powerless, madly in love with her, to the point where they kill her, and she is reborn.

But the character is so much more complex than that, and this iteration of the series makes her the most accessible and expands her well beyond what the previous films had.

For sure, this is horror, but it's more psychological than anything. There are gruesome scenes, but the whole film is effective because the characters are rich and deep and interesting. While the first two films focused almost entirely on the effects Tomie had on the men she encountered, this one expands beyond that, touching on family and friends, and even deigns to show us what happens when a man resists her charms.

It isn't enough that it's a solid horror film, but the quality of writing on display is outstanding and puts it on par with other classics like Ring and Kairo. This is a matured Tomie film - not dull like the first or overtly Americanized like the second - but raw and intelligent.

Absolute must see.